Vermont Poetry Newsletter June 1 2009

[The Vermont Poetry Newsletter is not issued by me but by Ron Lewis, by whose permission I post this.]

Vermont Poetry Newsletter

Your Poetry & Spoken Word Gateway in the Green Mountain State

June 1, 2009

  1. Newsletter Editor’s Note/Notes to Otter Creek Poets
  2. Writing Assignments/Suggestions/Exercises/Prompts
  3. New England Review (NER) In Trouble
  4. Meetinghouse, NH Readings
  5. Burlington Writer’s Group
  6. Poetry Types
  7. Resources: Books on Writing
  8. Interview With Ravi Shankar
  9. Donald Hall
  10. Book Review: The Story of William Carlos Williams & Emily Dickinson
  11. Sky Meadow Writing Retreat
  12. Book King Reading
  13. Did You Know? Derek Walcott Resigns
  14. Ponderings – Ving, Vang, Vong
  15. Poetry Quote (Carl Sandburg)
  16. US Poets Laureate List
  17. Failbetter Poem
  18. Linebreak Poem
  19. Copper Canyon Press Poem
  20. American Life in Poetry Poems (3)
  21. Vermont Poet Laureates
  22. Contact Info for Publisher of VPN: Ron Lewis
  23. Vermont Literary Journals
  24. Vermont State Poetry Society
  25. Year-Round Poetry Workshops in Vermont
  26. Other Poetry Workshops in Vermont
  27. Year-Round Poetry Writing Centers in Vermont
  28. Poetry Event Calendar

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About the Vermont Poetry Newsletter Network

The Vermont Poetry Newsletter Network is made up of people of all backgrounds, ages and skills who appreciate the craft of poetry and want to promote it in the beautiful state of Vermont. The network consists of a free e-mail list, an eventual web site, workshops, open mics, poetry performances and other literary events.  The network provides opportunities to meet local poets, talk about and enjoy poetry, and motivate and inspire yourself in whatever writing projects you are involved.

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1.)

Dear Friends of Poetry:

For the Otter Creek Poets only – directions to our annual Potluck and Poetry Feast at Deanna Shapiro’s on June 4th.  12:00-1:00 Potluck, 1:00-3:00 Poetry:

From Route 7 south: Proceed north on Route 7 from Middlebury. Go through two traffic lights in Vergennes. See Ferrisburgh Grange Hall on left. See Rokeby Museum on right. Make the next right turn after Rokeby Museum which is Robinson Road. Go up hill to top. Road bears left. We are the first and only driveway on the right. 628 Robinson Rd. Come up driveway to house.

From Route 7 north:  Proceed south on Route 7 from Burlington, through Shelburne and Charlotte to Ferrisburgh. See Dakin Farm on right. See Starry Night Cafe on right. Make first left after Starry Night Cafe onto Robinson Rd which is directly across Route 7 from Greenbush Rd. Proceed up hill as directed above.

In both directions on Route 7 there are green signs that announce Robinson Road/Greenbush Road.  The precise address is 628 Robinson Road, Ferrisburgh.

It’s pot luck at 12:00 noon and poetry at 1:00 as usual. Looking forward to welcoming you. Deanna

As usual, bring about 20 copies of a poem to have critiqued (we had 16 poets at the last meeting), and enough of whatever food item you’re bringing to also meet about 20 hungry poets!

For the rest of you, the reading last Friday at the Book King in Rutland was very cozy.  6 of us took turns reading from our own poetry.  The theme was “Spring” or “Signs of Spring.”  Readings are to take place on the last Friday of every month, which means to next reading is on June 26th at 6:00 p.m.  The theme, suggested by the poets themselves, which is a 180º shift from the first reading, is “Poems That Make You Cut Your Wrists.”  That’s right, poems that make you cringe, jump off a bridge, yell for help.  Should be a lot of fun!  Let’s hope we all leave in one piece!

Until next time!

Ron Lewis
VPN Publisher
247-5913

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2.)

THIS WEEK’S WRITING ASSIGNMENT/SUGGESTION/EXERCISE:

What do your poems keep praised for?  When someone points their finger at you, and says “that’s the thing,” what is “that thing” about you and your writing to which they are alluding?  Whatever “that” is, do more of it.  Load your next poem with “that thing.”  Lay it on thick.

LAST WEEK’S WRITING ASSIGNMENT/SUGGESTION/EXERCISE:

See Vermont Poetry Newsletter May 18 2009

(All Assignments are products of David Weinstock unless otherwise indicated)

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3.)

NEW ENGLAND REVIEW:

Literary journal vies to stay afloat. College cuts could cripple publication

By KATHRYN FLAGG
Addison Independent
Thursday, May 28, 2009

MIDDLEBURY — Mention the “New England Review” on Middlebury College’s campus, and most students might not know that title refers to the quarterly publication housed in book-lined offices on the edge of the campus.
But mention NER in conversation with literary aficionados, and you’ll likely learn that the college-affiliated magazine is among the most prestigious literary journals in the country.

But now the publication — which after 31 years is an august old-timer in the world of such magazines — is on the chopping block. In the latest round of budget cuts handed down by Middlebury College administrators, college President Ronald D. Liebowitz gave the magazine two and a half years to eliminate its operating deficit, or the college will cut ties with the nationally renowned publication.

