Vermont Poetry Newsletter • September 24 2009

[The Vermont Poetry Newsletter is not issued by me but by Ron Lewis, by whose permission I post this. PLEASE NOTE: I have edited his newsletter so that links are provided rather than text.]

Vermont Poetry Newsletter

Your Poetry & Spoken Word Gateway in the Green Mountain State

September 24, 2009 – In This Issue:

  1. About VPN
  2. Newsletter Editor’s Note
  3. Writing Assignments/Suggestions/Exercises/Prompts
  4. Quibbles.com
  5. League of VT Writers: David Weinstock Poetry Workshop
  6. Brighten the Barn – PSOV Anthology
  7. Writing For Radio
  8. Burlington Book Festival (With Schedule)
  9. Brattleboro Literary Festival (With Schedule)
  10. Kay Boyle Bio
  11. The Horace Greeley Writers’ Conference
  12. The Poets Forum On Contemporary Poetry
  13. Google Book Settlement
  14. Tarpaulin Sky Press & Literary Journal
  15. Robert Frost Farm Fund
  16. Boston Book Festival
  17. Children’s Poet Laureate Mary Ann Hoberman
  18. Book King Readings
  19. Did You Know? HBO Series: Brave New Voices
  20. Poetry Quotes – Why Poetry?
  21. US Poets Laureate List
  22. Failbetter Poem
  23. Linebreak Poem
  24. Copper Canyon Press Poem
  25. American Life in Poetry Poems
  26. Vermont Poet Laureates
  27. Contact Info for Publisher of VPN: Ron Lewis
  28. Vermont Literary Journals
  29. State Poetry Society (PSOV)
  30. Year-Round Poetry Workshops in Vermont
  31. Other Poetry Workshops in Vermont
  32. Year-Round Poetry Writing Centers in Vermont
  33. Poetry Event Calendar

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1.)

About the Vermont Poetry Newsletter Network

The Vermont Poetry Newsletter Network is made up of people of all backgrounds, ages and skills who appreciate the craft of poetry and want to promote it in the beautiful state of Vermont. The network consists of a free e-mail list, an eventual web site, workshops, open mics, poetry performances and other literary events.  The network provides opportunities to meet local poets, talk about and enjoy poetry, and motivate and inspire yourself in whatever writing projects you are involved.

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2.)

Dear Friends of Poetry:

Do you realize that the Vermont Poetry Newsletter now goes to over 300 serious poets around the state?  If you’re reading this, you happen to be one of the chosen ones, to be a “word gatherer” and to bring the enjoyment of this craft to others.    If you have something poetry-related that you would like me to be aware of, something you think I would enjoy, please send it along to me.  I too am one of you, someone who searches out for the perfect word, a “word gatherer.”    I hope to someday be fortunate enough to find you at a poetry reading, or to hear you read, or you to hear my words.  I want to hear all the words, all the poetry that surrounds us.  Don’t you?

Ron Lewis VPN Publisher  247-5913

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3.)

WRITING ASSIGNMENT/SUGGESTION/EXERCISES

writing promptOpen a dictionary to a random page. Run your finger down a column of text, paying attention to the first five or ten words you see. Choose one of those words and find a way to include it in a poem you’re working on, or a paragraph of prose. As Natasha says, you can force the word into your work “like hammering open a door.” Maybe in a later revision, you’ll block it up again. But in the meantime, this randomly chosen word will have allowed you to get some “air” into your writing…

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4.)

QUIBBLES.COM

The Dead Creek Poets’ Society Leonard Gibbs,
Magister Ludi

In which Leonard Gibbs contemplates A. E. Housman’s  “The Name and Nature of Poetry.”

quibblesOver the years some writings have stayed with me, to read over and over.  As I was a preacher in the Southern Presbyterian Church, The Bible was not only required reading, as a professional handbook, but also a wildly exciting story of Olympian rages, creativity, hate, love and redemption.  I read it less now, and in pieces.  I do not see it as a single theological work, but as a testament to beauty, power, hope and massive failure….

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5.)

League of Vermont Writers
October 2 and 3, 2009 – LVW Fall Retreat
Bishop Booth Conference Center by the Lake
Burlington, Vermont  with

Registration InfoFriday Evening

Joe Citro – Reading from *The Vermont Monster Guide*

Saturday

Joe Citro – “On the Writing Life”
Jim DeFilippi – “The Ups and Downs of E-Publishing”
David Weinstock – “Write Strong:” A Hands-On Workshop (POETRY!)

Register now!

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6.)

Brighten the Barn

  • 60th Anniversary Anthology  Poetry Society of Vermont.    Forget that I’m the Reporting Secretary of the PSOV, I believe this book, all 99 pages of it, is a poetry bargain!  I have several issues in my possession, and if you’d like to have one or more issues, please send me $10 per copy, and I’ll get it out to you; I’ll even swallow the cost of postage! This is a book that every Vermont poet should have in their library, in support of their own state poetry society, the PSOV

Ronald Lewis:
Phone: 802-247-5913
Cell: 802-779-5913
Home: 1211 Forest Dale Road, Brandon, VT 05733
Email: vtpoet@gmail.com

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7.)

  • I recently had the pleasure to meet and talk with Dave Isay, the voice behind the great work of StoryCorps, the largest and most ambitious private oral history project in American history.  I was afforded a “How To” into Writing for Radio, which is outlined below for your convenience.  Somehow I have to believe that the poet in many of you can find a way to enter this field, perhaps interviewing some of the poets or groups of poets that you know personally, and recording their voice in describing their craft, for appreciation by future generations.  At any rate, this should give you a start that might have taken you quite some time to assimilate. Ron Lewis

Writing for Radio
Radio Resources & Inspiration

Transom

The most comprehensive source of independent radio information on the web.  Everything from the nuts and bolts of basic radio creation (what equipment to use, how to get started, podcasting seminars), to interviews with the craft’s best practitioners.

Third Coast

This audio documentary festival no longer takes place, but there’s an amazing amount of material in the archives of lectures, pitch sessions, and award-winning pieces from past years, when radio producers from all over the world gathered to share their experiences and work.

The Next Big Thing

Public Radio International’s weekly radio feature program.  Storytelling, radio plays, documentaries, experimental radio, a range of writers (Rick Moody, Jonathan Ames, Steve Almond, Henry Alford, Meg Wolitzer) producing pieces that span (and deconstruct) all of radio’s genres.  No longer on the radio, but the entire 5-year archive is online.

This American Life

Ira Glass’ weekly radio program, often featuring writers (David Sedaris, David Foster Wallace) and other “non-radio” people, in an hour-long series of segments linked by a common theme.  Great comprehensive online archive.

Radiolab

Hosted by Jad Abumrad and Robert Krulwich, programs are hour-long explorations of something mysterious—Sleep, Mortality, Memory, Decision—from different angles.  Most shows pull in scientists doing research on relevant topics but anchoring personal stories are always important.

Living On Earth

Weekly environmental affairs program, featuring short and long-form reported pieces about environmental issues.

Sound Portraits

Sound Portraits is the production house for David Isay’s award-winning radio documentaries on America’s ghettos, prisons, and other neglected communities, as featured on NPR.

Story Corps

Another project of Dave Isay.  Roving story-recording booths travel the country, getting ordinary people to tell their stories on radio.  The stories are put in a public oral history archive, and the best ones are played nationally.  Based on oral history projects that were done under the New Deal WPA.

Selected Shorts

The radio Holy Grail for fiction writers.  Contemporary theater performers give dramatic readings of classic and contemporary short fiction.  Online archive of performances, great examples of how to dramatically perform a written piece without changing the text.

Public Radio Exchange

A nonprofit service for distribution, peer review, and licensing of radio pieces.  It’s a smart solution to the problem of excellent and innovative productions failing to reach wide audiences.  You can listen to pieces, and post your own for distribution.

Association of Independents in Radio

Costs $125 a year to join, but there’s an email list full of producer contacts, rates info, pitch solicitations . . . “AIR provides the producing community an array of professional development programs and resources, including mentoring, training and printed and online publications, as well as conferences and activities that expand networking, advocacy, employment and funding opportunities.”

Audio Editing Software:

The industry standard is ProTools (which requires a piece of hardware called an M-Box) and can run several hundred dollars.  But you can download an open source audio editing program called Audacity for free.  It’s compatible with Macs and PCs.

Also, if you’re a Mac user, an audio editing program called Garage Band comes standard on new Macs.

Other Links:

Chicago Public Radio
New York Public Radio
Boston Public Radio
Vermont Public Radio
Minnesota Public Radio
New Hampshire Public Radio

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8.)

(Due to the untimely death of highliner Frank McCourt, the Burlington Book Festival has added Rita Dove as their headliner for 2009!  Wow!)

WELCOME TO THE 5th ANNUAL BURLINGTON BOOK FESTIVAL

Burlington Book Festival
The 2009 Burlington Book Festival will take place in a variety of downtown Burlington venues throughout the weekend of September 25 through 27. The Queen City’s 5th annual celebration of the written word will feature readings, signings, panels, workshops, demos, musical performances, family activities and special events featuring literary luminaries from around the world-and just around the corner. Virtually all events will be free of charge.

http://www.burlingtonbookfestival.com/

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9.)

Welcome to the Brattleboro Literary Festival
October 2-4, 2009

Brattleboro Literary Festival

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10.)

  • I happened to study under the tutelage of Stan Rice, Kay Boyle and Denise Levertov.  There are many of you who are probably not aware of the fine writings of Kay Boyle.  It was her short stories that brought me to be a writer.  Kay Boyle's LifeHer poetry, however, was frosting on the cake.  I thank Kay for her generosity of time and insight to poetry while we crossed paths at San Francisco State College.  (I hope by now she’s forgiven me for falling asleep once in her class!) Ron Lewis

Kay Boyle’s Life

Born in St. Paul, Minnesota, Boyle grew up in Cincinnati, Ohio. She studied architecture at Parson’s School of Fine and Applied Arts in New York and elsewhere, took courses at Columbia, and studied violin briefly at the Cincinnati Conservatory of Music. She married French-born engineer Richard Brault in 1922 while helping to edit the experimental literary magazine * Broom*. She moved to France with her husband the following year, and she lived mostly in France from 1923 to 1941, where she was well known among the American expatriate community.(…)

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11.)

The Horace Greeley Writers’ Conference

Horace GreeleyOctober 24-25 2009

Fox Hill Center for the Arts

Poultney, Vermont

The two day symposium will feature four authors providing inspirational presentations and interactive writing workshops designed to give voice to aspiring writers and offer an opportunity for experienced writers to renew a commitment to a narrative, a biography or an unfinished poem. Writers in all genres are welcome to spend a fall weekend in this Vermont village. Autumn in Vermont with the ambience set on high. (…)

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12.)

Poets ForumThe Academy of American Poets presents the 2009
POETS FORUM ON CONTEMPORARY POETRY

OCTOBER 15-17, 2009

NEW YORK CITY

The Academy of American Poets invites you to join us in New York City for the Poets Forum, a series of events exploring the ever-changing landscape of contemporary poetry in America. This year’s events will feature new in-depth discussions with an array of distinguished poets, readings, publication parties, and a new selection of literary walking tours, led by poets, throughout Manhattan and Brooklyn.

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13.)

  • In 2005, the Association of American Publishers (AAP) and the Authors’ Guild filed suit against Google, objecting to the company’s mass digitization of millions of books on copyright violation grounds. The parties privately settled for $125 million and devised a scheme that would permit Google to charge libraries and consumers for access to the digitized books. Under the deal, Google, the Authors Guild and the AAP would gain significant new powers to control the fledgling market for digital books.  Want to learn more about the proposed Google Book Settlement? Go to: http://www.openbookalliance.org/

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14.)

  • Another Lit Magazine right in our own backyard!

Tarpaulin Press

Tarpaulin Sky Press  & Literary Journal

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15.)

Frost Farm FundRobert Frost Farm Fund

College establishes Frost-related funds 
to maintain farm, support writer in residence

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16.)

Boston Book FestivalBoston Book Festival


Saturday, October 24th

Copley Square

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17.)

Children’s Poet Laureate Mary Ann Hoberman Gives Chicago Reading
A public poetry reading for Chicago-area children and their parents

CHICAGO—The Poetry Foundation is pleased to announce that poet Mary Ann Hoberman will give The Chicago Reading on October 7, 2009, at 6:45 p.m. at the University of Chicago’s Ida Noyes Hall. The event is free and open to the public, and marks Hoberman’s first official reading as Children’s Poet Laureate.

In addition to the public reading, Hoberman will spend October 8, 2009, giving readings and discussing children’s poetry at the University of Chicago Laboratory Schools with students, teachers, and librarians.

Findings from the Poetry Foundation’s major research study*, Poetry in America, *demonstrate that a lifelong love for poetry is most likely to result if cultivated early in childhood and reinforced thereafter. Hoberman’s popularity reflects a growing awareness that children have a natural receptivity to poetry and are an appreciative audience, especially when poems are written specifically for them.

  • What: The Chicago Reading, Mary Ann Hoberman’s first official reading as Children’s Poet Laureate**
  • Where: Ida Noyes Hall, University of Chicago, 1212 East 59th Street
  • When: Wednesday, October 7, 2009, 6:45 p.m.**

Admission to The Chicago Reading is free and open to all ages. A reception and book signing with Hoberman will follow the reading. Children in attendance will receive a free poetry book bag and cap.

Mary Ann Hoberman was appointed by the Poetry Foundation to a two-year term as Children’s Poet Laureate: Consultant in Children’s Poetry to the Poetry Foundation in 2008. She is the author of over 40 children’s books and has won the National Book Award, the National Council of Teachers of English Award for Excellence in Poetry for Children, a Society of School Librarians International Best Book award, and a National Parenting Publications Awards gold medal, among other accolades. She has also been recognized by magazines such as Child and Parenting. Hoberman’s most recent publication is a moving anthology of more than one hundred poems, The Tree That Time Built. One hundred of her favorite poems are collected in The Llama Who Had No Pajama. Other popular titles include Strawberry Hill, Hoberman’s first novel; The Seven Silly Eaters; and the You Read to Me, I’ll Read to You series.

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18.)

Poetry Readings Resume at The Book King, Center Street, Rutland

The Book King is returning to having public poetry readings, to be held on the last Friday of each month, at 6:00 p.m.  The next reading will be on *October 30th*.  There will be flyers at the Book King counter.

Please contact me (Ron Lewis – vtpoet@gmail.com) if you’d like to read; we need readers!

No theme this time around!  Bring your own poetry to read or someone’s poetry you enjoy.

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19.)

Did You Know?

HBO Series: Brave New Voices

  • Watch and listen to the complete performances!

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20.)

Why PoetryWhy Poetry?

One of William Stafford’s definitions, from his essay “Making a Poem/Starting a Car on Ice,” where he says that “A poem is anything said in such a way or put on the page in such a way as to invite from the hearer or reader a certain kind of attention.” That seems to locate at least part of the the poem-ness where it belongs – in the mind of the person doing the perceiving. How else to explain why some are able to find poetry where others do not? I like the implication that there is a latency in poetry which only manifests itself when “a certain kind of attention” is turned upon it. But if you don’t like Stafford’s definition, here are some others to add fuel to the fire.(…)

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21.)

Poets Laureate of the U.S.A.

  • A Net-annotated list of all the poets who have served the Library of Congress as Consultant (the old title) or Poet Laureate Consultant (the new title). Biographies & general reference sites are linked to the poets’ names — for the recent Laureates these are our own poet profiles with book-buying links at the bottom. Many of the other linked biographies are pages from the Academy of American Poets’ Find a Poet archive, a growing & invaluable resource. If there is no general information site about the poet, we have searched the Net for sample poems or other writings or recordings & listed those below the poet’s name.

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22.)

Autumn Crocus
Kyle McCord

Autumn Crocus

The snow arrives:
handsome, high-cheek boned.
The snow assassinating insects and numb
thumbs of grass.
May I say something?
Jealousy happens all around you(….)

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23.)

  • Linebreak is an online journal with a bias for good poetry. Here is a poem from their web site this week:

Nocturne with SnowstormNocturne with Snowstorm and Power Outage
BY KEITH MONTESANO

Already the panic has begun. The questions: *Who will crash? What
will burn out?* Instead of generators flaring, transformers blowing up —
power shriveled and disintegrating into gray sky — lightning surges
in gunmetal bursts. No footprints on the sidewalks like those
on Mexican beaches, spring break: no sirens to rescue the helpless,
beheaded, the drug lords and headlines of shattered families
we keep reading about. I want so badly now to hold you under this sky (….)

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24.)

  • Here’s a poem from *Copper Canyon Press*, in its “Reading Room”.

Timothy Liu Thoreau

Timothy Liu
Thoreau

My father and I have no place to go.
His wife will not let us in the house–
afraid of catching AIDS. She thinks
sleeping with men is more than a sin,
my father says, as we sit on the curb
in front of someone else’s house. (….)

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25.)

American Life in Poetry: Column 231

BY TED KOOSER, U.S. POET LAUREATE, 2004-2006

Helping my DaughterThis column originates on the campus of the University of Nebraska-Lincoln, and at the beginning of each semester, we see parents helping their children move into their dorm rooms and apartments and looking a little shaken by the process. This wonderful poem by Sue Ellen Thompson of Maryland captures not only a moment like that, but a mother’s feelings as well.

Helping My Daughter Move into Her First Apartment

This is all I am to her now:
a pair of legs in running shoes,
two arms strung with braided wire.
She heaves a carton sagging with CDs (….)

American Life in Poetry: Column 232

Baby Wrens' VoicesI’ve built many wren houses since my wife and I moved to the country 25 years ago. It’s a good thing to do in the winter. At one point I had so many extra that in the spring I set up at a local farmers’ market and sold them for five dollars apiece. I say all this to assert that I am an authority at listening to the so small voices that Thomas R. Smith captures in this poem. Smith lives in Wisconsin.

Baby Wrens’ Voices

I am a student of wrens.
When the mother bird returns
to her brood, beak squirming
with winged breakfast, a shrill (….)

American Life in Poetry: Column 233

Indian SummerDiane Glancy is one of our country’s Native American poets, and I recently judged her latest book, Asylum in the Grasslands, the winner of a regional competition. Here is a good example of her clear and steady writing.

