The Wages of Art

I’ve been in a strange sort of fall and winter. I started my blog twelve years ago and have written—quite a bit. The blog continues to be well read, I can’t complain, but it’s an odd sort of success that butters no parsnips. I just received another rejection from another agent: Sorry for the form letter; but form letter; at this time; volume of submissions; “project described”; list; doesn’t fit; good luck. Meanwhile, authors are encouraged to tenderly and exquisitely tailor their queries to each individual agent—please enclose perfumed rose petals. Also, if you need help writing your queries, I notice now that agents and editors are offering courses (VISA and MASTERCARD accepted).

I also find myself in the odd position of being treated like the rich uncle. There are many writers, poets and websites who, suddenly my best friends, write me glowing comments, telling me they’ve always loved my website, only to end with a request that I review their poem/book/website. Can you spare a dime brother? This happens a lot. I remember one poet—published, successful and nicely ensconced in academia—who, after I reviewed their book, asked if there were local venues where they could read their poetry, as if I might be their pro bono outreach coördinator. Not long after that they sent me another book to review. Did they ever mention me or my poetry? Did they acknowledge my writing? That other poets and authors ask for reviews or to be mentioned on my blog is okay. That’s called self-promotion. I get it. What rubs me the wrong way is when none of these individuals offer to return the favor—and that doesn’t take much. They don’t mention my blog on their own sites and never comment on my poetry because, of course, they’ve never read it and apparently have no interest in doing so.

As far as blogging goes, I’m struggling to feel motivated. For three straight years I wrote a post a day. That’s a lot. Writing this post is maybe an effort to motivate myself.

If any of you wish that I’d discuss this or that, let me know. I haven’t been posting much if only to avoid being repetitive. Presently, I’m working on more poems and still developing ideas around my next novel. I’ve written the opening pages but am already thinking of all the many ways I can make it unsalable—including poetry, stories within stories, the blurring of genres upmarket/YA/women’s/erotic/magical realism/literary etc… It’s what I do. I write meter and rhyme when the rest of the world writes prose. I write, apparently, what (so far) nobody wants to read or publish. This may simply be a reality I need to accept.

There’s also the possibility that I’m a poor judge of my own art. History is littered with mediocre talent unable to recognize its own limitations. I don’t think that’s the case, but of course I would say that. It’s possible that my writing is universally rejected because I’m just too mediocre and daft to recognize it. I see it in other poets, writers and artists every day. There’s no reason why the same shouldn’t afflict me.

What do we do in life when nothing works out the way we expected? Don’t ask me. I’ll just write a poem or story about it. Once one has decided to paddle across the ocean, quitting mid way probably isn’t going to end well.

    mid-
        field in February's snow—the inexplicable
            crow

            February 8th 2022

three haiku for the start of December


    early
        winter's moonlight—the bones
            shine

    94 November 25th 

    leaves
        in the sidewalk's ice—walking
            alone

    95 November 29th 2021 

    one
        crow after another and another—night
            falling

    96 December 2nd 2021 | bottlecap

And a little something for a moment’s meditation:

For blockprints: https://www.etsy.com/shop/KitchenTablePrinter

And for more reels: https://www.instagram.com/kitchentableprinter/

four haiku for late November…


    snow
        falls whispering into the whispering
            brook

    90 November 11th

    under
        her umbrella—evening folds into 
            night

    91 November 15th
    un-
        wanted—her doll's button-eyes still
            shine

    92 November 18th

    still
        leaning sunward—the withered wild-
            flowers

    93 November 22nd 2021 | bottlecap