The budget ultimatum was one of several announced this month, part of the college’s effort to trim $20 million from its spending plan. In the original budget recommendation, the committee in charge of compiling these cuts recommended that the college end its relationship with NER and wind down the magazine’s operations at the end of June.

Editor Stephen Donadio and Managing Editor Carolyn Kuebler are optimistic about the magazine’s prospects — the two-and-a-half-years extension on the initial recommendation buys them time to raise funds for the magazine.

But the recommendation nonetheless comes as a blow to the magazine, which can’t survive on the cost of subscriptions alone.

“My sense is that the determination was that the “New England Review” was not considered central to what is sometimes called the ‘core mission’ of the college,” Donadio said, referencing the Budget Oversight Committee’s initial recommendation regarding the journal.

And, some Middlebury faculty argue, things like the journal could be viewed as secondary to the school’s primary focus on undergraduate education.

“In a time where every institution is facing crisis economics, priorities have to be laid out transparently — I think all of us in the Middlebury community have faced up to that reality for the most part,” one faculty member wrote in an online discussion of the cuts at Inside Higher Ed.

Donadio and Kuebler counter that argument by citing the journal’s longstanding ties to Middlebury faculty, alumni, and programs like the Bread Loaf Writers’ Conference. Donadio said a journal like NER can’t be perceived as a “house organ,” and so the journal has never actively promoted the work of Middlebury faculty or alumni. But over the journal’s tenure, NER has published the work of more than 30 members of the faculty, several alumni, and many writers associated with the prestigious writers’ conference. In recent years, the magazine has also brought on two students every semester to intern behind the scenes.

The journal is also ranked nationally among the best literary journals, and NER writers have recently won or been chosen as the finalists for the Pulitzer Prize, the National Book Award, and the National Book Critics Circle Award.

According to Kuebler, the journal receives around 4,500 submissions annually, and publishes 2 percent of the poetry submissions it receives and less than 1 percent of the prose submissions.

The college’s “core mission” aside, Donadio said journals like NER provide a way to sustain and encourage these writers — and provide a way for universities to support intellectual and cultural vitality.

“It’s really the role of journals of this sort to keep alive certain possibilities of intellectual community, to keep open a range of literary options that would simply die if they weren’t supported in some way,” he said. “It’s a matter of choice and priorities with respect to what you think a vibrant culture needs to survive and to flourish.”

That sort of support often needs to be subsidized, he went on, offering classical music as another example of an art that might die out without the support of nonprofits, philanthropists and academic institutions.

But the magazine has, to this point, relied on support from the college to stay afloat. NER’s “deficit” doesn’t mean the magazine overspent its budget, Donadio said — far from it. In fact, he went on, NER scrupulously came in under budget for years.

Simply put, the revenue brought in by subscriptions doesn’t cover the magazine’s spending, which includes payroll, small subsidies for readers who cull through literary submissions, and the cost of printing. NER prints 1,500 copies of each issue. Of those, around 800 are sent out to subscribers, 450 head to bookstores, and roughly 100 are purchased as single issues.

That’s far from uncommon among small magazines — both literary journals and more commercial publications alike.

“There is not a single literary magazine that could survive without support,” Donadio said.
What’s more, he said, the publications that critics often cite as the ones literary magazines should emulate, in order to be more financially viable, lose millions of dollars a year. Those include publications like “The Atlantic,” “The New Yorker,” and “Harper’s.”

“These are magazines that are thought of as appropriate models. People point to them and say, ‘Look at them, they make their own way. They’re really OK.’ In fact, they’re not,” Donadio said. “I think that’s true, generally speaking, of magazines committed to offering significant intellectual content.”

Despite the cuts, Donadio and Kuebler are hopeful — in large part because the college has agreed to help the magazine raise funds over the next two and a half years. Kuebler said that ideally, NER would build up an endowment over that period to fund its endeavors in the years ahead. The upside of the budget recommendations, she continued, is that the magazine will emerge more financially robust in the end.
Ultimately, Kuebler said that the magazine’s long relationship with the college has been taken for granted — both by the publication and by the school.

“I think this has come to a point where we’re really going to redefine what we mean to the college, and vice versa,” Kuebler said.

In the meantime, Donadio said he wasn’t surprised that news about the magazine’s precarious fate had kicked up a flurry of chatter among literary types online and off. Discussion about the magazine was featured last week on Web sites like Inside Higher Ed and a Los Angeles Times blog, and the Addison Independent was copied more than 10 letters to Liebowitz from concerned NER supporters. Donadio said the magazine’s staff played no part in the letter-writing campaign.

“People who are surviving as serious writers are intensely aware of the need for publications of this sort,” Donadio said. “When it looks like one of them — and one of the most prominent and prestigious — may cease to exist, they see that as an ominous indication that what they do may cease to exist. There’s a passionate interest in this. … Journals like NER make possible the creation of new literature in a way that nothing else can.”

What’s more, he said, many writers recognize that there may be nowhere else to publish their work, should magazines like NER go under — particularly in an age when publishing houses aren’t willing to invest in projects that won’t achieve success with mass audiences.

That’s where journals, albeit subsidized ones, step in: NER strives to foster intellectually rigorous poetry, fiction and nonfiction that might not find a home in more commercial publications.