Indian Summer

There’s a farm auction up the road.
Wind has its bid in for the leaves.
Already bugs flurry the headlights
between cornfields at night.
If this world were permanent,
I could dance full as the squaw dress (….)

American Life in Poetry: Column 234

WesternThis week’s poem is by a high school student, Michelle Bennett, who lives in Tukwila, Washington, and here she is taking a look at what comes next, Western Washington University in Bellingham, with everything new about it, including opportunity.

Western

You find yourself in a narrow bed you’ve
never slept in,
on a tree-lined grassy field you’ve
never walked upon,
on a cold toilet seat you have not sat on,
in a place you now call your home, your learning, your future. (….)

American Life in Poetry: Column 235

My Father's Left HandI tell my writing students that their most important task is to pay attention to what’s going on around them. God is in the details, as we say. Here David Bottoms, the Poet Laureate of Georgia, tells us a great deal about his father by showing us just one of his hands.

My Father’s Left Hand

Sometimes my old man’s hand flutters over his knee, flaps
in crazy circles, and falls back to his leg.

Sometimes it leans for an hour on that bony ledge. (….)

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26.)

VERMONT POET LAUREATES

1) Robert Frost – 1961
2) Galway Kinnell
3) Louis Glück
4) Ellen Bryant Voigt
5) Grace Paley
6) Ruth Stone

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27.)

If you ever have a need to contact me, here’s how to go about doing so:

Ronald Lewis:
Phone: 802-247-5913
Cell: 802-779-5913
Home: 1211 Forest Dale Road, Brandon, VT 05733
Email: vtpoet@gmail.com <david.weinstock@gmail.com>

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28.)

VERMONT LITERARY JOURNALS

1) The Queen City Review

Burlington College’s  The Queen City Review is a yearly journal of art and literature and accepts the work of new and established writers and artists in the areas of poetry, fiction, creative non-fiction, memoir, photography, and fine art, as well as essays and criticism on all aspects of the aforementioned. They seek to publish high quality work that ranges broadly in topic and genre.

The Queen City Review can be purchased by 2-year subscription or individually.  The price of one issue is $8 plus shipping charges ($1) for a total of $9.  Subscriptions can be purchased for #$14 plus shipping charges $2) and includes the Fall 2008 and upcoming 2009 issues.  They accept cash, check, and credit cards.  You can mail your payment to them or by calling (802) 862-9616 ext. 234 to place your order over the phone.  If mailing your payment, mail details to:

ATTN: Heidi Berkowitz
Burlington College
95 North Avenue
Burlington, VT  05401

2) Bloodroot

Bloodroot is a nonprofit literary magazine dedicated to publishing diverse voices through the adventure of poetry, short fiction, and creative nonfiction.  Their aim is to provide a platform for the free-spirited emerging and established writer.

The price of a single issue is $8.

Editor, “Do” Roberts
Bloodroot Literary Magazine
PO Box 322
Thetford Center, VT  05075
(802) 785-4916
email: bloodroot@wildblue.net

3) New England Review

A publication of Middlebury College, a high quality literary magazine that continues to uphold its reputation for publishing extraordinary, enduring work.  NER has been publishing now for over 30 years.

Cost: $8 for a single issue
$30 for a single year (4 issues)
$50 for two years (8 issues)

New England Review
Attn: Orders
Middlebury College
Middlebury, VT 05753

NEReview@middlebury.edu
(800) 450-9571

4) Willard & Maple

A Literary and Fine Art Magazine of Champlain College, Burlington.

Willard & Maple
163 South Willard Street
Freeman 302, Box 34
Burlington, VT  05401

email: willardandmaple@champlain.edu

5) Vermont Literary Review

Vermont Literary ReviewA Literary and Fine Art Magazine of Castleton State College, Castleton.

The first issue of Vermont Literary Review was published in 1994. The review is published once a year. Work featured in the review includes poetry, fiction, drama, and personal essays from and about New England.

From its inception until 2006, students and professors reviewed the work submitted and selected work to be published. They used to jointly edit and design the review as well. After a brief lapse, the Vermont Literary Review has resumed publication in 2008 as a journal edited and designed solely by English Department faculty. The Literary Club, which used to help create this journal, is now putting out a publication of student work. (….)

6) Green Mountains Review

Green Mountains ReviewA Literary and Fine Art Magazine of Johnson State College, Johnson; in publication since 1987.

The Green Mountains Review is an international journal publishing poems, stories, and creative nonfiction by both well-known authors and promising newcomers.  The magazine also features interviews, literary criticism, and book reviews.  Neil Shepard is the general editor and poetry editor of the Green Mountains Review.  The fiction editor is Leslie Daniels.

The editors are open to a wide range of styles and subject matter. If you would like to acquaint yourself with some of the work that we have accepted in the past, then we encourage you to order some of our back issues (….)

7) Burlington Poetry Journal

The Burlington Poetry Journal is a new nonprofit publication interested in creating a means for provoking opinions, ideas, and thoughtful responses for poets in the Greater Burlington area. While there are numerous outlets for writers to gather and share privately in Vermont, there is no publication that brings together poetry of all styles and writers of all ages for the enjoyment of the general public. It is our hope that this journal will inspire writers to share their work with others who may be unaware of their talent, and for those who have never considered themselves writers to try their hand at poetry. We invite you to submit your work and share with others your thoughts and abilities with the Burlington community. The work you share will produce a dialogue as writers become aware of each other and begin to expose themselves and others to new poetry. The eclectic nature of the Burlington Poetry Journal will serve to stimulate its readers and authors.

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29.)

Poetry Society of VermontSTATE POETRY SOCIETY
Poetry Society of Vermont

The Poetry Society of Vermont, founded in 1947, is an association of poets and supporters who join in promoting an interest in poetry through meetings, workshops, readings, contests, and contributions to the society’s chapbook. Anyone may join the society including high school and college students and non-residents of Vermont. We welcome both writers and appreciative readers.

In September 2007, The Poetry Society of Vermont will celebrated its 60th Anniversary. (….)

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30.)

YEAR-ROUND POETRY WORKSHOPS IN VERMONT

BELLOWS FALLS

1) Great River Arts Institute – See details elsewhere in this newsletter

2) Poetry Workshop at Village Square Booksellers with Jim Fowler (no relation to owner Pat).  The goal of this course is to introduce more people to the art of writing poetry and will include a discussion of modern poetry in various forms and styles. Each week, the course will provide time to share and discuss participant’s poetry. Poetry Workshops on Monday mornings (9:30-12:30 I believe)- Jim Fowler’s sessions continue, with periodic break for a few weeks between sessions.  Students should bring a poem and copies to the first class. The course will be limited to 5 to 8 students to allow adequate time to go through everyone’s poetry contributions and will meet in the cafe at Village Square Booksellers. James Fowler, of Charlestown, New Hampshire, has a Masters Degree in Environmental Science with a major in Nature Writing. He was the editor of Heartbeat of New England, a poetry anthology. Fowler has been widely published since 1998 in such journals as Connecticut Review, Quarterly of Light Verse, and Larcom Review. Fowler is a founding member of the *River Voices Writer’s Circle*, and a regular reader at Village Square Booksellers-River Voices Poetry Readings. The fee for this 6 week Workshop is $100, payable to Mr. Fowler at the first class. Pre-registration for the Poetry Workshop is suggested and may be made by calling Village Square Booksellers at 802-463-9404 or by email at vsbooks@sover.net or  jfowler177@comcast.net. <vsbooks@sover.net>

3) InkBlot Complex Poetry Workshop runs through the Vermont Independent Media’s Media Mentoring Project and is held at the Rockingham Public Library at 65 Westminster Street in Bellows Falls.  No previous writing or journalism experience or even class attendance is required.  Participants are invited to bring a project or share successful techniques.  The workshop aims to lift poetry from the page and reveal how it is a living force in daily life.  Originally taught at the University of Illinois at Chicago to great acclaim, its interactive nature and inclusion of multiple art forms leaves dry, academic notions of poetry behind.  It functions through three tenets: 1) Presentation of the art form as a living element of our daily world, 2) individualized, personal enrichment and free range of expression for each student, and 3) artistic ecultivation through unexpected means.  Taught by seasoned arts journalist, cultural critic and poet Clara Rose Thornton, this free event explores the poetry we encounter all around us – in songs we hear, the ways we express ourselves, even the advertisements we see.  In the final session students then create their own works with an increased sense of connection to the way words construct meaning.  All materials are provided.  Instructor Clara Rose Thornton is an internationally published film, wine and visual arts critic, music journalist, poet and former book and magazine editor.  Her writings on culture and the arts have appeared nationally in Stop Smiling: The Magazine for High-Minded Lowlifes, Honest Tune: The American Journal of Jam and Time Out Chicago.  Currently residing in an artists’ colony in Windham County, she acts as the biweekly arts columnist for the Rutland herald, staff writer for Southern Vermont Arts && Living and a regular contributor to The Commons.  A portfolio, bio and roster of writing and editing services can be found at http://www.clararosethornton.com.  For more information about the Media Mentoring Project, visit http://www.commonsnews.org or call 246-6397.  You can also write to Vermont Independent Media at P.O. Box 1212, Brattleboro, VT 05302.

BERLIN

The Wayside Poets, who share their poetry publicly from time to time, have been meeting irregularly for the past 25 years.  They used to be called The Academy Street Poets.  Membership is by invitation only.  They meet now at the Wayside Restaurant & Bakery in Berlin.  Members include Diane Swan, Sherry Olson, Carol Henrikson and Sarah Hooker.  You can contact them through Sherry Olson at: solsonvt@aol.com or 454-8026.

BURLINGTON

The Burlington Poets Society, a group of “stanza scribblers” that express their love of verse, made up of UVM students and professors, have recently organized, meeting at the Fleming Museum at UVM in Burlington for their periodic “The Painted Word” series of poetry readings. I hope to have additional information on this group in the coming months.

GUILFORD

The Guilford Poets Guild, formed in 1998, meets twice a month to critique and support each other’s work.  Their series of sponsored readings by well-known poets which began at the Dudley Farm, continues now at the Women and Family Life Center.

MIDDLEBURY

The Otter Creek Poets offer a poetry workshop every Thursday afternoon, from 1:00 to 3:00 in the basement meeting room of the Ilsley Public Library, 75 Main Street, Middlebury.  This workshop, the largest and oldest of its kind in the state, has been meeting weekly for 13 years.  Poets of all ages and styles come for peer feedback, encouragement, and optional weekly assignments to get the poetry flowing.  Bring a poem or two to share (plus 20 copies).  The workshops are led by David Weinstock.  There is considerable parking available behind the library, or further down the hill below that parking lot.  For more information, call David at 388-6939 or Ron Lewis at 247-5913.

NORWICH

This group meets on the first Sunday of every month at the Norwich Library, 6:30 p.m.

STOWE

There is another poetry workshop happening in Stowe, but unfortunately I know nothing much about this group.  If you do, contact me!

WAITSFIELD

The Mad River Poets consists of a handful of poets from the Route 100 corridor.  More on this group in the future.

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31.)

OTHER POETRY WORKSHOPS IN VERMONT

BURLINGTON

Scribes in the making put pen to paper as part of an open verse-writing session at the Fletcher Free Library, 235 College Street.  Three consecutive Thursdays, starting January 8, 2009, 5:00-6:00 p.m.  Free.  Contact information: 862-1094.

WHITE RIVER JUNCTION

The Writer’s Center
58 Main Street
White River Junction, Vermont

Instructor: April Ossmann (author of Anxious Music, Four Way Books, 2007, writing, editing and publishing consultant, and former Executive Director of Alice James Books)

Info: (802)333-9597 or aprilossmann@hotmail.com and http://www.aprilossmann.com

ANYWHERE, VERMONT

Inkblot Poetry WorkshopRevived for the 2009 academic year is the InkBlot Complex Poetry Workshop, designed for upper-elementary and high-school-age students, grades 7-12. The curriculum functions through three tenets:

  • Innovative presentation of the art form as a living element of our daily world
  • Individualized, personal enrichment and free range of expression for each student
  • Artistic cultivation through unexpected means

The workshop debuted at the University of Illinois at Chicago, during a three-week summer program, entitled Project C.H.A.N.C.E., for underprivileged sophomore and senior students from area high schools. It was a fantastic success, and the program director requested its return. With this encouragement, I decided to expand and adapt the workshop for various age levels, as an educational/arts supplement for after-school programs and enrichment programs and an arts elective for more traditional academic settings. The response has been wonderful. (…)

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32.)

YEAR-ROUND POETRY WRITING CENTERS IN VERMONT

BURLINGTON

The Burlington Writer’s Group (BWG) meets on Tuesday evenings from 7-9 PM and has a new home at the Unitarian Church in the church’s little white house off of Clark St., 2nd floor. They’d like to let people know and also invite anyone interested to join them whenever folks are in town or as often as they’d like.

The Burlington Writer’s Group is a free drop-in group. They decide on a prompt and write for 20 minutes, followed by a go-around reading. They can usually get in two writes depending on group size. All genres and experience levels are welcome and there really are no rules other than demonstrating courtest while people are writing (don’t interrupt).  They don’t do much critiquing though some spontaneous reactions occur. Mainly it’s good practice to just show up and write for 40 minutes and share the writing, if so inclined…

BURLINGTON

Women Writing for (a) Change supports the authentic experience of women who honor themselves through creative writing.  Our community supports reflection as we move into our questions and awaken to change.  Participants enhance expressive skills, strengthen their voices, deepen themselves as women as writers for positive change in all spheres of life.  Creative writing in all genres is our shared vehicle.  Women Writing for (a) Change is for women who, 1) dream of writing for self-discovery, for personal or social healing, 2) hunger for creative process in their lives, 3) yearn to explore their feminine voice, 4) crave reflective, space, and 5) are in transition.  For more information, go to their web site or contact Sarah Bartlett at either 899-3772 or sarah@womenwritingvt.com.

SPRINGFIELD

A Writer’s Group has started to meet at the Springfield Town Library on the fourth Monday of each month, from 7 to 8 pm.  For more information, call 885-3108.

WHITE RIVER JUNCTION

The Writer’s Center is for serious writers and nervous beginners. It’s for procrastinators who could benefit from regular deadlines – and for the prolific who could benefit from quality feedback. It’s for anyone with a manuscript hidden in a drawer, or a life story or poem waiting to be written. It’s for people who don’t know where to start or how to end. And for writers who are doing just fine on their own, but would like the company of other writers.  The Writer’s Center is for anyone who is writing or wants to write.  One of the Center’s consultants is April Ossman ( http://www.aprilossmann.com).  Founded by Joni B. Cole and Sarah Stewart Taylor, the Writer’s Center offers instruction and inspiration through a selection of workshops, discussions, and community. We would love to see you – and your writing – at The Writer’s Center!

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33.)

Poetry EventPOETRY EVENT CALENDAR

Below please find the most current list of poetry happenings in Vermont for the near future.  Please be aware that these events can be found on Poetz.com, but there is usually additional information that is typed here that would be cumbersome to place on Poetz.com.  Please note all events are Vermont-based unless they are of extreme importance or happen to lie just outside our borders.  If you would like to save on paper and ink, please just highlight what you need, or perhaps only events for the coming month, and print that information.

Fri, Sep 25-Sun, Sep 27: *Burlington Book Festival*. The 2009 Burlington Book Festival will take place in a variety of downtown Burlington venues throughout the weekend. The Queen City’s 5th annual celebration of the written word will feature readings, signings, panels, workshops, demos, musical performances, family activities and special events featuring literary luminaries from around the world-and just around the corner. Virtually all events will be free of charge.  For more info, http://www.burlingtonbookfestival.com/.

Wed, Sep 30: Fleming Museum, University of Vermont, 6:15 p.m. – 7:30 p.m.  Sue Burton and David Cavanagh will be providing a poetry reading as part of The Painted Word Poetry Series.  The Fleming Museum poetry series is hosted by Major Jackson, associate professor, UVM Dept. of English. This reading series highlights established and emergent New England poets whose work represents significant explorations into language, song, and art.  The Burlington Poets Society will make a short presentation first from 6:15-6:30, then the poets will begin reading at 6:30.

Wed, Sep 30: Kellogg-Hubbard Library, 135 Main Street, Montpelier, 7:00 p.m. Darning a Transcendental Stocking. Phyllis Larrabee will read from her poetry, Darning a Transcendental Stocking. She has worked as a community organizer, an advocate for people with disabilities and continues to write and read from her 28 poetry collections and many stories. Her work has won an award from the Vermont Academy of Arts and Sciences.  For info, contact Rachel Senechal, 223-3338.

Wed, Sep 30: Jaquith Public Library, School Street, Marshfield, 7:00 p.m.  Poetry Reading with Susan Thomas and Samn Stockwell. Author Susan Thomas will read selections from her publications which include: State of Blessed Gluttony, The Hand Waves Goodbye; Voice of the Empty Notebook; and Last Voyage, and her new collection: My Afterlife. Samn Stockwell will read from her current manuscript, Our Common History, a series of short narrative poems for which she received a grant from the Vermont Community Foundation.  For info, 426-3581.

Thu, Oct 1: Northshire Bookstore, Manchester, 7:00 p.mPoetry Night with Lynne Knight and Kevin Pilkington. Lynne Knight is the author of four full-length collections, the most recent of which is *Again*, published by Sixteen Rivers Press in 2009. Dissolving Borders won a Quarterly Review of Literature prize in 1996; The Book of Common Betrayals won the Dorothy Brunsman Award from Bear Star Press in 2002; and Night in the Shape of a Mirror was published by David Robert Books in 2006. She has also published three prize-winning chapbooks, Deer in Berkeley (Sow’s Ear Press), Life as Weather (Two Rivers Review), and Defying the Flat Surface (The Ledge Press). A cycle of poems on Impressionist winter paintings, Snow Effects, appeared from Small Poetry Press as part of its Select Poets Series and has been translated into French by Nicole Courtet. Knight lives in Berkeley, California.  Her work has appeared in a number of journals, including Beloit Poetry Journal, Kenyon Review, New England Review, Ontario ReviewPoetry, and Southern Review. One of her poems appears in Best American Poetry 2000, selected by Rita Dove. Among her awards are the Theodore Roethke Award from Poetry Northwest, the Theodore Christian Hoepfner Award from Southern Humanities Review, the Lucille Medwick Memorial Award from the Poetry Society of America, and an NEA grant.Kevin is a member of the writing faculty at Sarah Lawrence Collge and teaches a workshop in the graduate department at Manhattanville College.  For info, (800) 437-3700.