“Cultures can make choices to do without these things, but they are coarsened and made shallower as a consequence,” Donadio said. “It’s possible to obliterate everything that isn’t in effect intended for a mass audience, on the assumption that anything worth having should be able to demonstrate its value by paying for itself. If everyone believed that, colleges and universities, as well as libraries and museums, would have disappeared from the face of the Earth long ago.”

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4.)

  • I usually don’t promote poetry events happening outside Vermont, but I find the following exceptional, and within an easy drive outside our state’s boundaries.

2009 Meetinghouse Readings
Canaan, NH
Canaan Meeting House
Phone: 603.523.9650
Canaan Street & Roberts Road

Thursday, July 9, 2009
7:30 pm Pamela Harrison and Tracy Winn Canaan Meeting House (Canaan Street & Roberts Road)
Author Reading & Book Signing
 Canaan, NH

Thursday, July 16, 2009
7:30 pm Robert Pinsky and Elinor Lipman Canaan Meeting House (Canaan Street & Roberts Road)
Author Reading & Book Signing
 Canaan, NH

Thursday, July 23, 2009
7:30 pm W.E. Butts and Paul Tremblay Canaan Meeting House (Canaan Street & Roberts Road)
Author Reading & Book Signing 
Canaan, NH

Thursday, July 30, 2009
7:30 pm April Ossmann and Ha Jin Canaan Meeting House (Canaan Street & Roberts Road)
Author Reading & Book Signing 
Canaan, NH

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5.)

  • A note from the Burlington Writer’s Group:

Hey fellow writers –

Just wanted to let you know –

BWG meets on Tuesday evenings from 7-9 PM and has a new home at the Unitarian Church in their little white house off of Clark St., 2nd floor. We’d like to let people know and also invite anyone interested to join us whenever folks are in town or as often as they’d like.

The Burlington Writer’s Group is a free drop-in group. We decide on a prompt and write for 20 minutes, followed by a go-around reading. We can usually get in two writes depending on group size. All genres and experience levels are welcome and there really are no rules other than don’t interrupt folks while they are writing. We don’t really do much critiquing though some spontaneous reactions occur! Mainly it’s good practice to just show up and write for 40 minutes and share the writing if so inclined…

Maybe we’ll see you there?

Best,
Cynthia Hennard

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6.)

POETRY TYPES

by Cella Bella

Let me start off by saying I think all poetry is beautiful, no matter how simple or complex. I wanted to post this to share the many types of poetry and to give some insight on some of the many types of poetry you may see on P&Q. I must say, free verse is always wonderful but, you might be surprised how challenging and unique formed poetry can be. Happy writing.

Poetry TypesTypes:

1. Villanelle
The villanelle, in my opinion, is one of the more difficult styles of poetry. A villanelle consists of 19 lines, including five tercets and a quatrain at the end. Each tercet is made up of three lines. The rhyme scheme for each tercet is aba. (the first and last have the same end rhyme, which just means the last word in each line rhymes) The concluding quatrain consists of four lines. The rhyme scheme is abab. Now, this is where it gets tricky. Two lines are repeated throughout the entire poem. -The first line of the last stanza is repeated as the last line in the second and fourth stanzas and also as the second-to-last line of the ending quatrain. -The third line of the first stanza is repeated as the last line of the third and fifth stanza and as the last line in the ending quatrain…

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7.)

  • A couple of great resources, according to some Otter Creek Poets, are:

BECOMING A WRITER
By Dorothea Brande

THE ARTIST’S WAY
By Julia Cameron

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8.)

  • Here is an interesting interview of Ravi Shankar – the poet, not the fellow who plays the sitar!  Ravi is the poetry faculty member for the 30th Annual University of Southern Maine’s Stonecoast Writers’ Conference, which takes place July 19-25.  If interested in this conference, go to http://www.usm.maine.edu/stonecoast_wc

Riding the Boat
Ram Devineni interviews Ravi Shankar
 editor of the Internet magazine Drunken Boat

…on editing the Drunkenboat.com, ethnopoetics, and deconstructing hypertext poetry.

This piece is 3,700 words or about eight printed pages long.

Riding the BoatObviously, the title ‘Drunken Boat’ comes from the famous Rimbaud poem. Why did you select that title?
I have a bipartite response to that question, the first reason being that Rimbaud, in his work and in his life, was perhaps the first truly modern poet. What Beat doesn’t have Rimbaud memorized when he states ‘the poet makes himself into a seer by a long, prodigious and rational disordering of all the senses. Every form of love, of suffering, of madness; he searches himself, he consumes all the poisons, and keeps only their quintessence’?
    I personally am more interested in Rimbaud the synesthete who, with all the hubris and wild inventiveness of a narcissistic genius, exclaims, ‘I created the colors of the vowels! A black, E white, I red, O blue, U green — I made rules for the form and movement of each consonant, and with instinctive rhythms, I flattered myself that I created a poetic language accessible, someday, to all the senses.’
    Isn’t that the primal goal of each poet, to look out at the landscape she finds herself in, and like Adam in Eden, provide each thing its necessary name? [Click on Image to read more.]

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9.)

Intimacy and Solitude
By PETER STEVENSON

THE NEW YORK TIME BOOK REVIEW
Published: November 7, 2008

New York Times“In childhood nothing happened.” So Donald Hall writes in his enchanting memoir, and what’s admirable about that sentence is not just the pleasure in coming across such a cheeky volley in the opening pages of an account of a life in our post-Freudian age, but the choice Hall made not to insert a comma between “childhood” and “nothing.” A comma — “In childhood, nothing happened” — would have insisted on a dramatic pause that the reader would be expected to applaud politely, nodding at the poet’s foreshadowing that clearly something did happen and it must have been simply stupendous, and here we go. But Hall means what he says, repeating the phrase “Nothing happened” twice, like a chorus or incantation, on the following page. [Click on Image to Read More.]

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10.)

THIS WEEK’S REVIEW (2)

NY Times 2 Reviews1) A RIVER OF WORDS
The Story of William Carlos Williams
By Jen Bryant. Illustrated by Melissa Sweet
Unpaged. Eerdmans Books for Young Readers. $17. (Ages 7 and up)

2) MY LETTER TO THE WORLD
And Other Poems
By Emily Dickinson. Illustrated by Isabelle Arsenault
Unpaged. KCP Poetry/Kids Can Press. Cloth, $17.95; paper, $9.95. (Ages 10 and up)

When I was 8 or 9 I copied a poem from a library book in loopy cursive and taped it to the wall over my bed. I was enchanted by Robert Frost’s catchy claim that he was “one of the children told” that “blowing dust” was “really gold.” But the real nugget for me was “the Golden Gate.” Frost and I were both born in San Francisco. And he, too, I learned with delight, had lived in Vermont, loved apple trees and bendy birches. [Click on Image to Read More.]

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11.)

Writing & Oneness:
Creativity and Deep Discovery Through Two Transformative Practices

June 5-7, 2009
Sky Meadow Retreat
Northeast Kingdom, VT
Cost: $350, includes tuition, food, lodging
To register: Send a non-refundable $50 check to:
Michelle Demers
382 Northview Court
Williston, VT  05495

Come and experience a weekend of creativity and deep discovery in the silence and natural surroundings of Sky Meadow Retreat.  You’ll have a chance to see how the practices of writing and Oneness Blessing can work together to deepen and complement each other and create transformations.  You will be introduced to both practices, then have many opportunities to experience each one and see how each works to deepen each experience.  The weekend promises to be devoted to writing, transformation, and deep listening in an atmosphere of kindness, openness, and non-judgment.  No experience is necessary in writing or Oneness Blessing.

For more information on Oneness Blessing (Deeksha):
www.onenessvermont.com

For more information on Writiing Practice:
www.firstthoughtswriting.com

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12.)

Poetry Readings Resume at The Book King, Center Street, Rutland

The Book King is returning to having public poetry readings, to be held on the last Friday of each month, at 6:00 p.m.  The next reading will be on June 26th.  There will be flyers at the Book King counter.

Please contact me if you’d like to read.  The theme is:

“POEMS THAT MAKE YOU WANT TO SLIT YOUR WRISTS”

Poets and listeners will be checked at the door for sharp implements.

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13.)

Did You Know?

Ugly fight for top Oxford poetry post divides British academia, raises issues of race, gender

RAPHAEL G. SATTER | Associated Press Writer
May 26, 2009

Ugly FightLONDON — A fight over who gets to be Oxford University’s top poet has set Britain’s      pens racing — and weakened the careers of two well-known wordsmiths.

St. Lucia-born Derek Walcott pulled out of the race for Oxford’s Professor of Poetry after letters were distributed highlighting sexual harassment allegations made against him at Harvard and Boston Universities in the 1980s and 1990s.

His rival, Ruth Padel, resigned from the prestigious post Monday after admitting she sent e-mails to journalists publicizing the claims.

Some commentators called the move poetic justice, but others say the controversy uncovered the racially and sexually charged undercurrents still coursing through the uppermost reaches of academia. [Click on Image to Read More.]

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14.)

“Ponderings”

Ving, Vang, Vong. Or, the Pleasures of a New Vocabulary.
By VERLYN KLINKENBORG
Published: April 9, 2008

Ving Vang VongLately I’ve been thinking about the word “vang.” It is a sailing term, and if you look it up in the glossary of Royce’s “Sailing Illustrated,” you find that it refers to a line to prevent “the peak of a gaff from falling off leeward.” That is how it goes when you’re learning a new technical vocabulary. The language seems self-enclosed at first, each new definition an opaque cluster of words that themselves need defining. I was taught, during vocabulary in grade school, to try using a new word in a sentence. “There is a vang.” “Can someone show me the vang?” Those are my best efforts so far.

Part of the trouble is that I have never seen a vang. But it’s also that “vang” doesn’t sound like a noun to me. It sounds like the past tense of “ving,” which sounds like something you might do to a “vong.” And those are words with no meaning — nautical or otherwise. [Click on Image to Read More.]

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15.)

Poetry is the achievement of the synthesis of hyacinths and biscuits…

Poetry Quote by Carl Sandburg

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16.)

Poets Laureate of the U.S.A.