Thu, Oct 1: Vermont Studio Center, Johnson, 8:00 p.m.  Poet *Pattiann Rogers * to read.  Pattiann Rogers has published ten books of poetry, a book-length essay, The Dream of the Marsh Wren, and A Covenant of Seasons, poems and monotypes, in collaboration with the artist Joellyn Duesberry. Her 11th book of poetry, Wayfare, will appear from Penguin in April, 2008.   Rogers is the recipient of two NEA Grants, a Guggenheim Fellowship, a 2005 Literary Award in Poetry from the Lannan Foundation, and five Pushcart Prizes.  In the spring of 2000 she was in residence at the Rockefeller Foundation’s Study and Conference Center in Bellagio, Italy.  Her papers are archived in the Sowell Family Collection of Literature, Community and the Natural World at Texas Tech University.  She has taught as a visiting professor at various universities, including the Universities of Texas, Arkansas, and Montana, Houston University, and Washingon University.  She is currently on the faculty of Pacific University’s MFA in Writing Program.  Rogers has two sons and three grandsons and lives with her husband in Colorado.

Fri, Oct 2-Sun, Oct 4: Brattleboro Literary Festival. The 8th annual Brattleboro Literary Festival is a three-day celebration of those who read books, those who write books, and of the books themselves. Located in downtown Brattleboro, Vermont, the Festival includes readings, panel discussions, and special events, featuring emerging and established authors. All events are free.

Sat, Oct 3: Bishop Booth Conference Center, Burlington. *League of Vermont Writers presents David Weinstock*, *”Write Strong:” A Hands-On Poetry Workshop*.  Register at: http://www.leaguevtwriters.org/September09registration.pdf.

Sat, Oct 10: Village Square Booksellers, 32 The Square, Bellows Falls, In the Café, 2:00p.m. – 4:00 p.m.  *Open Mic River Voices Poetry Reading* on the second Saturday of each month.  The session is open mic, with individuals reading their own poetry or poems from their favorite poet.  Listeners are welcome to attend.  Light refreshments are served.  To reserve a place at the table, e-mail vsbooks@sover.net or call (802) 463-9404.

Tue, Oct 13: Bear Pond Books, 77 Main Street, Montpelier.  Poet *David Cavanaugh* reads.  More on this event later.  For info, 229-1069, info@bearpondbooks.com.

Tue, Oct 20: Vermont Studio Center, Johnson, 8:00 p.m.  Poet *Major Jackson* to read.  “Jackson knows the truth of black magic. It is a magic as simple as the belief in humanity that subverts racism, or the esoteric and mystical magic of making jazz, the music of hope and love.” —Aafa Weaver.  Major Jackson is the author of two collections of poetry, Hoops (Norton: 2006), a finalist for an NAACP Image Award for Outstanding Literature-Poetry. and Leaving Saturn (University of Georgia: 2002), winner of the 2000 Cave Canem Poetry Prize and finalist for a National Book Critics Circle Award.  Poems by Major Jackson have appeared in the American Poetry Review, Boulevard, Callaloo, Post Road, Triquarterly, The New Yorker, among other literary journals and anthologies. He is a recipient of a Whiting Writers’ Award and has been honored by the Pew Fellowship in the Arts and the Witter Bynner Foundation in conjunction with the Library of Congress. He has received critical attention in The Boston Globe, Christian Science Monitor, Parnassus, Philadelphia Inquirer, and on National Public Radio’s All Things Considered.  Jackson is an Associate Professor of English at University of Vermont and a faculty member of the Bennington Writing Seminars. In 2006-2007, he was a fellow at the Radcliffe Institute for Advanced Study at Harvard University.

Wed, Oct 21: Bixby Library, Vergennes, 7:00 p.m.  Poet *David Parkinson* to read from his new book, *Two Heads*.  David has teamed with poet Judith Dow Moore, both members of the Otter Creek Poets, in a remarkable new book of poetry that he will share with us tonight.  Copies will be on site to sell, and $5 of every book purchase will be going as a donation to the Bixby Library (David’s compliments!).  Come hear this remarkable poet speak to your heart!  For info, 877-2211.

Sun, Oct 25: The Brick Box Gallery at the Paramount, 30 Center Street, Rutland, 3:00 p.m. – 4:30 p.m.  *Out of History’s Junk Jar*. *Judy Chalmer*will read poetry from her book Out of History’s Junk Jar and talk about her own quest to understand her family’s Holocaust history.  DAVAR:The Vermont Jewish Women’s History Project.  For info, contact Sandra Gartner or Ann Buffum at 353-0001, davarvt@gmail.com, http://www.davarvt.org.

Wed, Oct 28: Fleming Museum, University of Vermont, 6:15 p.m. – 7:30 p.m.  Antonello Borra and Jill Leininger will be providing a poetry reading as part of The Painted Word Poetry Series.  The Fleming Museum poetry series is hosted by Major Jackson, associate professor, UVM Dept. of English. This reading series highlights established and emergent New England poets whose work represents significant explorations into language, song, and art.  The Burlington Poets Society will make a short presentation first from 6:15-6:30, then the poets will begin reading at 6:30..

Thu, Oct 29: The Galaxy Bookshop, 7 Mill Street, Hardwick, 1:45 p.m. – 2:30 p.m.  Poetry Reading by Hazen Union Poetry Class. The Hazen Union Poetry Class would like to invite the community to enjoy a reading of the students’ works at The Galaxy Bookshop. This special reading will give the students a chance to share their poems aloud in a public setting. We also welcome local poets to join us in sharing a poem or two with the group.  Time is subject to change: please check back later to confirm, or call the bookstore for more details: 472-5533.

Sat, Nov 14: Village Square Booksellers, 32 The Square, Bellows Falls, In the Café, 2:00p.m. – 4:00 p.m.  Open Mic River Voices Poetry Reading on the second Saturday of each month.  The session is open mic, with individuals reading their own poetry or poems from their favorite poet.  Listeners are welcome to attend.  Light refreshments are served.  To reserve a place at the table, e-mail vsbooks@sover.net or call (802) 463-9404.

Tue, Nov 17: Vermont Studio Center, Johnson, 8:00 p.m.  Poet Sebastian Matthews to read.  Sebastian Matthews is the author of the poetry collection We Generous (Red Hen Press) and a memoir, In My Father’s Footsteps (W. W. Norton).  He co-edited, with Stanley Plumly, Search Party: Collected Poem s of William Matthews. Matthews teaches at Warren Wilson College and serves on the faculty at Queens College Low-Residency MFA in Creative Writing. His poetry and prose has appeared in Atlantic Monthly, Georgia Review, New England, Review, Poetry Daily, Poets & Writers, Seneca Review, The Sun, Tin House, Virginia Quarterly Review and The Writer’s Almanac, among others. Matthews co-edits Rivendell, a place-based literary journal, and serves as poetry consultant for Ecotone: Re-Imagining Place.

Wed, Nov 18: Fleming Museum, University of Vermont, 6:15 p.m. – 7:30 p.m.  Caroline Knox, Dorothea Lasky and Dara Wier will be providing a poetry reading as part of The Painted Word Poetry Series.  The Fleming Museum poetry series is hosted by Major Jackson, associate professor, UVM Dept. of English. This reading series highlights established and emergent New England poets whose work represents significant explorations into language, song, and art.  The Burlington Poets Society will make a short presentation first from 6:15-6:30, then the poets will begin reading at 6:30.

Wed, Dec 2: Kellogg-Hubbard Library, 135 Main Street, Montpelier, 7:00 p.m. – 8:30 p.m. Poetry’s Spiritual Language.  Using the poetry of Dickinson, Kenyon, Rumi, and Kabir—poets from diverse religious traditions—Dartmouth English professor Nancy Jay Crumbine examines poetry’s language of spirituality. Part of the First Wednesdays series. A Vermont Humanities Council event.  For info, 223-3338.

Sat, Dec 12: Village Square Booksellers, 32 The Square, Bellows Falls, In the Café, 2:00p.m. – 4:00 p.m.  Open Mic River Voices Poetry Reading on the second Saturday of each month.  The session is open mic, with individuals reading their own poetry or poems from their favorite poet.  Listeners are welcome to attend.  Light refreshments are served.  To reserve a place at the table, e-mail vsbooks@sover.net or call (802) 463-9404.

2010:

Mon, Feb 22: Vermont Studio Center, Johnson, 8:00 p.m.  Poet David Shapiro to read.  David Shapiro (born January 2, 1947) is an American poet, literary critic, and art historian and . Shapiro has written some twenty volumes of poetry, literary, and art criticism. He was first published at the age of thirteen, and his first book was published at the age of eighteen. Shapiro has taught at Columbia, Bard College, Cooper Union, Princeton University, and William Paterson University. He wrote the first monograph on John Ashbery, the first book on Jim Dine’s paintings, the first book on Piet Mondrian’s flower studies, and the first book on Jasper Johns’ drawings. He has translated Rafael Alberti’s poems on Pablo Picasso, and the writings of the Sonia and Robert Delaunay. Shapiro has won National Endowment for the HumanitiesNational Endowment for the Arts fellowships, been nominated for a National Book Award, and been the recipient of numerous grants for his work. Shapiro lives in Riverdale, The Bronx, New York City, with his wife and son.

  • Again, if you become aware of an event that isn’t posted above, please let me know. My apologies if I have left off anything of importance to any of you, but it can always be corrected in the next Vermont Poetry Newsletter.

our finitude as human beings
is encompassed by the infinity of language

❧Hans-Georg Gadamer

Your fellow Poet,

Ron Lewis

Vermont Poetry Newsletter July 29 2009

[The Vermont Poetry Newsletter is not issued by me but by Ron Lewis, by whose permission I post this. PLEASE NOTE: I have edited his newsletter so that links are provided rather than text.]

Vermont Poetry Newsletter

Your Poetry & Spoken Word Gateway in the Green Mountain State

July 29, 2009 – In This Issue:

  1. About VPN/How To Print
  2. Newsletter Editor’s Note
  3. Writing Assignments/Suggestions/Exercises/Prompts
  4. Mark Strand & Paul Muldoon Perform In Vermont
  5. UC Berkeley’s Lunch Poems
  6. AllBookstores.com
  7. Bookfinder.com
  8. Brave New Voices – Youth Poetry Slam Festival
  9. The Cost of Our Dead Poets
  10. Growing Sentences
  11. Exit Wounds – War Poetry
  12. Robert Frost Farm Fund
  13. Bread Loaf Writers’ Conference – Fellows and Tuition Scholars For 2009
  14. Iowa’s Poet Laureate
  15. World’s Biggest Thesaurus Coming Soon
  16. Ruth Lilly Fellowship Winners
  17. Book King Readings
  18. Did You Know? Beat Museum in San Francisco
  19. Ponderings – Writing vs. Memorizing Poetry in Schools
  20. Poetry Quote (Adrienne Rich)
  21. US Poets Laureate List
  22. Failbetter Poem
  23. Linebreak Poem
  24. American Life in Poetry Poems (2)
  25. Vermont Poet Laureates
  26. Contact Info for Publisher of VPN: Ron Lewis
  27. Vermont Literary Journals
  28. State Poetry Society (PSOV)
  29. Year-Round Poetry Workshops in Vermont
  30. Other Poetry Workshops in Vermont
  31. Year-Round Poetry Writing Centers in Vermont
  32. Poetry Event Calendar

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1.)

About the Vermont Poetry Newsletter Network

The Vermont Poetry Newsletter Network is made up of people of all backgrounds, ages and skills who appreciate the craft of poetry and want to promote it in the beautiful state of Vermont. The network consists of a free e-mail list, an eventual web site, workshops, open mics, poetry performances and other literary events.  The network provides opportunities to meet local poets, talk about and enjoy poetry, and motivate and inspire yourself in whatever writing projects you are involved.

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2.)

Dear Friends of Poetry:

Here’s some exciting news – you can listen to Mark Strand on Monday, August 10th in Rochester, as part of the town’s BIG TOWN BIG TENT  Summer Festival.  Yes, that’s Mark Strand, the US Poet Laureate of ‘96/’97.  Also Paul Muldoon will be reading as well.  See the details below!

Always be sure to check the Calendar below, immediately upon receiving your VPN, as there are usually poetry events happening that very same day.  I wouldn’t want you to miss anything important!  For instance, this evening there will be a Poetry Slam in Craftsbury Common, put on by Stardust Books and Café, probably with a little help from Geof Hewitt.  And aren’t we blessed to have right here in Vermont, this nation’s top instructor of youth slam poetry – Geof, we love ya’!  Keep up the tremendous work that you do.

Ron Lewis
VPN Publisher
247-5913

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3.)

Writing ExercisesWRITING ASSIGNMENT/SUGGESTION/EXERCISES

CURRENT WRITING PROMPT:

Make the Simple Sublime Poem
Take any ordinary object – the more ordinary the better. Can be a cereal bowl, a fingernail, doesn’t matter. Look at it. Really see it and then glorify it or decimate it in poetic verse. Bring that non-descript thing to life and give it meaning as something extraordinarily beautiful or awful.
In order to do this well, you are going to have to view that object through a creative eye. Connect with it, if you will, otherwise your words will lack real feeling and purpose.

If you need an example of what I mean, read Poe’s work.  His stories are rich with emotion filled connections, not only to people.  Sometimes an eye, an imaginary heartbeat, a cat.
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4.)

MARK STRAND, US POET LAUREATE ‘96/’97

Mark Strand Reading

  • Reading under the tent on Monday, August 10th, 7:30 p.m.  You must purchase a ticket, however, and it costs $15 to hear Mark.  Call (802) 767-9670 for tickets; limited seating!

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5.)

Lunch Poems

  • Watch this year’s series of campus readings, or watch and listen to last year’s.  You can partake in the entire webcasts – by watching them on YouTube, or listening to them on iTunes.  There is nothing else quite like this on the web!

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6.)

Bookstores

  • If you’re a book collector, like I am, you’ll enjoy being able to compare book prices from several bookstores at once – at one place!  AllBookstores.com has undergone some major changes, so you should give them a try when you next need that hard-to-find poetry book. – Ron Lewis

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7.)

Bookfinder

  • Another search engine for books is BookFinder.com.  You should also bookmark them, as they are very comprehensive. – Ron Lewis

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8.)

The passion of Brave New Voices

By Scoop Jackson

ESPN ArticleCHICAGO
For 12 years, there has been a tournament that is more intense, more sincere, more remarkable, more brutal, more honest, more powerful, more moving, more salient, more life-altering, more life-discovering, more life-saving than any other in America. Maybe the world. The reason no one has recognized it for what it is and what it does: It has nothing to do with sports.

Those who have found the strength and courage to recite are the ones who put bravery on display. The 12th annual Brave New Voices International Youth Poetry Slam Festival proved to be the battleground no sport can match. Throughout the NCAA-style tournament, 50 teams of poets dug deeper into their personal mental fitness than probably Lance, Tiger or Michael ever have had to…

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9.)

  • And, from the UK:

The cost of our dead poets society

the cost of dead poetsThe enormous sums spent on dead authors’ houses should be used to support those with few other chances to write

Keats House in Hampstead, the low pale villa where the poet lived, has been renovated and will be opened to the public tomorrow. It is proudly proclaimed to be the house where he penned Ode to a Nightingale and asked the girl next door to marry him. Yet Keats lived there for just two years, albeit his most creative. It prompts the question – does this postcard-pretty house of a writer who died at 26, which will attract those who like visiting pretty houses in Hampstead, deserve a £424,000 grant by the Heritage Lottery Fund, supplemented by the Corporation of London?

Let’s contrast the apparent ease of finding the money for the young man Keats with the struggles over Mrs Gaskell, whose former house is at 84 Plymouth Grove, Ardwick, Manchester. It is a Grade II*-listed Regency-style villa, and it is on the English Heritage buildings at risk register. The Gaskell Society says it needs over £2m to save it, yet it has secured just £260,000, covering the first phase of renovation. I hope the society does not find the rest of the money…

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10.)

Growing Sentences

Growing Sentences with David Foster Wallace
A Primer for Kicking Ass

Being the Result of One Man’s Fed-upped-ness With ‘How to Write’ Books Not Actually Showing You How to Write

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11.)

Exit wounds: With the conflict in Afghanistan escalating and the Iraq inquiry pending, poet laureate Carol Ann Duffy commissions war poetry for today

Exit WoundsCarol Ann Duffy

The Guardian, Saturday 25 July 2009

Poets, from ancient times, have written about war. It is the poet’s obligation, wrote Plato, to bear witness. In modern times, the young soldiers of the first world war turned the horrors they endured and witnessed in trench combat – which slaughtered them in their millions – into a vividly new kind of poetry, and most of us, when we think of “war poetry” will find the names of Wilfred Owen and Siegfried Sassoon coming first to our lips, with Ivor Gurney, Isaac Rosenberg, Rupert Brooke … What passing-bells for these who die as cattle? … There’s some corner of a foreign field … Such lines are part of the English poetry reader’s DNA, injected during schooldays like a vaccine.
But other poems – not all by soldiers – also come to mind: Walt Whitman’s civil war poems; the poetry of Anna Akhmatova and Osip Mandelstam, written (or memorised) during the Stalinist terrors; Lorca’s poems from the Spanish civil war; the poems of the brilliant young Keith Douglas who was killed in the second world war…

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12.)

Robert Frost Farm Fund

College establishes Frost-related funds 
to maintain farm, support writer in residence

Frost Farm Fund

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13.)

Bread Loaf Writers’ Conference

The Conference will take place from Wednesday, August 12, to Sunday, August 23.

Bread Loaf Writer's Conference

Clicking on the link will open a PDF file.

  • Please note the one of my absolute favorite new poets, Matthew Dickman, will be here!  This is very exciting news to me! – Ron Lewis

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14.)

The Kalona NewsRural Kalona resident Iowa’s Poet Laureate

Perched on a hill several miles north of Kalona is small, pristine-white former Amish one-room schoolhouse. Home to Iowa’s new poet laureate, a large garden sets in back next to a small pasture inhabited by three goats. It is here that Mary Swander has found both a sanctuary and inspiration for her writing.