  • A Net-annotated list of all the poets who have served the Library of Congress as Consultant (the old title) or Poet Laureate Consultant (the new title). Biographies & general reference sites are linked to the poets’ names — for the recent Laureates these are our own poet profiles with book-buying links at the bottom. Many of the other linked biographies are pages from the Academy of American Poets’ Find a Poet archive, a growing & invaluable resource. If there is no general information site about the poet, we have searched the Net for sample poems or other writings or recordings & listed those below the poet’s name.

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17.)

Lorenzo After Driving Drunk
By Mark Neely

FailBetter - Lorenzo

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18.)

  • Linebreak is an online journal with a bias for good poetry. Here is a poem from their web site this week:

At Ruann’s, Having Tea with the Future
BY SALLY MOLINI

Sally Molini’s work has appeared or is forthcoming in LIT, Beloit Poetry Journal, elimae, and 32 Poems, among other journals, and has been nominated for the Pushcart Prize. She is co-editor for Cerise Press, an online international magazine and lives in Nebraska.

LineBreak - Having Tea

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19.)

Copper Canyon - Love

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20.)

American Life in Poetry: Column 217

BY TED KOOSER, U.S. POET LAUREATE, 2004-2006

American literature is rich with poems about the passage of time, and the inevitability of change, and how these affect us. Here is a poem by Kevin Griffith, who lives in Ohio, in which the years accelerate by their passing.

American Life Col 217

American Life in Poetry: Column 218

BY TED KOOSER, U.S. POET LAUREATE, 2004-2006


Here is one of my favorite mother-daughter poems, by Marie Howe, who lives in New York City and who has a charming little girl.

American Life Col 218

American Life in Poetry: Column 219

BY TED KOOSER, U.S. POET LAUREATE, 2004-2006

As we all know, getting older isn’t hard to do. Time continues on. In this poem, Deborah Warren of Massachusetts asks us to think about the life lived between our past and present selves, as indicated in the marginal comments of an old book. There’s something beautiful about books allowing us to talk to who we once were, and this poem captures this beauty.

American Life Col 219

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21.)

VERMONT POET LAUREATES

1) Robert Frost – 1961
2) Galway Kinnell
3) Louis Glück
4) Ellen Bryant Voigt
5) Grace Paley
6) Ruth Stone

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22.)

If you ever have a need to contact me, here’s how to go about doing so:
Ronald Lewis:
Phone: 802-247-5913
Cell: 802-779-5913
Home: 1211 Forest Dale Road, Brandon, VT 05733
Email: vtpoet@gmail.com

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23.)

VERMONT LITERARY JOURNALS

1) The Queen City Review

Burlington College’s  The Queen City Review is a yearly journal of art and literature and accepts the work of new and established writers and artists in the areas of poetry, fiction, creative non-fiction, memoir, photography, and fine art, as well as essays and criticism on all aspects of the aforementioned. They seek to publish high quality work that ranges broadly in topic and genre.

The Queen City Review can be purchased by 2-year subscription or individually.  The price of one issue is $8 plus shipping charges ($1) for a total of $9.  Subscriptions can be purchased for #$14 plus shipping charges $2) and includes the Fall 2008 and upcoming 2009 issues.  They accept cash, check, and credit cards.  You can mail your payment to them or by calling (802) 862-9616 ext. 234 to place your order over the phone.  If mailing your payment, mail details to:

ATTN: Heidi Berkowitz
Burlington College
95 North Avenue
Burlington, VT  05401

2) Bloodroot

Bloodroot is a nonprofit literary magazine dedicated to publishing diverse voices through the adventure of poetry, short fiction, and creative nonfiction.  Their aim is to provide a platform for the free-spirited emerging and established writer.

The price of a single issue is $8.

Editor, “Do” Roberts
Bloodroot Literary Magazine
PO Box 322
Thetford Center, VT  05075
(802) 785-4916
email: bloodroot@wildblue.net

3) New England Review

A publication of Middlebury College, a high quality literary magazine that continues to uphold its reputation for publishing extraordinary, enduring work.  NER has been publishing now for over 30 years.

Cost: $8 for a single issue
$30 for a single year (4 issues)
$50 for two years (8 issues)

New England Review
Attn: Orders
Middlebury College
Middlebury, VT 05753

NEReview@middlebury.edu
(800) 450-9571

4) Willard & Maple

A Literary and Fine Art Magazine of Champlain College, Burlington.

Willard & Maple
163 South Willard Street
Freeman 302, Box 34
Burlington, VT  05401

email: willardandmaple@champlain.edu

5) Burlington Poetry Journal

The Burlington Poetry Journal is a new nonprofit publication interested in creating a means for provoking opinions, ideas, and thoughtful responses for poets in the Greater Burlington area. While there are numerous outlets for writers to gather and share privately in Vermont, there is no publication that brings together poetry of all styles and writers of all ages for the enjoyment of the general public. It is our hope that this journal will inspire writers to share their work with others who may be unaware of their talent, and for those who have never considered themselves writers to try their hand at poetry. We invite you to submit your work and share with others your thoughts and abilities with the Burlington community. The work you share will produce a dialogue as writers become aware of each other and begin to expose themselves and others to new poetry. The eclectic nature of the Burlington Poetry Journal will serve to stimulate its readers and authors.

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24.)

STATE POETRY SOCIETY
Poetry Society of Vermont

The Poetry Society of Vermont, founded in 1947, is an association of poets and supporters who join in promoting an interest in poetry through meetings, workshops, readings, contests, and contributions to the society’s chapbook. Anyone may join the society including high school and college students and non-residents of Vermont. We welcome both writers and appreciative readers.