Iowa Gov. Chet Culver recently appointed the Iowa State University professor the state’s poet laureate. Her most recent work is a quirky, book-length narrative poem (The Girls on the Roof) about a mother and daughter trapped on the roof of Crazy Eddy’s café during the 1993 flooding of the Mississippi River. She will be reading from the book July 23 at 7 p.m. at the Kalona Public Library…

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15.)

Times OnlineTimes Online: After a 44-year labour of love, world’s biggest thesaurus is born

Nicola Woolcock

Dr Johnson famously took nine years to write his dictionary, but the biggest thesaurus in the world will be published this autumn after a labour of love spanning five decades.
Work on the Historical Thesaurus of the Oxford English Dictionary began in 1965. The mammoth enterprise has survived fire and funding problems and has had to be constantly updated to incorporate new words.
With 800,000 meanings for 600,000 words organised into more than 230,000 categories and subcategories, the thesaurus is twice the size of Roget’s version.

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16.)

  • I’d like to announce the results of an incredible honor and prizes to 5 young poets.  What I could write with the time that $15,000 would allow me to have!  Unfortunately, youth is not on my side, as I believe one has to be between the ages of 21 and 31.  I can’t wait to read their work in November’s issue of Poetry! – Ron Lewis

2009 Ruth Lilly Fellowship Winners Announced

Poetry Foundation Prizes Announced

$75,000 in prizes awarded to five young poets

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17.)

Poetry Readings Resume at The Book King, Center Street, Rutland

The Book King is returning to having public poetry readings, to be held on the last Friday of each month, at 6:00 p.m.  The next reading will be on July 31st.  There will be flyers at the Book King counter.

Please contact me (Ron Lewis – vtpoet@gmail.com) if you’d like to read; we need readers!

The theme is:

“POEMS THAT BRING A SMILE TO YOUR FACE”

Poets and listeners will be checked at the door for happy poetry.

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18.)

  • Did You Know?

Beat MuseumBeat Museum a ‘Howl’ of a time
Kenneth Baker, Chronicle Art Critic
Wednesday, July 22, 2009

Only at the Beat Museum will you find an emergency exit warning you that an alarm “will HOWL” if the door is opened.
References to Allen Ginsberg (1926-1997) and his epic poem “Howl” make many appearances besides this one in this offbeat “museum” of all things and personalities tied to the Beat phenomenon in San Francisco.
The Chronicle’s own Herb Caen (1916-1997) gets credit here more than once for coining the term beatnik. (The Beat Museum has no fear of redundancy, or no confidence in the viewer’s short-term memory.)
The Beat Museum’s North Beach neighbor, City Lights Books, first published “Howl and Other Poems” in 1956, a year after Ginsberg’s first public reading of the poem at the Six Gallery…

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19.)

  • “Ponderings”

Poetry in SchoolsWriting vs. Memorizing
Poetry in Schools

Poetry in and Out of the Schools

Recently on her blog, Barbara Jane Reyes agreed with Eileen Tabios’s assertion that poetry is marginalized because it, like much of the arts, is absent from the K-12 curriculum. This discussion reminded me of a comment somebody in the audience at the Small Press Traffic conference on Aggression made about students needing to write poetry rather than memorize it in school. In an aside, Bob Gluck, suggested that maybe students actually needed to be doing more memorizing of poems. I think this is a good idea as well. Of course, not all poems are suitable for memorization, but how wonderful, to get some language inside you. My daughter Alex, who is now thirteen, had quite a bit of poetry while she was in a public Spanish immersion school here in San Francisco. There was poetry in Spanish and in English. Middle School seems to have offered less poetry though there are some popular books the kids are reading that are written in “verse.” (…)

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20.)

“The moment of change
is the only poem.”

Poetry Quote by Adrienne Rich

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21.)

Poets Laureate of the U.S.A.

  • A Net-annotated list of all the poets who have served the Library of Congress as Consultant (the old title) or Poet Laureate Consultant (the new title). Biographies & general reference sites are linked to the poets’ names — for the recent Laureates these are our own poet profiles with book-buying links at the bottom. Many of the other linked biographies are pages from the Academy of American Poets’ Find a Poet archive, a growing & invaluable resource. If there is no general information site about the poet, we have searched the Net for sample poems or other writings or recordings & listed those below the poet’s name.

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22.)

Autumn Crocus
Kyle McCord

Failbetter July 31 2009

Failbetter.Com

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23.)

  • Linebreak is an online journal with a bias for good poetry. Here is a poem from their web site this week. – Ron Lewis

This week’s poem from Linebreak

Some Unsettling Connections
By Kimberly Quiogue Andrews

Some Unsettling Connections - Linebreak

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24.)

American Life in Poetry: Column 224

BY TED KOOSER, U.S. POET LAUREATE, 2004-2006

When we’re young, it seems there are endless possibilities for lives we might lead, and then as we grow older and the opportunities get fewer we begin to realize that the life we’ve been given is the only one we’re likely to get. Here’s Jean Nordhaus, of the Washington, D.C. area, exploring this process.

Column 224

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American Life in Poetry: Column 226

BY TED KOOSER, U.S. POET LAUREATE, 2004-2006

Elizabeth Bishop, one of our greatest American poets, once wrote a long poem in which the sudden appearance of a moose on a highway creates a community among a group of strangers on a bus. Here Ronald Wallace, a Wisconsin poet, gives us a sighting with similar results.

Am Life in Poetry 226

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American Life in Poetry: Column 227

BY TED KOOSER, U.S. POET LAUREATE, 2004-2006

Jane Hirshfield, a Californian and one of my favorite poets, writes beautiful image-centered poems of clarity and concision, which sometimes conclude with a sudden and surprising deepening. Here’s just one example.

Am Life in Poetry 227

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25.)

VERMONT POET LAUREATES

1) Robert Frost – 1961
2) Galway Kinnell
3) Louis Glück
4) Ellen Bryant Voigt
5) Grace Paley
6) Ruth Stone

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26.)

If you ever have a need to contact me, here’s how to go about doing so:
Ronald Lewis:
Phone: 802-247-5913
Cell: 802-779-5913
Home: 1211 Forest Dale Road, Brandon, VT 05733
Email: vtpoet@gmail.com

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27.)

VERMONT LITERARY JOURNALS

1) The Queen City Review

Burlington College’s  The Queen City Review is a yearly journal of art and literature and accepts the work of new and established writers and artists in the areas of poetry, fiction, creative non-fiction, memoir, photography, and fine art, as well as essays and criticism on all aspects of the aforementioned. They seek to publish high quality work that ranges broadly in topic and genre.

The Queen City Review can be purchased by 2-year subscription or individually.  The price of one issue is $8 plus shipping charges ($1) for a total of $9.  Subscriptions can be purchased for #$14 plus shipping charges $2) and includes the Fall 2008 and upcoming 2009 issues.  They accept cash, check, and credit cards.  You can mail your payment to them or by calling (802) 862-9616 ext. 234 to place your order over the phone.  If mailing your payment, mail details to:

ATTN: Heidi Berkowitz
Burlington College
95 North Avenue
Burlington, VT  05401

2) Bloodroot

Bloodroot is a nonprofit literary magazine dedicated to publishing diverse voices through the adventure of poetry, short fiction, and creative nonfiction.  Their aim is to provide a platform for the free-spirited emerging and established writer.

The price of a single issue is $8.

Editor, “Do” Roberts
Bloodroot Literary Magazine
PO Box 322
Thetford Center, VT  05075
(802) 785-4916
email: bloodroot@wildblue.net

3) New England Review

A publication of Middlebury College, a high quality literary magazine that continues to uphold its reputation for publishing extraordinary, enduring work.  NER has been publishing now for over 30 years.

Cost: $8 for a single issue
$30 for a single year (4 issues)
$50 for two years (8 issues)

New England Review
Attn: Orders
Middlebury College
Middlebury, VT 05753

NEReview@middlebury.edu
(800) 450-9571

4) Willard & Maple

A Literary and Fine Art Magazine of Champlain College, Burlington.

Willard & Maple
163 South Willard Street
Freeman 302, Box 34
Burlington, VT  05401

email: willardandmaple@champlain.edu

5) Vermont Literary Review

A Literary and Fine Art Magazine of Castleton State College, Castleton.

The first issue of Vermont Literary Review was published in 1994. The review is published once a year. Work featured in the review includes poetry, fiction, drama, and personal essays from and about New England.

From its inception until 2006, students and professors reviewed the work submitted and selected work to be published. They used to jointly edit and design the review as well. After a brief lapse, the Vermont Literary Review has resumed publication in 2008 as a journal edited and designed solely by English Department faculty. The Literary Club, which used to help create this journal, is now putting out a publication of student work.

Vermont Literary Review receives funding from Castleton State College, Castleton, Vermont.

Submissions

Vermont Literary Review invites creative work from and about New England. Poetry, fiction, drama, and personal essays should not exceed 4,000 words. All submissions must be postmarked between September 30 and March 31. Include SASE. Payment: two copies. Vermont Literary Review, Department of English, Castleton State College, Castleton, VT 05735. Editor is Flo Keyes. No simultaneous submissions. Submissions will not be returned unless SASE with adequate postage is included. Authors will be notified by mail and/or e-mail. Electronic submissions are not acceptable.

Purchasing Information
Current issues are available for $8.00 plus shipping. Shipping is $1.50 for 1 copy, $2.25 for two copies, $4.00 for 3-5 copies, and $5.00 for 6-10 copies. Checks should be made out to Castleton State College, but Vermont Literary Review should be noted somewhere on the check.

Vermont Literary Review
Department of English
Castleton State College
6 Alumni Drive
Castleton, VT  05735

Editor: Flo Keyes, (802) 468-6049
email: vir@castleton.edu

6) Green Mountains Review

A Literary and Fine Art Magazine of Johnson State College, Johnson; in publication since 1987.

The Green Mountains Review is an international journal publishing poems, stories, and creative nonfiction by both well-known authors and promising newcomers.  The magazine also features interviews, literary criticism, and book reviews.  Neil Shepard is the general editor and poetry editor of the Green Mountains Review.  The fiction editor is Leslie Daniels.

The editors are open to a wide range of styles and subject matter. If you would like to acquaint yourself with some of the work that we have accepted in the past, then we encourage you to order some of our back issues here. The following is a short list of writers of varying styles who have published in Green Mountains Review: Julia Alvarez, Robert Bly, Charles Bernstein, Charles Bukowski, Hayden Carruth, Stephen Dobyns, Mark Doty, Carol Emshwiller, Linda Gregg, Donald Hall, Michael Harper, Yusef Komunyakaa, Maxine Kumin, Phillip Lopate, Heather McHugh, William Matthews, Valerie Miner, Naomi Shihab Nye, Sharon Olds, Mary Oliver, Molly Peacock, Robert Pinsky, Lynne Sharon Schwartz, Ntozake Shange, Reginald Shepard, Alix Kates Shulman, Gary Soto, Debra Spark, David St. John, Gladys Swan, James Tate, Walter Wetherell, Meredith Sue Willis, and Charles Wright.

There have been several special issues: one devoted to Vermont fiction writers, a second called Women, Community and Narrative Voice featuring short stories by women, a third filled with new writing from the People’s Republic of China, and another devoted to multicultural writing in America.  Our 10th anniversary double-issue surveyed the state of American poetry at the end of the millennium, our fall 1999 issue featured works of literary ethnography and our 15th anniversary issue, also a double-issue, featured comedy in contemporary American poetry. Our 20th anniversary issue, Literature of the American Apocalypse features poems and prose, darkly comic or deadly serious, that centers on American dread, inspired by everything from the current Administration’s war on terror and war on privacy, to continuing threats of environmental degradation, nuclear annihilation, world-ravaging disease, corruptions of culture and language, takeover by clones and computers, natural disasters that some say are caused by global warming and others say are acts of an angry god, or whatever else can be imagined by an end-of-days mind.

Subscriptions to the Green Mountains Review are $16.50 for one year (includes postage within the U.S.A.).  For Mexico and Canada, please add $2 per issue. For an overseas subscription, please add $7 per issue for shipping.

Green Mountains Review
Johnson State College
337 College Hill
Johnson, VT  05656

email: GMR@jsc.edu

7) Burlington Poetry Journal

The Burlington Poetry Journal is a new nonprofit publication interested in creating a means for provoking opinions, ideas, and thoughtful responses for poets in the Greater Burlington area. While there are numerous outlets for writers to gather and share privately in Vermont, there is no publication that brings together poetry of all styles and writers of all ages for the enjoyment of the general public. It is our hope that this journal will inspire writers to share their work with others who may be unaware of their talent, and for those who have never considered themselves writers to try their hand at poetry. We invite you to submit your work and share with others your thoughts and abilities with the Burlington community. The work you share will produce a dialogue as writers become aware of each other and begin to expose themselves and others to new poetry. The eclectic nature of the Burlington Poetry Journal will serve to stimulate its readers and authors.

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28.)

STATE POETRY SOCIETY
Poetry Society of Vermont

The Poetry Society of Vermont, founded in 1947, is an association of poets and supporters who join in promoting an interest in poetry through meetings, workshops, readings, contests, and contributions to the society’s chapbook. Anyone may join the society including high school and college students and non-residents of Vermont. We welcome both writers and appreciative readers.

In September 2007, The Poetry Society of Vermont will celebrated its 60th Anniversary.

Membership in PSOV

Benefits:

  • 2 luncheon/ workshops a year where a professional poet critiques your poems
  • one hands- on writing workshop and reading under the direction of a professional poet
  • the opportunity to enter contests judged by professional poets and to win awards
  • fellowship with appreciative readers and writers of poetry
  • opportunity for publication in the PSOV chapbook, The Mountain Troubadour

How to join:

  • mail dues of $20.00 to Membership Chairman, P.O. Box 1215, Waitsfield, VT 05673
  • include your name, mailing address, telephone, and e-mail address for Membership List
  • memberships are renewed by January 1 of each year

The PSOV has 2 current books available for sale:

1) The Mountain Troubadour – 2008 – Curl up with 44 pages of interesting, award-winning poetry from a wonderful group of poets.  This book is only $8 (+$1 to mail).  To get yourself a copy, call or write to Betty Gaechter, 134 Hitzel Terrace, Rutland, VT 05701, 773-8679.  This little booklet may be just the thing to get you involved with the PSOV for a lifetime of friendships.

2) Brighten the Barn – 60th Anniversary Anthology – 1947-2007 – An Anthology of Poems by Members of the Poetry Society of Vermont.  99 pages of quality poetry; that’s a lot of beautiful poetry for only $12.  If you get it through me (Ron Lewis), it’s only $12.  If you want it shipped to you, the PSOV wants an extra amount to cover tax and shipping ($0.72 + $3.00).  This book retails for $15, but a reduced price is now in play to unload the few remaining copies.


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29.)

YEAR-ROUND POETRY WORKSHOPS IN VERMONT

BELLOWS FALLS

1) Great River Arts Institute – See details elsewhere in this newsletter

2) Poetry Workshop at Village Square Booksellers with Jim Fowler (no relation to owner Pat).  The goal of this course is to introduce more people to the art of writing poetry and will include a discussion of modern poetry in various forms and styles. Each week, the course will provide time to share and discuss participant’s poetry. Poetry Workshops on Monday mornings (9:30-12:30 I believe)- Jim Fowler’s sessions continue, with periodic break for a few weeks between sessions.  Students should bring a poem and copies to the first class. The course will be limited to 5 to 8 students to allow adequate time to go through everyone’s poetry contributions and will meet in the cafe at Village Square Booksellers. James Fowler, of Charlestown, New Hampshire, has a Masters Degree in Environmental Science with a major in Nature Writing. He was the editor of Heartbeat of New England, a poetry anthology. Fowler has been widely published since 1998 in such journals as Connecticut Review, Quarterly of Light Verse, and Larcom Review. Fowler is a founding member of the River Voices Writer’s Circle, and a regular reader at Village Square Booksellers-River Voices Poetry Readings. The fee for this 6 week Workshop is $100, payable to Mr. Fowler at the first class. Pre-registration for the Poetry Workshop is suggested and may be made by calling Village Square Booksellers at 802-463-9404 or by email at vsbooks@sover.net or  jfowler177@comcast.net.

3) InkBlot Complex Poetry Workshop runs through the Vermont Independent Media’s Media Mentoring Project and is held at the Rockingham Public Library at 65 Westminster Street in Bellows Falls.  No previous writing or journalism experience or even class attendance is required.  Participants are invited to bring a project or share successful techniques.  The workshop aims to lift poetry from the page and reveal how it is a living force in daily life.  Originally taught at the University of Illinois at Chicago to great acclaim, its interactive nature and inclusion of multiple art forms leaves dry, academic notions of poetry behind.  It functions through three tenets: 1) Presentation of the art form as a living element of our daily world, 2) individualized, personal enrichment and free range of expression for each student, and 3) artistic ecultivation through unexpected means.  Taught by seasoned arts journalist, cultural critic and poet Clara Rose Thornton, this free event explores the poetry we encounter all around us – in songs we hear, the ways we express ourselves, even the advertisements we see.  In the final session students then create their own works with an increased sense of connection to the way words construct meaning.  All materials are provided.  Instructor Clara Rose Thornton is an internationally published film, wine and visual arts critic, music journalist, poet and former book and magazine editor.  Her writings on culture and the arts have appeared nationally in Stop Smiling: The Magazine for High-Minded Lowlifes, Honest Tune: The American Journal of Jam and Time Out Chicago.  Currently residing in an artists’ colony in Windham County, she acts as the biweekly arts columnist for the Rutland herald, staff writer for Southern Vermont Arts && Living and a regular contributor to The Commons.  A portfolio, bio and roster of writing and editing services can be found at http://www.clararosethornton.com.  For more information about the Media Mentoring Project, visit http://www.commonsnews.org or call 246-6397.  You can also write to Vermont Independent Media at P.O. Box 1212, Brattleboro, VT 05302.

BERLIN

The Wayside Poets, who share their poetry publicly from time to time, have been meeting irregularly for the past 25 years.  They used to be called The Academy Street Poets.  Membership is by invitation only.  They meet now at the Wayside Restaurant & Bakery in Berlin.  Members include Diane Swan, Sherry Olson, Carol Henrikson and Sarah Hooker.  You can contact them through Sherry Olson at: solsonvt@aol.com or 454-8026.