In September 2007, The Poetry Society of Vermont will celebrated its 60th Anniversary.

Membership in PSOV

Benefits:

  • 2 luncheon/ workshops a year where a professional poet critiques your poems
  • one hands- on writing workshop and reading under the direction of a professional poet
  • the opportunity to enter contests judged by professional poets and to win awards
  • fellowship with appreciative readers and writers of poetry
  • opportunity for publication in the PSOV chapbook, The Mountain Troubadour

How to join:

  • mail dues of $20.00 to Membership Chairman, P.O. Box 1215, Waitsfield, VT 05673
  • include your name, mailing address, telephone, and e-mail address for Membership List
  • memberships are renewed by January 1 of each year

The PSOV has 2 current books available for sale:

1) The Mountain Troubadour – 2008 – Curl up with 44 pages of interesting, award-winning poetry from a wonderful group of poets.  This book is only $8 (+$1 to mail).  To get yourself a copy, call or write to Betty Gaechter, 134 Hitzel Terrace, Rutland, VT 05701, 773-8679.  This little booklet may be just the thing to get you involved with the PSOV for a lifetime of friendships.

2) Brighten the Barn – 60th Anniversary Anthology – 1947-2007 – An Anthology of Poems by Members of the Poetry Society of Vermont.  99 pages of quality poetry; that’s a lot of beautiful poetry for only $12.  If you get it through me (Ron Lewis), it’s only $12.  If you want it shipped to you, the PSOV wants an extra amount to cover tax and shipping ($0.72 + $3.00).  This book retails for $15, but a reduced price is now in play to unload the few remaining copies.

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25.)

YEAR-ROUND POETRY WORKSHOPS IN VERMONT

BELLOWS FALLS

1) Great River Arts Institute – See details elsewhere in this newsletter

2) Poetry Workshop at Village Square Booksellers with Jim Fowler (no relation to owner Pat).  The goal of this course is to introduce more people to the art of writing poetry and will include a discussion of modern poetry in various forms and styles. Each week, the course will provide time to share and discuss participant’s poetry. Poetry Workshops on Monday mornings (9:30-12:30 I believe)- Jim Fowler’s sessions continue, with periodic break for a few weeks between sessions.  Students should bring a poem and copies to the first class. The course will be limited to 5 to 8 students to allow adequate time to go through everyone’s poetry contributions and will meet in the cafe at Village Square Booksellers. James Fowler, of Charlestown, New Hampshire, has a Masters Degree in Environmental Science with a major in Nature Writing. He was the editor of Heartbeat of New England, a poetry anthology. Fowler has been widely published since 1998 in such journals as Connecticut Review, Quarterly of Light Verse, and Larcom Review. Fowler is a founding member of the River Voices Writer’s Circle, and a regular reader at Village Square Booksellers-River Voices Poetry Readings. The fee for this 6 week Workshop is $100, payable to Mr. Fowler at the first class. Pre-registration for the Poetry Workshop is suggested and may be made by calling Village Square Booksellers at 802-463-9404 or by email at vsbooks@sover.net or  jfowler177@comcast.net.

BERLIN

The Wayside Poets, who share their poetry publicly from time to time, have been meeting irregularly for the past 25 years.  They used to be called The Academy Street Poets.  Membership is by invitation only.  They meet now at the Wayside Restaurant & Bakery in Berlin.  Members include Diane Swan, Sherry Olson, Carol Henrikson and Sarah Hooker.  You can contact them through Sherry Olson at: solsonvt@aol.com or 454-8026.

GUILFORD

The Guilford Poets Guild, formed in 1998, meets twice a month to critique and support each other’s work.  Their series of sponsored readings by well-known poets which began at the Dudley Farm, continues now at the Women and Family Life Center.

MIDDLEBURY

The Otter Creek Poets offer a poetry workshop every Thursday afternoon, from 1:00 to 3:00 in the basement meeting room of the Ilsley Public Library, 75 Main Street, Middlebury.  This workshop, the largest and oldest of its kind in the state, has been meeting weekly for 13 years.  Poets of all ages and styles come for peer feedback, encouragement, and optional weekly assignments to get the poetry flowing.  Bring a poem or two to share (plus 20 copies).  The workshops are led by David Weinstock.  There is considerable parking available behind the library, or further down the hill below that parking lot.  For more information, call David at 388-6939 or Ron Lewis at 247-5913.

NORWICH

This group meets on the first Sunday of every month at the Norwich Library, 6:30 p.m.

STOWE

There is another poetry workshop happening in Stowe, but unfortunately I know nothing much about this group.  If you do, contact me!

WAITSFIELD

The Mad River Poets consists of a handful of poets from the Route 100 corridor.  More on this group in the future.

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26.)

OTHER POETRY WORKSHOPS IN VERMONT

BURLINGTON

Scribes in the making put pen to paper as part of an open verse-writing session at the Fletcher Free Library, 235 College Street.  Three consecutive Thursdays, starting January 8, 2009, 5:00-6:00 p.m.  Free.  Contact information: 862-1094.

WHITE RIVER JUNCTION

The Writer’s Center
58 Main Street, White River Junction, Vermont

Instructor: April Ossmann (author of Anxious Music, Four Way Books, 2007, writing, editing and publishing consultant, and former Executive Director of Alice James Books)

Info: (802)333-9597 or aprilossmann@hotmail.com and http://www.aprilossmann.com

  • Note: If you know of any others, or have personal information about the workshop in Stowe and Guilford, please send me that information.  I realize that there are several smaller groups or workshops around the state.  However, because of their intimacy, they are not posted above, allowing them to offer “memberships” to close friends or acquaintances that they feel would be most appropriate.

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27.)

YEAR-ROUND POETRY WRITING CENTERS IN VERMONT

BURLINGTON

The Burlington Writer’s Group (BWG) meets on Tuesday evenings from 7-9 PM and has a new home at the Unitarian Church in the church’s little white house off of Clark St., 2nd floor. They’d like to let people know and also invite anyone interested to join them whenever folks are in town or as often as they’d like.

The Burlington Writer’s Group is a free drop-in group. They decide on a prompt and write for 20 minutes, followed by a go-around reading. They can usually get in two writes depending on group size. All genres and experience levels are welcome and there really are no rules other than demonstrating courtest while people are writing (don’t interrupt).  They don’t do much critiquing though some spontaneous reactions occur. Mainly it’s good practice to just show up and write for 40 minutes and share the writing, if so inclined…

SPRINGFIELD

A Writer’s Group has started to meet at the Springfield Town Library on the fourth Monday of each month, from 7 to 8 pm.  For more information, call 885-3108.

WHITE RIVER JUNCTION

The Writer’s Center is for serious writers and nervous beginners. It’s for procrastinators who could benefit from regular deadlines – and for the prolific who could benefit from quality feedback. It’s for anyone with a manuscript hidden in a drawer, or a life story or poem waiting to be written. It’s for people who don’t know where to start or how to end. And for writers who are doing just fine on their own, but would like the company of other writers.  The Writer’s Center is for anyone who is writing or wants to write.  One of the Center’s consultants is April Ossman (www.aprilossmann.com).  Founded by Joni B. Cole and Sarah Stewart Taylor, the Writer’s Center offers instruction and inspiration through a selection of workshops, discussions, and community. We would love to see you – and your writing – at The Writer’s Center!  For more info, http://www.thewriterscenterwrj.com/.

UNDERHILL

Women Writing for (a) Change supports the authentic experience of women who honor themselves through creative writing.  Our community supports reflection as we move into our questions and awaken to change.  Participants enhance expressive skills, strengthen their voices, deepen themselves as women as writers for positive change in all spheres of life.  Creative writing in all genres is our shared vehicle.  Women Writing for (a) Change is for women who, 1) dream of writing for self-discovery, for personal or social healing, 2) hunger for creative process in their lives, 3) yearn to explore their feminine voice, 4) crave reflective, space, and 5) are in transition.  For more information, go to their web site at http://www.womenwritingVT.com/ or contact Sarah Bartlett at either 899-3772 or sarah@womenwritingvt.com.

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28.)

POETRY EVENT CALENDAR

Poetry EventBelow please find the most current list of poetry happenings in Vermont for the near future.  Please be aware that these events can be found on Poetz.com, but there is usually additional information that is typed here that would be cumbersome to place on Poetz.com.  Please note all events are Vermont-based unless they are of extreme importance or happen to lie just outside our borders.  If you would like to save on paper and ink, please just highlight what you need, or perhaps only events for the coming month, and print that information.

Mon, Jun 1: Vermont Studio Center, Johnson, 8:00 p.m.  Poet Eamon Grennan to read.  Eamon Grennan was born in Dublin in 1941 and educated at UCD, where he studied English and Italian, and Harvard, where he received his PhD in English. His volumes of poetry include What Light There Is & Other Poems, (North Point Press, 1989), Wildly for Days (1983), What Light There Is (1987), As If It Matters (1991), So It Goes (1995), Selected and New Poems (2000) and Still Life with Waterfall (2001). His latest collection, The Quick of It, appeared in 2004 in Ireland, and in Spring 2005 in America. His books of poetry are published in the United States by Graywolf Press, and in Ireland by Gallery Press. Other publications include Leopardi: Selected Poems (Princeton 1997), and Facing the Music: Irish Poetry in the 20th Century, a collection of essays on modern Irish poetry. His poems, reviews, and essays have appeared in many magazines both in Ireland and the US.  Grennan has given lectures and workshops in colleges and universities in the US, including courses for the graduate programs in Columbia and NYU. During 2002 he was the Heimbold Professor of Irish Studies at Villanova University. His grants and prizes in the United States include awards from the National Endowment for the Arts, the National Endowment for the Humanities, and the Guggenheim Foundation. Leopardi: Selected Poems received the 1997 PEN Award for Poetry in Translation, and Still Life with Waterfall was the recipient of the 2003 Lenore Marshall Award for Poetry from the American Academy of Poets. His poems have been awarded a number of Pushcart prizes. Grennan has taught since 1974 at Vassar College where he is the Dexter M. Ferry Jr. Professor of English.  For info, 635-2727.