GUILFORD

The Guilford Poets Guild, formed in 1998, meets twice a month to critique and support each other’s work.  Their series of sponsored readings by well-known poets which began at the Dudley Farm, continues now at the Women and Family Life Center.

MIDDLEBURY

The Otter Creek Poets offer a poetry workshop every Thursday afternoon, from 1:00 to 3:00 in the basement meeting room of the Ilsley Public Library, 75 Main Street, Middlebury.  This workshop, the largest and oldest of its kind in the state, has been meeting weekly for 13 years.  Poets of all ages and styles come for peer feedback, encouragement, and optional weekly assignments to get the poetry flowing.  Bring a poem or two to share (plus 20 copies).  The workshops are led by David Weinstock.  There is considerable parking available behind the library, or further down the hill below that parking lot.  For more information, call David at 388-6939 or Ron Lewis at 247-5913.

NORWICH

This group meets on the first Sunday of every month at the Norwich Library, 6:30 p.m.

STOWE

There is another poetry workshop happening in Stowe, but unfortunately I know nothing much about this group.  If you do, contact me!

WAITSFIELD

The Mad River Poets consists of a handful of poets from the Route 100 corridor.  More on this group in the future.

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30.)

OTHER POETRY WORKSHOPS IN VERMONT

BURLINGTON

Scribes in the making put pen to paper as part of an open verse-writing session at the Fletcher Free Library, 235 College Street.  Three consecutive Thursdays, starting January 8, 2009, 5:00-6:00 p.m.  Free.  Contact information: 862-1094.

WHITE RIVER JUNCTION

The Writer’s Center
58 Main Street, White River Junction, Vermont

Instructor: April Ossmann (author of Anxious Music, Four Way Books, 2007, writing, editing and publishing consultant, and former Executive Director of Alice James Books)

Info: (802)333-9597 or aprilossmann@hotmail.com and http://www.aprilossmann.com

ANYWHERE, VERMONT

Revived for the 2009 academic year is the InkBlot Complex Poetry Workshop, designed for upper-elementary and high-school-age students, grades 7-12. The curriculum functions through three tenets:

·     Innovative presentation of the art form as a living element of our daily world
·     Individualized, personal enrichment and free range of expression for each student
·     Artistic cultivation through unexpected means

The workshop debuted at the University of Illinois at Chicago, during a three-week summer program, entitled Project C.H.A.N.C.E., for underprivileged sophomore and senior students from area high schools. It was a fantastic success, and the program director requested its return. With this encouragement, I decided to expand and adapt the workshop for various age levels, as an educational/arts supplement for after-school programs and enrichment programs and an arts elective for more traditional academic settings. The response has been wonderful.

The curriculum is designed for a six-week duration, with one class held per week, per age group. The InkBlot Complex Poetry Workshop can be tailored to your program’s needs. It is especially conducive to schools with a progressive, child-centered philosophy. Please view the synopsis below.

CURRICULUM:

A) Duration of Workshop: 6 weeks (also available as a 3-week session); one 1-hour class each week

B) Classes 1 and 2: Presentation of poetry as a force in our everyday lives, as opposed to it being a dry notion that people are forced to study in schools and think of as separated from their lives and reality. Poetry is in the music we hear, the stories we read, even the advertisements we see. These introductory segments aim to bring poetry off of the page and show how it is a lot closer to the students’ lives than they may realize. These segments serve as a way to introduce poetry by connecting it to things students are already familiar with and enjoy.

Classes 3 and 4: The study of two songs’ lyrics as poetry. I choose two songs of very differing genres, and have copies of the lyrics printed out for each pupil. Without the class being told what the songs are, their titles, or who they are performed by, we study them for meaning and expression, and the way the meaning is expressed through words. Studying them anonymously, without the connotation or attachment of what the songs may mean popularly, lets us focus on the fact that it is poetry and study how the words and metaphors are connected. At the end of class four, we listen to each song, and the students can compare what they’d imagined about the sound in their minds purely from the words, to the actual song.

Class 5: Each student creates his or her own poem, and I collect them at the end.

Class 6: I return students’ poems with any corrections for grammar and spelling and work with anyone who has questions, so that students can gain a better grasp of written expression. Then, volunteers read their poem aloud, and we discuss them as a class–what the poet was trying to express, and the unique route to that expression that he or she took–to gain better understanding of the art form and allow it to become a personal experience.

C) Instructor Fee: $600 (or $300 for 3-week session)

If you are interested in having the InkBlot Complex Poetry Workshop taught at your school or program, please, get in touch.  (802) 275-7799, clara@inkblotcomplex.com, http://www.clararosethornton.com.

  • Note: If you know of any others, or have personal information about the workshop in Stowe and Guilford, please send me that information.  I realize that there are several smaller groups or workshops around the state.  However, because of their intimacy, they are not posted above, allowing them to offer “memberships” to close friends or acquaintances that they feel would be most appropriate.

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31.)

YEAR-ROUND POETRY WRITING CENTERS IN VERMONT

BURLINGTON

The Burlington Writer’s Group (BWG) meets on Tuesday evenings from 7-9 PM and has a new home at the Unitarian Church in the church’s little white house off of Clark St., 2nd floor. They’d like to let people know and also invite anyone interested to join them whenever folks are in town or as often as they’d like.

The Burlington Writer’s Group is a free drop-in group. They decide on a prompt and write for 20 minutes, followed by a go-around reading. They can usually get in two writes depending on group size. All genres and experience levels are welcome and there really are no rules other than demonstrating courtest while people are writing (don’t interrupt).  They don’t do much critiquing though some spontaneous reactions occur. Mainly it’s good practice to just show up and write for 40 minutes and share the writing, if so inclined…

SPRINGFIELD

A Writer’s Group has started to meet at the Springfield Town Library on the fourth Monday of each month, from 7 to 8 pm.  For more information, call 885-3108.

WHITE RIVER JUNCTION

The Writer’s Center is for serious writers and nervous beginners. It’s for procrastinators who could benefit from regular deadlines – and for the prolific who could benefit from quality feedback. It’s for anyone with a manuscript hidden in a drawer, or a life story or poem waiting to be written. It’s for people who don’t know where to start or how to end. And for writers who are doing just fine on their own, but would like the company of other writers.  The Writer’s Center is for anyone who is writing or wants to write.  One of the Center’s consultants is April Ossman (www.aprilossmann.com).  Founded by Joni B. Cole and Sarah Stewart Taylor, the Writer’s Center offers instruction and inspiration through a selection of workshops, discussions, and community. We would love to see you – and your writing – at The Writer’s Center!  For more info, http://www.thewriterscenterwrj.com/.
UNDERHILL

Women Writing for (a) Change supports the authentic experience of women who honor themselves through creative writing.  Our community supports reflection as we move into our questions and awaken to change.  Participants enhance expressive skills, strengthen their voices, deepen themselves as women as writers for positive change in all spheres of life.  Creative writing in all genres is our shared vehicle.  Women Writing for (a) Change is for women who, 1) dream of writing for self-discovery, for personal or social healing, 2) hunger for creative process in their lives, 3) yearn to explore their feminine voice, 4) crave reflective, space, and 5) are in transition.  For more information, go to their web site at http://www.womenwritingVT.com/ or contact Sarah Bartlett at either 899-3772 or sarah@womenwritingvt.com.

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Poetry Event

POETRY EVENT CALENDAR

Below please find the most current list of poetry happenings in Vermont for the near future.  Please be aware that these events can be found on Poetz.com, but there is usually additional information that is typed here that would be cumbersome to place on Poetz.com.  Please note all events are Vermont-based unless they are of extreme importance or happen to lie just outside our borders.  If you would like to save on paper and ink, please just highlight what you need, or perhaps only events for the coming month, and print that information.

Wed, Jul 29: Stardust Books, 1276 North Craftsbury Road, Craftsbury Common, 7:00 p.m.-8:30 p.m.  Back by popular demand–Stardust Books & Café is pleased to host their second Poetry Slam of 2009.
Poets, listeners, and art enthusiasts of all ages are invited to attend this high-energy literary event. Poets should bring two original poems. A voluntary donation of $1 is requested at the door. Income from donations goes to the winner. Poets are free to perform original works in any style on any subject. No props, costumes or instruments.
All members of the public are invited to listen, compete or judge. Free refreshments will be served.
Poetry Slam, the art of competitive poetry can incorporate
elements of storytelling, hip-hop and stand-up comedy. The open format of the competition, along with the absurdity inherent in trying to quantify art, have inspired slammers to take the stage for over 20 years.
For more information, call Stardust bookstore at 586-2200 or email stardust AT vtlink.net.

Thu, Jul 30: 51 Main @ The Bridge, 8:30 p.m. – 10:30 p.m.  Middlebury’s Spanish School Poetry Reading.  For info, jthiesen@middlebury.edu. or 443-5538.

Fri, Jul 31: Book King, Center Street, Rutland, 6:00 p.m.  Poetry reading: Poems That Put a Smile On Your Face.  Ron Lewis and friends will read from their own poetry with aforementioned theme, upstairs in the beautifully restored historical building in downtown Rutland.  Gauze and bandages will be available.  For info, Ron at 247-5913.

Fri, Jul 31-Sat, Aug 1: At various locations in Woodstock, 7:00 p.m. – 9:00 p.m. (Fri), 10:00 a.m. – 11:00 p.m. (Sat).  Bookstock: The Green Mountain Festival of Words.  Readers unite to celebrate the wonder of words in this two-day fest including performances, lectures, participatory poetry, readings and a mammoth book sale.  For info, 457-3981.  Free.

Sat, Aug 1: Norman Williams Library, Woodstock, 1:30 p.m.  Poetry Workshop and All-ages Poetry Slam.  Free workshop at 1:30, followed by 3:00 p.m. slam, both led by Geof Hewitt.

Sat, Aug 8: Northeast Kingdom Festival, East Albany, VT, at noon.  All–ages Poetry Slam.  You’ll need to buy a ticket for admission to this terrific festival of great music. http://www.nekmf.com/.

Wed, Aug 5: Hardwick Town Hall, Hardwick, 8:00 p.m. Benefit performance ($10) for Awassa (Ethiopia) One Love AIDS/HIV Awareness Theater, featuring playwright/humanitarians David and Aurora Schein, musicians Chuck Meese, Jan Monteagudo-Meese and Jim McGinniss, and poet Geof Hewitt.

Sat, Aug 8: Village Square Booksellers, 32 The Square, Bellows Falls, In the Café, 2:00p.m. – 4:00 p.m.  Open Mic River Voices Poetry Reading on the second Saturday of each month.  The session is open mic, with individuals reading their own poetry or poems from their favorite poet.  Listeners are welcome to attend.  Light refreshments are served.  To reserve a place at the table, e-mail vsbooks@sover.net or call (802) 463-9404.

Sun, Aug 9: Platt Memorial Library, Shoreham, 7:00 p.m.  Poet and musician Dawn Potter from Harmony, Maine, will be reading with her mother, Janice Miller Potter. Dawn is the author of BOY LAND AND OTHER POEMS (2004), and is a freelance book editor and associate director of the Frost Place Conference on Poetry and Teaching in Franconia, New Hampshire. Her memoir Tracing Paradise: Two Years in Harmony with John Milton is due out from the University of Massachusetts Press in May 2009. In 2010 CavanKerry Press will publish her second poetry collection, How the Crimes Happened.  New poems and essays are appearing in the Sewanee Review, Threepenny Review, Prairie Schooner, and many other journals. A member of the Beloit Poetry Journal’s editorial board, she has taught at Haystack Montain School of Crafts and for the Maine Writers and Publishers Alliance. She has also worked extensively in the public schools, both as a visiting poet and as a staff music teacher.

Wed, Aug 12-Sun, Aug 23: Bread Loaf Writers’ Conference, Ripton.  Poetry readings TBA.

Wed, Aug 12: Vermont Humanities Council, 11 Loomis Street, Montpelier, 5:30-6:30 p.m. “You Come, Too.” Spend autumn lingering on Robert Frost’s celebrated depictions of the rural life with Peter Gilbert’s readings and discussion of his seasonal poems.  Free.  For info, 262-2626, x307.

Wed, Aug 12: Bradford Academy, Main Street, Bradford, 7:00 p.m. “Poems & Pieces.” Audience members contribute to an evening of poetry readings by sharing their favorite works – with special emphasis on local materials.  Free.  For info, 222-4423.

Wed, Aug 12: Outer Space Café, 208 Flynn Avenue, Burlington, 7:45 p.m. – 12:00 a.m.  “Get the Word Out.”  Mouths form a medley of audible thoughts through slam poetry, open mic spoken word, rap battles and more.  Free.  For info, 318-6162.

Sat, Aug 15: 9 Bausch Lane Hill, Chittenden, 5:00 p.m.  BirchDel Poets. Regular potluck gathering to share poetry, prose, music, social discourse and personal commentary. Bring friends, words, music/instruments, potluck food/beverages.  Only $1.  Contact Chris Laro or Genie Rayner at woordswoman@yahoo.com, http://www.druidfarmcreations.com.

Wed, Aug 19: Village Square Booksellers, 32 The Square, Bellows Falls, 11:00 a.m.  Alice B. Fogel,  Strange Terrain: A Poetry Handbook for The Reluctant Reader.  This book and workshop fills an empty place.  It is an essential resource for anyone who wants to feel more comfortable with reading poetry: individuals, reading groups, teachers, even friends and families of poets.  In 8 simple steps, readers will find the tools they need to make their own confident way through poetry’s strange terrain.  For info, 463-9404, vsbooks@sover.net.

Thu, Aug 27: First Congregational Church, Route 13, Newcomb Room, Thetford, 7:30 p.m.  Readings by the authors in Bloodroot literary magazine.  Readings of poetry and prose are by VT and NH authors published in the 2008 and 2009 editions. The event is free, open to public and there will be light refreshments served after the reading.  (Also, Bloodroot is accepting submissions for the 2010 edition, deadline is Sept. 1, 2009, and The Poetry Contest deadline is Sept. 15, 2009. Guidelines are on their website: http://www.bloodrootlm.com.)

Wed, Sep 9: St. Johnsbury Athenaeum, St. Johnsbury School, St. Johnsbury, 7:00 p.m.  “Readings in the Gallery” Series: Poet Marge Piercy, author of the 17 poetry collections and most recently Sex Wars, shares her printed words aloud.  For info, 748-8291.

Wed, Sep 9: Outer Space Café, 208 Flynn Avenue, Burlington, 7:45 p.m. – 12:00 a.m.  “Get the Word Out.”  Mouths form a medley of audible thoughts through slam poetry, open mic spoken word, rap battles and more.  Free.  For info, 318-6162.

Thu, Sep 10: Vermont Studio Center, Johnson, 8:00 p.m.  Poet Marge Piercy to read.  Marge Piercy has published 17 books of poetry, including What Are Big Girls Made Of, Colors Passing Through Us, and most recently her 17th volume, The Crooked Inheiritance, all from Knopf. She has written 17 novels, most recently SEX WARS in Perennial paperback now.  Her memoir Sleeping With Cats is also in Harper Collins Perennial.  Last spring, Schocken published Pesach for the Rest of Us.  Her work has been translated into 16 languages. Her CD Louder We Can’t Hear You Yet contains her political and feminist poems. She has been an editor of Leapfrog Press for the last ten years and also poetry editor of Lilith. (Event originally scheduled for September 3.)

Sat, Sep 12: Village Square Booksellers, 32 The Square, Bellows Falls, In the Café, 2:00p.m. – 4:00 p.m.  Open Mic River Voices Poetry Reading on the second Saturday of each month.  The session is open mic, with individuals reading their own poetry or poems from their favorite poet.  Listeners are welcome to attend.  Light refreshments are served.  To reserve a place at the table, e-mail vsbooks@sover.net or call (802) 463-9404.

Wed, Sep 16: Vermont Humanities Council, 11 Loomis Street, Montpelier, 5:30-6:30 p.m. “You Come, Too.” Spend autumn lingering on Robert Frost’s celebrated depictions of the rural life with Peter Gilbert’s readings and discussion of his seasonal poems.  Free.  For info, 262-2626, x307.

Mon, Sep 21: Vermont Studio Center, Johnson, 8:00 p.m.  Poet Cole Swensen to read.  Cole Swensen is the Director of the Creative Writing Program at the University of Denver. She is the author of five collections of poems, including Try (University of Iowa Press, 1999), winner of the 1998 Poetry Prize; Noon (Sun and Moon Press, 1997), which won a New American Writing Award; and Numen (Burning Deck Press, 1995) which was nominated for the PEN West Award in Poetry. Her translations include Art Poetic’ by Olivier Cadiot (Sun & Moon Press, Green Integer Series, 1999) and Natural Gaits by Pierre Alferi (Sun & Moon, 1995). She splits her time among Denver, San Francisco and Paris. (Event originally scheduled for August 17.)

Thu, Oct 1: Vermont Studio Center, Johnson, 8:00 p.m.  Poet Pattiann Rogers to read.  Pattiann Rogers has published ten books of poetry, a book-length essay, The Dream of the Marsh Wren, and A Covenant of Seasons, poems and monotypes, in collaboration with the artist Joellyn Duesberry. Her 11th  book of poetry, Wayfare, will appear from Penguin in April, 2008.   Rogers is the recipient of two NEA Grants, a Guggenheim Fellowship, a 2005 Literary Award in Poetry from the Lannan Foundation, and five Pushcart Prizes.  In the spring of 2000 she was in residence at the Rockefeller Foundation’s Study and Conference Center in Bellagio, Italy.  Her papers are archived in the Sowell Family Collection of Literature, Community and the Natural World at Texas Tech University.  She has taught as a visiting professor at various universities, including the Universities of Texas, Arkansas, and Montana, Houston University, and Washingon University.  She is currently on the faculty of Pacific University’s MFA in Writing Program.  Rogers has two sons and three grandsons and lives with her husband in Colorado.

Sat, Oct 10: Village Square Booksellers, 32 The Square, Bellows Falls, In the Café, 2:00p.m. – 4:00 p.m.  Open Mic River Voices Poetry Reading on the second Saturday of each month.  The session is open mic, with individuals reading their own poetry or poems from their favorite poet.  Listeners are welcome to attend.  Light refreshments are served.  To reserve a place at the table, e-mail vsbooks@sover.net or call (802) 463-9404.

Tue, Oct 13: Bear Pond Books, 77 Main Street, Montpelier.  Poet David Cavanaugh reads.  More on this event later.  For info, 229-1069, info@bearpondbooks.com.

Tue, Oct 20: Vermont Studio Center, Johnson, 8:00 p.m.  Poet Major Jackson to read.  “Jackson knows the truth of black magic. It is a magic as simple as the belief in humanity that subverts racism, or the esoteric and mystical magic of making jazz, the music of hope and love.” —Aafa Weaver.  Major Jackson is the author of two collections of poetry, Hoops (Norton: 2006), a finalist for an NAACP Image Award for Outstanding Literature-Poetry. and Leaving Saturn (University of Georgia: 2002), winner of the 2000 Cave Canem Poetry Prize and finalist for a National Book Critics Circle Award.  Poems by Major Jackson have appeared in the American Poetry Review, Boulevard, Callaloo, Post Road, Triquarterly, The New Yorker, among other literary journals and anthologies. He is a recipient of a Whiting Writers’ Award and has been honored by the Pew Fellowship in the Arts and the Witter Bynner Foundation in conjunction with the Library of Congress. He has received critical attention in The Boston Globe, Christian Science Monitor, Parnassus, Philadelphia Inquirer, and on National Public Radio’s All Things Considered.  Jackson is an Associate Professor of English at University of Vermont and a faculty member of the Bennington Writing Seminars. In 2006-2007, he was a fellow at the Radcliffe Institute for Advanced Study at Harvard University.

Sat, Nov 14: Village Square Booksellers, 32 The Square, Bellows Falls, In the Café, 2:00p.m. – 4:00 p.m.  Open Mic River Voices Poetry Reading on the second Saturday of each month.  The session is open mic, with individuals reading their own poetry or poems from their favorite poet.  Listeners are welcome to attend.  Light refreshments are served.  To reserve a place at the table, e-mail vsbooks@sover.net or call (802) 463-9404.

Tue, Nov 17: Vermont Studio Center, Johnson, 8:00 p.m.  Poet Sebastian Matthews to read.  Sebastian Matthews is the author of the poetry collection We Generous (Red Hen Press) and a memoir, In My Father’s Footsteps (W. W. Norton).  He co-edited, with Stanley Plumly, Search Party: Collected Poem s of William Matthews. Matthews teaches at Warren Wilson College and serves on the faculty at Queens College Low-Residency MFA in Creative Writing. His poetry and prose has appeared in Atlantic Monthly, Georgia Review, New England, Review, Poetry Daily, Poets & Writers, Seneca Review, The Sun, Tin House, Virginia Quarterly Review and The Writer’s Almanac, among others. Matthews co-edits Rivendell, a place-based literary journal, and serves as poetry consultant for Ecotone:
Re-Imagining Place.

Sat, Dec 12: Village Square Booksellers, 32 The Square, Bellows Falls, In the Café, 2:00p.m. – 4:00 p.m.  Open Mic River Voices Poetry Reading on the second Saturday of each month.  The session is open mic, with individuals reading their own poetry or poems from their favorite poet.  Listeners are welcome to attend.  Light refreshments are served.  To reserve a place at the table, e-mail vsbooks@sover.net or call (802) 463-9404.

2010:

Mon, Feb 22: Vermont Studio Center, Johnson, 8:00 p.m.  Poet David Shapiro to read.  David Shapiro (born January 2, 1947) is an American poet, literary critic, and art historian and . Shapiro has written some twenty volumes of poetry, literary, and art criticism. He was first published at the age of thirteen, and his first book was published at the age of eighteen. Shapiro has taught at Columbia, Bard College, Cooper Union, Princeton University, and William Paterson University. He wrote the first monograph on John Ashbery, the first book on Jim Dine’s paintings, the first book on Piet Mondrian’s flower studies, and the first book on Jasper Johns’ drawings. He has translated Rafael Alberti’s poems on Pablo Picasso, and the writings of the Sonia and Robert Delaunay. Shapiro has won National Endowment for the HumanitiesNational Endowment for the Arts fellowships, been nominated for a National Book Award, and been the recipient of numerous grants for his work. Shapiro lives in Riverdale, The Bronx, New York City, with his wife and son.

  • Again, if you become aware of an event that isn’t posted above, please let me know. My apologies if I have left off anything of importance to any of you, but it can always be corrected in the next Vermont Poetry Newsletter.

our finitude as human beings
is encompassed by the infinity of language

— Hans-Georg Gadamer

Your fellow Poet,

Ron Lewis

Vermont Poetry Newsletter June 1 2009

[The Vermont Poetry Newsletter is not issued by me but by Ron Lewis, by whose permission I post this.]

Vermont Poetry Newsletter

Your Poetry & Spoken Word Gateway in the Green Mountain State

June 1, 2009

  1. Newsletter Editor’s Note/Notes to Otter Creek Poets
  2. Writing Assignments/Suggestions/Exercises/Prompts
  3. New England Review (NER) In Trouble
  4. Meetinghouse, NH Readings
  5. Burlington Writer’s Group
  6. Poetry Types
  7. Resources: Books on Writing
  8. Interview With Ravi Shankar
  9. Donald Hall
  10. Book Review: The Story of William Carlos Williams & Emily Dickinson
  11. Sky Meadow Writing Retreat
  12. Book King Reading
  13. Did You Know? Derek Walcott Resigns
  14. Ponderings – Ving, Vang, Vong
  15. Poetry Quote (Carl Sandburg)
  16. US Poets Laureate List
  17. Failbetter Poem
  18. Linebreak Poem
  19. Copper Canyon Press Poem
  20. American Life in Poetry Poems (3)
  21. Vermont Poet Laureates
  22. Contact Info for Publisher of VPN: Ron Lewis
  23. Vermont Literary Journals
  24. Vermont State Poetry Society
  25. Year-Round Poetry Workshops in Vermont
  26. Other Poetry Workshops in Vermont
  27. Year-Round Poetry Writing Centers in Vermont
  28. Poetry Event Calendar

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About the Vermont Poetry Newsletter Network

The Vermont Poetry Newsletter Network is made up of people of all backgrounds, ages and skills who appreciate the craft of poetry and want to promote it in the beautiful state of Vermont. The network consists of a free e-mail list, an eventual web site, workshops, open mics, poetry performances and other literary events.  The network provides opportunities to meet local poets, talk about and enjoy poetry, and motivate and inspire yourself in whatever writing projects you are involved.

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1.)

Dear Friends of Poetry:

For the Otter Creek Poets only – directions to our annual Potluck and Poetry Feast at Deanna Shapiro’s on June 4th.  12:00-1:00 Potluck, 1:00-3:00 Poetry:

From Route 7 south: Proceed north on Route 7 from Middlebury. Go through two traffic lights in Vergennes. See Ferrisburgh Grange Hall on left. See Rokeby Museum on right. Make the next right turn after Rokeby Museum which is Robinson Road. Go up hill to top. Road bears left. We are the first and only driveway on the right. 628 Robinson Rd. Come up driveway to house.

From Route 7 north:  Proceed south on Route 7 from Burlington, through Shelburne and Charlotte to Ferrisburgh. See Dakin Farm on right. See Starry Night Cafe on right. Make first left after Starry Night Cafe onto Robinson Rd which is directly across Route 7 from Greenbush Rd. Proceed up hill as directed above.

In both directions on Route 7 there are green signs that announce Robinson Road/Greenbush Road.  The precise address is 628 Robinson Road, Ferrisburgh.

It’s pot luck at 12:00 noon and poetry at 1:00 as usual. Looking forward to welcoming you. Deanna

As usual, bring about 20 copies of a poem to have critiqued (we had 16 poets at the last meeting), and enough of whatever food item you’re bringing to also meet about 20 hungry poets!

For the rest of you, the reading last Friday at the Book King in Rutland was very cozy.  6 of us took turns reading from our own poetry.  The theme was “Spring” or “Signs of Spring.”  Readings are to take place on the last Friday of every month, which means to next reading is on June 26th at 6:00 p.m.  The theme, suggested by the poets themselves, which is a 180º shift from the first reading, is “Poems That Make You Cut Your Wrists.”  That’s right, poems that make you cringe, jump off a bridge, yell for help.  Should be a lot of fun!  Let’s hope we all leave in one piece!

Until next time!

Ron Lewis
VPN Publisher
247-5913

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2.)

THIS WEEK’S WRITING ASSIGNMENT/SUGGESTION/EXERCISE:

What do your poems keep praised for?  When someone points their finger at you, and says “that’s the thing,” what is “that thing” about you and your writing to which they are alluding?  Whatever “that” is, do more of it.  Load your next poem with “that thing.”  Lay it on thick.

LAST WEEK’S WRITING ASSIGNMENT/SUGGESTION/EXERCISE:

See Vermont Poetry Newsletter May 18 2009

(All Assignments are products of David Weinstock unless otherwise indicated)

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3.)

NEW ENGLAND REVIEW:

Literary journal vies to stay afloat. College cuts could cripple publication

By KATHRYN FLAGG
Addison Independent
Thursday, May 28, 2009

MIDDLEBURY — Mention the “New England Review” on Middlebury College’s campus, and most students might not know that title refers to the quarterly publication housed in book-lined offices on the edge of the campus.
But mention NER in conversation with literary aficionados, and you’ll likely learn that the college-affiliated magazine is among the most prestigious literary journals in the country.

But now the publication — which after 31 years is an august old-timer in the world of such magazines — is on the chopping block. In the latest round of budget cuts handed down by Middlebury College administrators, college President Ronald D. Liebowitz gave the magazine two and a half years to eliminate its operating deficit, or the college will cut ties with the nationally renowned publication.

The budget ultimatum was one of several announced this month, part of the college’s effort to trim $20 million from its spending plan. In the original budget recommendation, the committee in charge of compiling these cuts recommended that the college end its relationship with NER and wind down the magazine’s operations at the end of June.

Editor Stephen Donadio and Managing Editor Carolyn Kuebler are optimistic about the magazine’s prospects — the two-and-a-half-years extension on the initial recommendation buys them time to raise funds for the magazine.

But the recommendation nonetheless comes as a blow to the magazine, which can’t survive on the cost of subscriptions alone.

“My sense is that the determination was that the “New England Review” was not considered central to what is sometimes called the ‘core mission’ of the college,” Donadio said, referencing the Budget Oversight Committee’s initial recommendation regarding the journal.

And, some Middlebury faculty argue, things like the journal could be viewed as secondary to the school’s primary focus on undergraduate education.

“In a time where every institution is facing crisis economics, priorities have to be laid out transparently — I think all of us in the Middlebury community have faced up to that reality for the most part,” one faculty member wrote in an online discussion of the cuts at Inside Higher Ed.

Donadio and Kuebler counter that argument by citing the journal’s longstanding ties to Middlebury faculty, alumni, and programs like the Bread Loaf Writers’ Conference. Donadio said a journal like NER can’t be perceived as a “house organ,” and so the journal has never actively promoted the work of Middlebury faculty or alumni. But over the journal’s tenure, NER has published the work of more than 30 members of the faculty, several alumni, and many writers associated with the prestigious writers’ conference. In recent years, the magazine has also brought on two students every semester to intern behind the scenes.

The journal is also ranked nationally among the best literary journals, and NER writers have recently won or been chosen as the finalists for the Pulitzer Prize, the National Book Award, and the National Book Critics Circle Award.

According to Kuebler, the journal receives around 4,500 submissions annually, and publishes 2 percent of the poetry submissions it receives and less than 1 percent of the prose submissions.

The college’s “core mission” aside, Donadio said journals like NER provide a way to sustain and encourage these writers — and provide a way for universities to support intellectual and cultural vitality.

“It’s really the role of journals of this sort to keep alive certain possibilities of intellectual community, to keep open a range of literary options that would simply die if they weren’t supported in some way,” he said. “It’s a matter of choice and priorities with respect to what you think a vibrant culture needs to survive and to flourish.”

That sort of support often needs to be subsidized, he went on, offering classical music as another example of an art that might die out without the support of nonprofits, philanthropists and academic institutions.

But the magazine has, to this point, relied on support from the college to stay afloat. NER’s “deficit” doesn’t mean the magazine overspent its budget, Donadio said — far from it. In fact, he went on, NER scrupulously came in under budget for years.

Simply put, the revenue brought in by subscriptions doesn’t cover the magazine’s spending, which includes payroll, small subsidies for readers who cull through literary submissions, and the cost of printing. NER prints 1,500 copies of each issue. Of those, around 800 are sent out to subscribers, 450 head to bookstores, and roughly 100 are purchased as single issues.

That’s far from uncommon among small magazines — both literary journals and more commercial publications alike.

“There is not a single literary magazine that could survive without support,” Donadio said.
What’s more, he said, the publications that critics often cite as the ones literary magazines should emulate, in order to be more financially viable, lose millions of dollars a year. Those include publications like “The Atlantic,” “The New Yorker,” and “Harper’s.”

“These are magazines that are thought of as appropriate models. People point to them and say, ‘Look at them, they make their own way. They’re really OK.’ In fact, they’re not,” Donadio said. “I think that’s true, generally speaking, of magazines committed to offering significant intellectual content.”

Despite the cuts, Donadio and Kuebler are hopeful — in large part because the college has agreed to help the magazine raise funds over the next two and a half years. Kuebler said that ideally, NER would build up an endowment over that period to fund its endeavors in the years ahead. The upside of the budget recommendations, she continued, is that the magazine will emerge more financially robust in the end.
Ultimately, Kuebler said that the magazine’s long relationship with the college has been taken for granted — both by the publication and by the school.

“I think this has come to a point where we’re really going to redefine what we mean to the college, and vice versa,” Kuebler said.

In the meantime, Donadio said he wasn’t surprised that news about the magazine’s precarious fate had kicked up a flurry of chatter among literary types online and off. Discussion about the magazine was featured last week on Web sites like Inside Higher Ed and a Los Angeles Times blog, and the Addison Independent was copied more than 10 letters to Liebowitz from concerned NER supporters. Donadio said the magazine’s staff played no part in the letter-writing campaign.

“People who are surviving as serious writers are intensely aware of the need for publications of this sort,” Donadio said. “When it looks like one of them — and one of the most prominent and prestigious — may cease to exist, they see that as an ominous indication that what they do may cease to exist. There’s a passionate interest in this. … Journals like NER make possible the creation of new literature in a way that nothing else can.”

What’s more, he said, many writers recognize that there may be nowhere else to publish their work, should magazines like NER go under — particularly in an age when publishing houses aren’t willing to invest in projects that won’t achieve success with mass audiences.

That’s where journals, albeit subsidized ones, step in: NER strives to foster intellectually rigorous poetry, fiction and nonfiction that might not find a home in more commercial publications.

“Cultures can make choices to do without these things, but they are coarsened and made shallower as a consequence,” Donadio said. “It’s possible to obliterate everything that isn’t in effect intended for a mass audience, on the assumption that anything worth having should be able to demonstrate its value by paying for itself. If everyone believed that, colleges and universities, as well as libraries and museums, would have disappeared from the face of the Earth long ago.”

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4.)

  • I usually don’t promote poetry events happening outside Vermont, but I find the following exceptional, and within an easy drive outside our state’s boundaries.

2009 Meetinghouse Readings
Canaan, NH
Canaan Meeting House
Phone: 603.523.9650
Canaan Street & Roberts Road

Thursday, July 9, 2009
7:30 pm Pamela Harrison and Tracy Winn Canaan Meeting House (Canaan Street & Roberts Road)
Author Reading & Book Signing
 Canaan, NH

Thursday, July 16, 2009
7:30 pm Robert Pinsky and Elinor Lipman Canaan Meeting House (Canaan Street & Roberts Road)
Author Reading & Book Signing
 Canaan, NH

Thursday, July 23, 2009
7:30 pm W.E. Butts and Paul Tremblay Canaan Meeting House (Canaan Street & Roberts Road)
Author Reading & Book Signing 
Canaan, NH

Thursday, July 30, 2009
7:30 pm April Ossmann and Ha Jin Canaan Meeting House (Canaan Street & Roberts Road)
Author Reading & Book Signing 
Canaan, NH

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5.)

  • A note from the Burlington Writer’s Group:

Hey fellow writers –

Just wanted to let you know –

BWG meets on Tuesday evenings from 7-9 PM and has a new home at the Unitarian Church in their little white house off of Clark St., 2nd floor. We’d like to let people know and also invite anyone interested to join us whenever folks are in town or as often as they’d like.

The Burlington Writer’s Group is a free drop-in group. We decide on a prompt and write for 20 minutes, followed by a go-around reading. We can usually get in two writes depending on group size. All genres and experience levels are welcome and there really are no rules other than don’t interrupt folks while they are writing. We don’t really do much critiquing though some spontaneous reactions occur! Mainly it’s good practice to just show up and write for 40 minutes and share the writing if so inclined…

Maybe we’ll see you there?

Best,
Cynthia Hennard

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6.)

POETRY TYPES

by Cella Bella

Let me start off by saying I think all poetry is beautiful, no matter how simple or complex. I wanted to post this to share the many types of poetry and to give some insight on some of the many types of poetry you may see on P&Q. I must say, free verse is always wonderful but, you might be surprised how challenging and unique formed poetry can be. Happy writing.

Poetry TypesTypes:

1. Villanelle
The villanelle, in my opinion, is one of the more difficult styles of poetry. A villanelle consists of 19 lines, including five tercets and a quatrain at the end. Each tercet is made up of three lines. The rhyme scheme for each tercet is aba. (the first and last have the same end rhyme, which just means the last word in each line rhymes) The concluding quatrain consists of four lines. The rhyme scheme is abab. Now, this is where it gets tricky. Two lines are repeated throughout the entire poem. -The first line of the last stanza is repeated as the last line in the second and fourth stanzas and also as the second-to-last line of the ending quatrain. -The third line of the first stanza is repeated as the last line of the third and fifth stanza and as the last line in the ending quatrain…

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7.)

  • A couple of great resources, according to some Otter Creek Poets, are:

BECOMING A WRITER
By Dorothea Brande

THE ARTIST’S WAY
By Julia Cameron

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8.)

  • Here is an interesting interview of Ravi Shankar – the poet, not the fellow who plays the sitar!  Ravi is the poetry faculty member for the 30th Annual University of Southern Maine’s Stonecoast Writers’ Conference, which takes place July 19-25.  If interested in this conference, go to http://www.usm.maine.edu/stonecoast_wc

Riding the Boat
Ram Devineni interviews Ravi Shankar
 editor of the Internet magazine Drunken Boat

…on editing the Drunkenboat.com, ethnopoetics, and deconstructing hypertext poetry.

This piece is 3,700 words or about eight printed pages long.

Riding the BoatObviously, the title ‘Drunken Boat’ comes from the famous Rimbaud poem. Why did you select that title?
I have a bipartite response to that question, the first reason being that Rimbaud, in his work and in his life, was perhaps the first truly modern poet. What Beat doesn’t have Rimbaud memorized when he states ‘the poet makes himself into a seer by a long, prodigious and rational disordering of all the senses. Every form of love, of suffering, of madness; he searches himself, he consumes all the poisons, and keeps only their quintessence’?
    I personally am more interested in Rimbaud the synesthete who, with all the hubris and wild inventiveness of a narcissistic genius, exclaims, ‘I created the colors of the vowels! A black, E white, I red, O blue, U green — I made rules for the form and movement of each consonant, and with instinctive rhythms, I flattered myself that I created a poetic language accessible, someday, to all the senses.’
    Isn’t that the primal goal of each poet, to look out at the landscape she finds herself in, and like Adam in Eden, provide each thing its necessary name? [Click on Image to read more.]

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9.)

Intimacy and Solitude
By PETER STEVENSON

THE NEW YORK TIME BOOK REVIEW
Published: November 7, 2008

New York Times“In childhood nothing happened.” So Donald Hall writes in his enchanting memoir, and what’s admirable about that sentence is not just the pleasure in coming across such a cheeky volley in the opening pages of an account of a life in our post-Freudian age, but the choice Hall made not to insert a comma between “childhood” and “nothing.” A comma — “In childhood, nothing happened” — would have insisted on a dramatic pause that the reader would be expected to applaud politely, nodding at the poet’s foreshadowing that clearly something did happen and it must have been simply stupendous, and here we go. But Hall means what he says, repeating the phrase “Nothing happened” twice, like a chorus or incantation, on the following page. [Click on Image to Read More.]

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10.)

THIS WEEK’S REVIEW (2)

NY Times 2 Reviews1) A RIVER OF WORDS
The Story of William Carlos Williams
By Jen Bryant. Illustrated by Melissa Sweet
Unpaged. Eerdmans Books for Young Readers. $17. (Ages 7 and up)

2) MY LETTER TO THE WORLD
And Other Poems
By Emily Dickinson. Illustrated by Isabelle Arsenault
Unpaged. KCP Poetry/Kids Can Press. Cloth, $17.95; paper, $9.95. (Ages 10 and up)

When I was 8 or 9 I copied a poem from a library book in loopy cursive and taped it to the wall over my bed. I was enchanted by Robert Frost’s catchy claim that he was “one of the children told” that “blowing dust” was “really gold.” But the real nugget for me was “the Golden Gate.” Frost and I were both born in San Francisco. And he, too, I learned with delight, had lived in Vermont, loved apple trees and bendy birches. [Click on Image to Read More.]

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11.)

Writing & Oneness:
Creativity and Deep Discovery Through Two Transformative Practices

June 5-7, 2009
Sky Meadow Retreat
Northeast Kingdom, VT
Cost: $350, includes tuition, food, lodging
To register: Send a non-refundable $50 check to:
Michelle Demers
382 Northview Court
Williston, VT  05495

Come and experience a weekend of creativity and deep discovery in the silence and natural surroundings of Sky Meadow Retreat.  You’ll have a chance to see how the practices of writing and Oneness Blessing can work together to deepen and complement each other and create transformations.  You will be introduced to both practices, then have many opportunities to experience each one and see how each works to deepen each experience.  The weekend promises to be devoted to writing, transformation, and deep listening in an atmosphere of kindness, openness, and non-judgment.  No experience is necessary in writing or Oneness Blessing.

For more information on Oneness Blessing (Deeksha):
www.onenessvermont.com

For more information on Writiing Practice:
www.firstthoughtswriting.com

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12.)

Poetry Readings Resume at The Book King, Center Street, Rutland

The Book King is returning to having public poetry readings, to be held on the last Friday of each month, at 6:00 p.m.  The next reading will be on June 26th.  There will be flyers at the Book King counter.

Please contact me if you’d like to read.  The theme is:

“POEMS THAT MAKE YOU WANT TO SLIT YOUR WRISTS”

Poets and listeners will be checked at the door for sharp implements.

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13.)

Did You Know?

Ugly fight for top Oxford poetry post divides British academia, raises issues of race, gender

RAPHAEL G. SATTER | Associated Press Writer
May 26, 2009

Ugly FightLONDON — A fight over who gets to be Oxford University’s top poet has set Britain’s      pens racing — and weakened the careers of two well-known wordsmiths.

St. Lucia-born Derek Walcott pulled out of the race for Oxford’s Professor of Poetry after letters were distributed highlighting sexual harassment allegations made against him at Harvard and Boston Universities in the 1980s and 1990s.

His rival, Ruth Padel, resigned from the prestigious post Monday after admitting she sent e-mails to journalists publicizing the claims.

Some commentators called the move poetic justice, but others say the controversy uncovered the racially and sexually charged undercurrents still coursing through the uppermost reaches of academia. [Click on Image to Read More.]

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14.)

“Ponderings”

Ving, Vang, Vong. Or, the Pleasures of a New Vocabulary.
By VERLYN KLINKENBORG
Published: April 9, 2008

Ving Vang VongLately I’ve been thinking about the word “vang.” It is a sailing term, and if you look it up in the glossary of Royce’s “Sailing Illustrated,” you find that it refers to a line to prevent “the peak of a gaff from falling off leeward.” That is how it goes when you’re learning a new technical vocabulary. The language seems self-enclosed at first, each new definition an opaque cluster of words that themselves need defining. I was taught, during vocabulary in grade school, to try using a new word in a sentence. “There is a vang.” “Can someone show me the vang?” Those are my best efforts so far.

Part of the trouble is that I have never seen a vang. But it’s also that “vang” doesn’t sound like a noun to me. It sounds like the past tense of “ving,” which sounds like something you might do to a “vong.” And those are words with no meaning — nautical or otherwise. [Click on Image to Read More.]

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15.)

Poetry is the achievement of the synthesis of hyacinths and biscuits…

Poetry Quote by Carl Sandburg

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16.)

Poets Laureate of the U.S.A.

  • A Net-annotated list of all the poets who have served the Library of Congress as Consultant (the old title) or Poet Laureate Consultant (the new title). Biographies & general reference sites are linked to the poets’ names — for the recent Laureates these are our own poet profiles with book-buying links at the bottom. Many of the other linked biographies are pages from the Academy of American Poets’ Find a Poet archive, a growing & invaluable resource. If there is no general information site about the poet, we have searched the Net for sample poems or other writings or recordings & listed those below the poet’s name.

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17.)

Lorenzo After Driving Drunk
By Mark Neely

FailBetter - Lorenzo

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18.)

  • Linebreak is an online journal with a bias for good poetry. Here is a poem from their web site this week:

At Ruann’s, Having Tea with the Future
BY SALLY MOLINI

Sally Molini’s work has appeared or is forthcoming in LIT, Beloit Poetry Journal, elimae, and 32 Poems, among other journals, and has been nominated for the Pushcart Prize. She is co-editor for Cerise Press, an online international magazine and lives in Nebraska.

LineBreak - Having Tea

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19.)

Copper Canyon - Love

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20.)

American Life in Poetry: Column 217

BY TED KOOSER, U.S. POET LAUREATE, 2004-2006

American literature is rich with poems about the passage of time, and the inevitability of change, and how these affect us. Here is a poem by Kevin Griffith, who lives in Ohio, in which the years accelerate by their passing.

American Life Col 217

American Life in Poetry: Column 218

BY TED KOOSER, U.S. POET LAUREATE, 2004-2006


Here is one of my favorite mother-daughter poems, by Marie Howe, who lives in New York City and who has a charming little girl.

American Life Col 218

American Life in Poetry: Column 219

BY TED KOOSER, U.S. POET LAUREATE, 2004-2006

As we all know, getting older isn’t hard to do. Time continues on. In this poem, Deborah Warren of Massachusetts asks us to think about the life lived between our past and present selves, as indicated in the marginal comments of an old book. There’s something beautiful about books allowing us to talk to who we once were, and this poem captures this beauty.

American Life Col 219

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21.)

VERMONT POET LAUREATES

1) Robert Frost – 1961
2) Galway Kinnell
3) Louis Glück
4) Ellen Bryant Voigt
5) Grace Paley
6) Ruth Stone

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22.)

If you ever have a need to contact me, here’s how to go about doing so:
Ronald Lewis:
Phone: 802-247-5913
Cell: 802-779-5913
Home: 1211 Forest Dale Road, Brandon, VT 05733
Email: vtpoet@gmail.com

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23.)

VERMONT LITERARY JOURNALS

1) The Queen City Review

Burlington College’s  The Queen City Review is a yearly journal of art and literature and accepts the work of new and established writers and artists in the areas of poetry, fiction, creative non-fiction, memoir, photography, and fine art, as well as essays and criticism on all aspects of the aforementioned. They seek to publish high quality work that ranges broadly in topic and genre.

The Queen City Review can be purchased by 2-year subscription or individually.  The price of one issue is $8 plus shipping charges ($1) for a total of $9.  Subscriptions can be purchased for #$14 plus shipping charges $2) and includes the Fall 2008 and upcoming 2009 issues.  They accept cash, check, and credit cards.  You can mail your payment to them or by calling (802) 862-9616 ext. 234 to place your order over the phone.  If mailing your payment, mail details to:

ATTN: Heidi Berkowitz
Burlington College
95 North Avenue
Burlington, VT  05401

2) Bloodroot

Bloodroot is a nonprofit literary magazine dedicated to publishing diverse voices through the adventure of poetry, short fiction, and creative nonfiction.  Their aim is to provide a platform for the free-spirited emerging and established writer.

The price of a single issue is $8.

Editor, “Do” Roberts
Bloodroot Literary Magazine
PO Box 322
Thetford Center, VT  05075
(802) 785-4916
email: bloodroot@wildblue.net

3) New England Review

A publication of Middlebury College, a high quality literary magazine that continues to uphold its reputation for publishing extraordinary, enduring work.  NER has been publishing now for over 30 years.

Cost: $8 for a single issue
$30 for a single year (4 issues)
$50 for two years (8 issues)

New England Review
Attn: Orders
Middlebury College
Middlebury, VT 05753

NEReview@middlebury.edu
(800) 450-9571

4) Willard & Maple

A Literary and Fine Art Magazine of Champlain College, Burlington.

Willard & Maple
163 South Willard Street
Freeman 302, Box 34
Burlington, VT  05401

email: willardandmaple@champlain.edu

5) Burlington Poetry Journal

The Burlington Poetry Journal is a new nonprofit publication interested in creating a means for provoking opinions, ideas, and thoughtful responses for poets in the Greater Burlington area. While there are numerous outlets for writers to gather and share privately in Vermont, there is no publication that brings together poetry of all styles and writers of all ages for the enjoyment of the general public. It is our hope that this journal will inspire writers to share their work with others who may be unaware of their talent, and for those who have never considered themselves writers to try their hand at poetry. We invite you to submit your work and share with others your thoughts and abilities with the Burlington community. The work you share will produce a dialogue as writers become aware of each other and begin to expose themselves and others to new poetry. The eclectic nature of the Burlington Poetry Journal will serve to stimulate its readers and authors.

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24.)

STATE POETRY SOCIETY
Poetry Society of Vermont

The Poetry Society of Vermont, founded in 1947, is an association of poets and supporters who join in promoting an interest in poetry through meetings, workshops, readings, contests, and contributions to the society’s chapbook. Anyone may join the society including high school and college students and non-residents of Vermont. We welcome both writers and appreciative readers.

In September 2007, The Poetry Society of Vermont will celebrated its 60th Anniversary.

Membership in PSOV

Benefits:

  • 2 luncheon/ workshops a year where a professional poet critiques your poems
  • one hands- on writing workshop and reading under the direction of a professional poet
  • the opportunity to enter contests judged by professional poets and to win awards
  • fellowship with appreciative readers and writers of poetry
  • opportunity for publication in the PSOV chapbook, The Mountain Troubadour

How to join:

  • mail dues of $20.00 to Membership Chairman, P.O. Box 1215, Waitsfield, VT 05673
  • include your name, mailing address, telephone, and e-mail address for Membership List
  • memberships are renewed by January 1 of each year

The PSOV has 2 current books available for sale:

1) The Mountain Troubadour – 2008 – Curl up with 44 pages of interesting, award-winning poetry from a wonderful group of poets.  This book is only $8 (+$1 to mail).  To get yourself a copy, call or write to Betty Gaechter, 134 Hitzel Terrace, Rutland, VT 05701, 773-8679.  This little booklet may be just the thing to get you involved with the PSOV for a lifetime of friendships.

2) Brighten the Barn – 60th Anniversary Anthology – 1947-2007 – An Anthology of Poems by Members of the Poetry Society of Vermont.  99 pages of quality poetry; that’s a lot of beautiful poetry for only $12.  If you get it through me (Ron Lewis), it’s only $12.  If you want it shipped to you, the PSOV wants an extra amount to cover tax and shipping ($0.72 + $3.00).  This book retails for $15, but a reduced price is now in play to unload the few remaining copies.

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25.)

YEAR-ROUND POETRY WORKSHOPS IN VERMONT

BELLOWS FALLS

1) Great River Arts Institute – See details elsewhere in this newsletter

2) Poetry Workshop at Village Square Booksellers with Jim Fowler (no relation to owner Pat).  The goal of this course is to introduce more people to the art of writing poetry and will include a discussion of modern poetry in various forms and styles. Each week, the course will provide time to share and discuss participant’s poetry. Poetry Workshops on Monday mornings (9:30-12:30 I believe)- Jim Fowler’s sessions continue, with periodic break for a few weeks between sessions.  Students should bring a poem and copies to the first class. The course will be limited to 5 to 8 students to allow adequate time to go through everyone’s poetry contributions and will meet in the cafe at Village Square Booksellers. James Fowler, of Charlestown, New Hampshire, has a Masters Degree in Environmental Science with a major in Nature Writing. He was the editor of Heartbeat of New England, a poetry anthology. Fowler has been widely published since 1998 in such journals as Connecticut Review, Quarterly of Light Verse, and Larcom Review. Fowler is a founding member of the River Voices Writer’s Circle, and a regular reader at Village Square Booksellers-River Voices Poetry Readings. The fee for this 6 week Workshop is $100, payable to Mr. Fowler at the first class. Pre-registration for the Poetry Workshop is suggested and may be made by calling Village Square Booksellers at 802-463-9404 or by email at vsbooks@sover.net or  jfowler177@comcast.net.

BERLIN

The Wayside Poets, who share their poetry publicly from time to time, have been meeting irregularly for the past 25 years.  They used to be called The Academy Street Poets.  Membership is by invitation only.  They meet now at the Wayside Restaurant & Bakery in Berlin.  Members include Diane Swan, Sherry Olson, Carol Henrikson and Sarah Hooker.  You can contact them through Sherry Olson at: solsonvt@aol.com or 454-8026.

GUILFORD

The Guilford Poets Guild, formed in 1998, meets twice a month to critique and support each other’s work.  Their series of sponsored readings by well-known poets which began at the Dudley Farm, continues now at the Women and Family Life Center.

MIDDLEBURY

The Otter Creek Poets offer a poetry workshop every Thursday afternoon, from 1:00 to 3:00 in the basement meeting room of the Ilsley Public Library, 75 Main Street, Middlebury.  This workshop, the largest and oldest of its kind in the state, has been meeting weekly for 13 years.  Poets of all ages and styles come for peer feedback, encouragement, and optional weekly assignments to get the poetry flowing.  Bring a poem or two to share (plus 20 copies).  The workshops are led by David Weinstock.  There is considerable parking available behind the library, or further down the hill below that parking lot.  For more information, call David at 388-6939 or Ron Lewis at 247-5913.

NORWICH

This group meets on the first Sunday of every month at the Norwich Library, 6:30 p.m.

STOWE

There is another poetry workshop happening in Stowe, but unfortunately I know nothing much about this group.  If you do, contact me!

WAITSFIELD

The Mad River Poets consists of a handful of poets from the Route 100 corridor.  More on this group in the future.

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26.)

OTHER POETRY WORKSHOPS IN VERMONT

BURLINGTON

Scribes in the making put pen to paper as part of an open verse-writing session at the Fletcher Free Library, 235 College Street.  Three consecutive Thursdays, starting January 8, 2009, 5:00-6:00 p.m.  Free.  Contact information: 862-1094.

WHITE RIVER JUNCTION

The Writer’s Center
58 Main Street, White River Junction, Vermont

Instructor: April Ossmann (author of Anxious Music, Four Way Books, 2007, writing, editing and publishing consultant, and former Executive Director of Alice James Books)

Info: (802)333-9597 or aprilossmann@hotmail.com and http://www.aprilossmann.com

  • Note: If you know of any others, or have personal information about the workshop in Stowe and Guilford, please send me that information.  I realize that there are several smaller groups or workshops around the state.  However, because of their intimacy, they are not posted above, allowing them to offer “memberships” to close friends or acquaintances that they feel would be most appropriate.

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27.)

YEAR-ROUND POETRY WRITING CENTERS IN VERMONT

BURLINGTON

The Burlington Writer’s Group (BWG) meets on Tuesday evenings from 7-9 PM and has a new home at the Unitarian Church in the church’s little white house off of Clark St., 2nd floor. They’d like to let people know and also invite anyone interested to join them whenever folks are in town or as often as they’d like.

The Burlington Writer’s Group is a free drop-in group. They decide on a prompt and write for 20 minutes, followed by a go-around reading. They can usually get in two writes depending on group size. All genres and experience levels are welcome and there really are no rules other than demonstrating courtest while people are writing (don’t interrupt).  They don’t do much critiquing though some spontaneous reactions occur. Mainly it’s good practice to just show up and write for 40 minutes and share the writing, if so inclined…

SPRINGFIELD

A Writer’s Group has started to meet at the Springfield Town Library on the fourth Monday of each month, from 7 to 8 pm.  For more information, call 885-3108.

WHITE RIVER JUNCTION

The Writer’s Center is for serious writers and nervous beginners. It’s for procrastinators who could benefit from regular deadlines – and for the prolific who could benefit from quality feedback. It’s for anyone with a manuscript hidden in a drawer, or a life story or poem waiting to be written. It’s for people who don’t know where to start or how to end. And for writers who are doing just fine on their own, but would like the company of other writers.  The Writer’s Center is for anyone who is writing or wants to write.  One of the Center’s consultants is April Ossman (www.aprilossmann.com).  Founded by Joni B. Cole and Sarah Stewart Taylor, the Writer’s Center offers instruction and inspiration through a selection of workshops, discussions, and community. We would love to see you – and your writing – at The Writer’s Center!  For more info, http://www.thewriterscenterwrj.com/.

UNDERHILL

Women Writing for (a) Change supports the authentic experience of women who honor themselves through creative writing.  Our community supports reflection as we move into our questions and awaken to change.  Participants enhance expressive skills, strengthen their voices, deepen themselves as women as writers for positive change in all spheres of life.  Creative writing in all genres is our shared vehicle.  Women Writing for (a) Change is for women who, 1) dream of writing for self-discovery, for personal or social healing, 2) hunger for creative process in their lives, 3) yearn to explore their feminine voice, 4) crave reflective, space, and 5) are in transition.  For more information, go to their web site at http://www.womenwritingVT.com/ or contact Sarah Bartlett at either 899-3772 or sarah@womenwritingvt.com.

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28.)

POETRY EVENT CALENDAR

Poetry EventBelow please find the most current list of poetry happenings in Vermont for the near future.  Please be aware that these events can be found on Poetz.com, but there is usually additional information that is typed here that would be cumbersome to place on Poetz.com.  Please note all events are Vermont-based unless they are of extreme importance or happen to lie just outside our borders.  If you would like to save on paper and ink, please just highlight what you need, or perhaps only events for the coming month, and print that information.

Mon, Jun 1: Vermont Studio Center, Johnson, 8:00 p.m.  Poet Eamon Grennan to read.  Eamon Grennan was born in Dublin in 1941 and educated at UCD, where he studied English and Italian, and Harvard, where he received his PhD in English. His volumes of poetry include What Light There Is & Other Poems, (North Point Press, 1989), Wildly for Days (1983), What Light There Is (1987), As If It Matters (1991), So It Goes (1995), Selected and New Poems (2000) and Still Life with Waterfall (2001). His latest collection, The Quick of It, appeared in 2004 in Ireland, and in Spring 2005 in America. His books of poetry are published in the United States by Graywolf Press, and in Ireland by Gallery Press. Other publications include Leopardi: Selected Poems (Princeton 1997), and Facing the Music: Irish Poetry in the 20th Century, a collection of essays on modern Irish poetry. His poems, reviews, and essays have appeared in many magazines both in Ireland and the US.  Grennan has given lectures and workshops in colleges and universities in the US, including courses for the graduate programs in Columbia and NYU. During 2002 he was the Heimbold Professor of Irish Studies at Villanova University. His grants and prizes in the United States include awards from the National Endowment for the Arts, the National Endowment for the Humanities, and the Guggenheim Foundation. Leopardi: Selected Poems received the 1997 PEN Award for Poetry in Translation, and Still Life with Waterfall was the recipient of the 2003 Lenore Marshall Award for Poetry from the American Academy of Poets. His poems have been awarded a number of Pushcart prizes. Grennan has taught since 1974 at Vassar College where he is the Dexter M. Ferry Jr. Professor of English.  For info, 635-2727.

Thu, Jun 4: Otter Creek Poets Annual Potluck and Poetry.  The best-known poetry critique workshop in the state.  Operating weekly for the past 12 years under the directorship of David Weinstock.  Members only, meeting at the home of Deanna Shapiro (directions above).

Thu, Jun 4: Howe Library, Mayer Room, Hanover, NH, 7:00 p.m. – 8:30 p.m.  Author Reading & Book Signing: April Ossmann.  April reads from Anxious Music.  For info, (603) 643-4120, Ellen.Lynch@TheHowe.org.

Wed, Jun 10: Vermont Humanities Council, 11 Loomis Street, Montpelier, 5:30 p.m. – 6:30 p.m.  Robert Frost’s poetry is known, among other things, for its ability to evoke the seasons of New England in all their complexity. Join Peter Gilbert, the Vermont Humanities Council’s executive director and the executor of Frost’s estate, in reading and discussing some of Frost’s spring poems. Participants are invited to either read the poems in advance or upon arriving. Refreshments served. RSVPs are encouraged at 802.262.2626 x307. Walk-ins welcome.

Thu, Jun 11: Ilsley Library, 75 Main Street, Middlebury, 1:00 p.m. – 3:00 p.m. Otter Creek Poets.  The best-known poetry critique workshop in the state.  Operating weekly for the past 12 years under the directorship of David Weinstock.

Thu, Jun 11: Parima, 185 Pearl Street, Burlington, 8:45 p.m. -10:00 p.m.  Poetry Jam.  This is a continuing series, happening on alternate Thursdays.

Sat, Jun 13: Village Square Booksellers, 32 The Square, Bellows Falls, In the Café, 2:00p.m. – 4:00 p.m.  Open Mic River Voices Poetry Reading on the second Saturday of each month.  The session is open mic, with individuals reading their own poetry or poems from their favorite poet.  Listeners are welcome to attend.  Light refreshments are served.  To reserve a place at the table, e-mail vsbooks@sover.net or call (802) 463-9404.

Thu, Jun 18: Ilsley Library, 75 Main Street, Middlebury, 1:00 p.m. – 3:00 p.m. Otter Creek Poets.  The best-known poetry critique workshop in the state.  Operating weekly for the past 12 years under the directorship of David Weinstock.

Sat, Jun 20, 7:00: Ball and Chain Cafe at the Briggs Carriage Bookstore, 16 Park St., Brandon, 7:00 p.m.  Poetry/Music Performance.  David Cavanagh reads poems from his new book, Falling Body (Salmon Poetry, Ireland), interspersed, entangled with and accompanied by the music of Blackbird (Bob DeMarco and Rachel Clark).

Thu, Jun 25: Parima, 185 Pearl Street, Burlington, 8:45 p.m. -10:00 p.m.  Poetry Jam.  This is a continuing series, happening on alternate Thursdays.

Thu, Jun 25: Ilsley Library, 75 Main Street, Middlebury, 1:00 p.m. – 3:00 p.m. Otter Creek Poets.  The best-known poetry critique workshop in the state.  Operating weekly for the past 12 years under the directorship of David Weinstock.

Thu, Jul 2: Ilsley Library, 75 Main Street, Middlebury, 1:00 p.m. – 3:00 p.m. Otter Creek Poets.  The best-known poetry critique workshop in the state.  Operating weekly for the past 12 years under the directorship of David Weinstock.

Thu, Jul 9: Ilsley Library, 75 Main Street, Middlebury, 1:00 p.m. – 3:00 p.m. Otter Creek Poets.  The best-known poetry critique workshop in the state.  Operating weekly for the past 12 years under the directorship of David Weinstock.

Thu, Jul 9: Parima, 185 Pearl Street, Burlington, 8:45 p.m. -10:00 p.m.  Poetry Jam.  This is a continuing series, happening on alternate Thursdays.

Thu, Jul 9: Vermont Studio Center, Johnson, exact time not yet determined.  Poet Michael Ryan to read.  Michael Ryan has published three collections of poetry, including In Winter, Threats Instead of Trees, has been a finalist for the National Book Award, and God Hunger, as well as A Difficult Grace: On Poets, Poetry, and Writing, and the memoir Secret Life. His work has appeared in Antaeus, The Atlantic Monthly, The New Yorker, New Republic, and elsewhere. Ryan has been honored by the Lenore Marshall Prize, a Whiting Writers Award, the Yale Series of Younger Poets Award, and a Guggenheim. Ryan is Professor of English and Creative Writing at UC, Irvine.

Sat, Jul 11: Village Square Booksellers, 32 The Square, Bellows Falls, In the Café, 2:00p.m. – 4:00 p.m.  Open Mic River Voices Poetry Reading on the second Saturday of each month.  The session is open mic, with individuals reading their own poetry or poems from their favorite poet.  Listeners are welcome to attend.  Light refreshments are served.  To reserve a place at the table, e-mail vsbooks@sover.net or call (802) 463-9404.

Thu, Jul 16: Ilsley Library, 75 Main Street, Middlebury, 1:00 p.m. – 3:00 p.m. Otter Creek Poets.  The best-known poetry critique workshop in the state.  Operating weekly for the past 12 years under the directorship of David Weinstock.

Thu, Jul 23: Ilsley Library, 75 Main Street, Middlebury, 1:00 p.m. – 3:00 p.m. Otter Creek Poets.  The best-known poetry critique workshop in the state.  Operating weekly for the past 12 years under the directorship of David Weinstock.

Wed, Jul 22: The Norwich Bookstore, 291 Main Street, 7:00.  Pamela Harrison.  Norwich resident Pamela Harrison is a “Must-Hear.”  This time it is to celebrate the publication of her new poetry collection. Out of Silence is an unsentimental portrait of her parents that mines a rich story from her family experiences.  Info, 649-1114.

Thu, Jul 23: Parima, 185 Pearl Street, Burlington, 8:45 p.m. -10:00 p.m.  Poetry Jam.  This is a continuing series, happening on alternate Thursdays.

Mon, Jul 27: Vermont Studio Center, Johnson, exact time not yet determined.  Poet Doreen Gilroy to read.  Doreen Gilroy’s first book, The Little Field of Self  (The University of Chicago Press, 2002), won the John C. Zacharis First Book Award from Ploughshares.  Her second book, Human Love, was published by the University of Chicago Press in October 2005.  Her poems have appeared in The American Poetry Review, Ploughshares, Slate, TriQuarterly and many other magazines.

Thu, Jul 30: Ilsley Library, 75 Main Street, Middlebury, 1:00 p.m. – 3:00 p.m. Otter Creek Poets.  The best-known poetry critique workshop in the state.  Operating weekly for the past 12 years under the directorship of David Weinstock.

Sat, Aug 8: Village Square Booksellers, 32 The Square, Bellows Falls, In the Café, 2:00p.m. – 4:00 p.m.  Open Mic River Voices Poetry Reading on the second Saturday of each month.  The session is open mic, with individuals reading their own poetry or poems from their favorite poet.  Listeners are welcome to attend.  Light refreshments are served.  To reserve a place at the table, e-mail vsbooks@sover.net or call (802) 463-9404.

Mon, Aug 17: Vermont Studio Center, Johnson, exact time not yet determined.  Poet Cole Swensen to read.  Cole Swensen is the Director of the Creative Writing Program at the University of Denver. She is the author of five collections of poems, including Try (University of Iowa Press, 1999), winner of the 1998 Poetry Prize; Noon (Sun and Moon Press, 1997), which won a New American Writing Award; and Numen (Burning Deck Press, 1995) which was nominated for the PEN West Award in Poetry. Her translations include Art Poetic’ by Olivier Cadiot (Sun & Moon Press, Green Integer Series, 1999) and Natural Gaits by Pierre Alferi (Sun & Moon, 1995). She splits her time among Denver, San Francisco and Paris.

Thu, Sep 3: Vermont Studio Center, Johnson, exact time not yet determined.  Poet Marge Piercy to read.  Marge Piercy has published 17 books of poetry, including What Are Big Girls Made Of, Colors Passing Through Us, and most recently her 17th volume, The Crooked Inheiritance, all from Knopf. She has written 17 novels, most recently SEX WARS in Perennial paperback now.  Her memoir Sleeping With Cats is also in Harper Collins Perennial.  Last spring, Schocken published Pesach for the Rest of Us.  Her work has been translated into 16 languages. Her CD Louder We Can’t Hear You Yet contains her political and feminist poems. She has been an editor of Leapfrog Press for the last ten years and also poetry editor of Lilith.

Sat, Sep 12: Village Square Booksellers, 32 The Square, Bellows Falls, In the Café, 2:00p.m. – 4:00 p.m.  Open Mic River Voices Poetry Reading on the second Saturday of each month.  The session is open mic, with individuals reading their own poetry or poems from their favorite poet.  Listeners are welcome to attend.  Light refreshments are served.  To reserve a place at the table, e-mail vsbooks@sover.net or call (802) 463-9404.

Thu, Oct 1: Vermont Studio Center, Johnson, exact time not yet determined.  Poet Pattiann Rogers to read.  Pattiann Rogers has published ten books of poetry, a book-length essay, The Dream of the Marsh Wren, and A Covenant of Seasons, poems and monotypes, in collaboration with the artist Joellyn Duesberry. Her 11th  book of poetry, Wayfare, will appear from Penguin in April, 2008.   Rogers is the recipient of two NEA Grants, a Guggenheim Fellowship, a 2005 Literary Award in Poetry from the Lannan Foundation, and five Pushcart Prizes.  In the spring of 2000 she was in residence at the Rockefeller Foundation’s Study and Conference Center in Bellagio, Italy.  Her papers are archived in the Sowell Family Collection of Literature, Community and the Natural World at Texas Tech University.  She has taught as a visiting professor at various universities, including the Universities of Texas, Arkansas, and Montana, Houston University, and Washingon University.  She is currently on the faculty of Pacific University’s MFA in Writing Program.  Rogers has two sons and three grandsons and lives with her husband in Colorado.

Sat, Oct 10: Village Square Booksellers, 32 The Square, Bellows Falls, In the Café, 2:00p.m. – 4:00 p.m.  Open Mic River Voices Poetry Reading on the second Saturday of each month.  The session is open mic, with individuals reading their own poetry or poems from their favorite poet.  Listeners are welcome to attend.  Light refreshments are served.  To reserve a place at the table, e-mail vsbooks@sover.net or call (802) 463-9404.

Tue, Oct 20: Vermont Studio Center, Johnson, exact time not yet determined.  Poet Major Jackson to read.  “Jackson knows the truth of black magic. It is a magic as simple as the belief in humanity that subverts racism, or the esoteric and mystical magic of making jazz, the music of hope and love.” —Aafa Weaver.  Major Jackson is the author of two collections of poetry, Hoops (Norton: 2006), a finalist for an NAACP Image Award for Outstanding Literature-Poetry. and Leaving Saturn (University of Georgia: 2002), winner of the 2000 Cave Canem Poetry Prize and finalist for a National Book Critics Circle Award.  Poems by Major Jackson have appeared in the American Poetry Review, Boulevard, Callaloo, Post Road, Triquarterly, The New Yorker, among other literary journals and anthologies. He is a recipient of a Whiting Writers’ Award and has been honored by the Pew Fellowship in the Arts and the Witter Bynner Foundation in conjunction with the Library of Congress. He has received critical attention in The Boston Globe, Christian Science Monitor, Parnassus, Philadelphia Inquirer, and on National Public Radio’s All Things Considered.  Jackson is an Associate Professor of English at University of Vermont and a faculty member of the Bennington Writing Seminars. In 2006-2007, he was a fellow at the Radcliffe Institute for Advanced Study at Harvard University.

Sat, Nov 14: Village Square Booksellers, 32 The Square, Bellows Falls, In the Café, 2:00p.m. – 4:00 p.m.  Open Mic River Voices Poetry Reading on the second Saturday of each month.  The session is open mic, with individuals reading their own poetry or poems from their favorite poet.  Listeners are welcome to attend.  Light refreshments are served.  To reserve a place at the table, e-mail vsbooks@sover.net or call (802) 463-9404.

Tue, Nov 17: Vermont Studio Center, Johnson, exact time not yet determined.  Poet Sebastian Matthews to read.  Sebastian Matthews is the author of the poetry collection We Generous (Red Hen Press) and a memoir, In My Father’s Footsteps (W. W. Norton).  He co-edited, with Stanley Plumly, Search Party: Collected Poem s of William Matthews. Matthews teaches at Warren Wilson College and serves on the faculty at Queens College Low-Residency MFA in Creative Writing. His poetry and prose has appeared in Atlantic Monthly, Georgia Review, New England, Review, Poetry Daily, Poets & Writers, Seneca Review, The Sun, Tin House, Virginia Quarterly Review and The Writer’s Almanac, among others. Matthews co-edits Rivendell, a place-based literary journal, and serves as poetry consultant for Ecotone:
Re-Imagining Place.

Sat, Dec 12: Village Square Booksellers, 32 The Square, Bellows Falls, In the Café, 2:00p.m. – 4:00 p.m.  Open Mic River Voices Poetry Reading on the second Saturday of each month.  The session is open mic, with individuals reading their own poetry or poems from their favorite poet.  Listeners are welcome to attend.  Light refreshments are served.  To reserve a place at the table, e-mail vsbooks@sover.net or call (802) 463-9404.

2010:

Mon, Feb 22: Vermont Studio Center, Johnson, exact time not yet determined.  Poet David Shapiro to read.  David Shapiro (born January 2, 1947) is an American poet, literary critic, and art historian and . Shapiro has written some twenty volumes of poetry, literary, and art criticism. He was first published at the age of thirteen, and his first book was published at the age of eighteen. Shapiro has taught at Columbia, Bard College, Cooper Union, Princeton University, and William Paterson University. He wrote the first monograph on John Ashbery, the first book on Jim Dine’s paintings, the first book on Piet Mondrian’s flower studies, and the first book on Jasper Johns’ drawings. He has translated Rafael Alberti’s poems on Pablo Picasso, and the writings of the Sonia and Robert Delaunay. Shapiro has won National Endowment for the HumanitiesNational Endowment for the Arts fellowships, been nominated for a National Book Award, and been the recipient of numerous grants for his work. Shapiro lives in Riverdale, The Bronx, New York City, with his wife and son.

Again, if you become aware of an event that isn’t posted above, please let me know. My apologies if I have left off anything of importance to any of you, but it can always be corrected in the next Vermont Poetry Newsletter.

our finitude as human beings
is encompassed by the infinity of language
—Hans-Georg Gadamer

Your fellow Poet,

Ron Lewis