Thu, Jun 4: Otter Creek Poets Annual Potluck and Poetry.  The best-known poetry critique workshop in the state.  Operating weekly for the past 12 years under the directorship of David Weinstock.  Members only, meeting at the home of Deanna Shapiro (directions above).

Thu, Jun 4: Howe Library, Mayer Room, Hanover, NH, 7:00 p.m. – 8:30 p.m.  Author Reading & Book Signing: April Ossmann.  April reads from Anxious Music.  For info, (603) 643-4120, Ellen.Lynch@TheHowe.org.

Wed, Jun 10: Vermont Humanities Council, 11 Loomis Street, Montpelier, 5:30 p.m. – 6:30 p.m.  Robert Frost’s poetry is known, among other things, for its ability to evoke the seasons of New England in all their complexity. Join Peter Gilbert, the Vermont Humanities Council’s executive director and the executor of Frost’s estate, in reading and discussing some of Frost’s spring poems. Participants are invited to either read the poems in advance or upon arriving. Refreshments served. RSVPs are encouraged at 802.262.2626 x307. Walk-ins welcome.

Thu, Jun 11: Ilsley Library, 75 Main Street, Middlebury, 1:00 p.m. – 3:00 p.m. Otter Creek Poets.  The best-known poetry critique workshop in the state.  Operating weekly for the past 12 years under the directorship of David Weinstock.

Thu, Jun 11: Parima, 185 Pearl Street, Burlington, 8:45 p.m. -10:00 p.m.  Poetry Jam.  This is a continuing series, happening on alternate Thursdays.

Sat, Jun 13: Village Square Booksellers, 32 The Square, Bellows Falls, In the Café, 2:00p.m. – 4:00 p.m.  Open Mic River Voices Poetry Reading on the second Saturday of each month.  The session is open mic, with individuals reading their own poetry or poems from their favorite poet.  Listeners are welcome to attend.  Light refreshments are served.  To reserve a place at the table, e-mail vsbooks@sover.net or call (802) 463-9404.

Thu, Jun 18: Ilsley Library, 75 Main Street, Middlebury, 1:00 p.m. – 3:00 p.m. Otter Creek Poets.  The best-known poetry critique workshop in the state.  Operating weekly for the past 12 years under the directorship of David Weinstock.

Sat, Jun 20, 7:00: Ball and Chain Cafe at the Briggs Carriage Bookstore, 16 Park St., Brandon, 7:00 p.m.  Poetry/Music Performance.  David Cavanagh reads poems from his new book, Falling Body (Salmon Poetry, Ireland), interspersed, entangled with and accompanied by the music of Blackbird (Bob DeMarco and Rachel Clark).

Thu, Jun 25: Parima, 185 Pearl Street, Burlington, 8:45 p.m. -10:00 p.m.  Poetry Jam.  This is a continuing series, happening on alternate Thursdays.

Thu, Jun 25: Ilsley Library, 75 Main Street, Middlebury, 1:00 p.m. – 3:00 p.m. Otter Creek Poets.  The best-known poetry critique workshop in the state.  Operating weekly for the past 12 years under the directorship of David Weinstock.

Thu, Jul 2: Ilsley Library, 75 Main Street, Middlebury, 1:00 p.m. – 3:00 p.m. Otter Creek Poets.  The best-known poetry critique workshop in the state.  Operating weekly for the past 12 years under the directorship of David Weinstock.

Thu, Jul 9: Ilsley Library, 75 Main Street, Middlebury, 1:00 p.m. – 3:00 p.m. Otter Creek Poets.  The best-known poetry critique workshop in the state.  Operating weekly for the past 12 years under the directorship of David Weinstock.

Thu, Jul 9: Parima, 185 Pearl Street, Burlington, 8:45 p.m. -10:00 p.m.  Poetry Jam.  This is a continuing series, happening on alternate Thursdays.

Thu, Jul 9: Vermont Studio Center, Johnson, exact time not yet determined.  Poet Michael Ryan to read.  Michael Ryan has published three collections of poetry, including In Winter, Threats Instead of Trees, has been a finalist for the National Book Award, and God Hunger, as well as A Difficult Grace: On Poets, Poetry, and Writing, and the memoir Secret Life. His work has appeared in Antaeus, The Atlantic Monthly, The New Yorker, New Republic, and elsewhere. Ryan has been honored by the Lenore Marshall Prize, a Whiting Writers Award, the Yale Series of Younger Poets Award, and a Guggenheim. Ryan is Professor of English and Creative Writing at UC, Irvine.

Sat, Jul 11: Village Square Booksellers, 32 The Square, Bellows Falls, In the Café, 2:00p.m. – 4:00 p.m.  Open Mic River Voices Poetry Reading on the second Saturday of each month.  The session is open mic, with individuals reading their own poetry or poems from their favorite poet.  Listeners are welcome to attend.  Light refreshments are served.  To reserve a place at the table, e-mail vsbooks@sover.net or call (802) 463-9404.

Thu, Jul 16: Ilsley Library, 75 Main Street, Middlebury, 1:00 p.m. – 3:00 p.m. Otter Creek Poets.  The best-known poetry critique workshop in the state.  Operating weekly for the past 12 years under the directorship of David Weinstock.

Thu, Jul 23: Ilsley Library, 75 Main Street, Middlebury, 1:00 p.m. – 3:00 p.m. Otter Creek Poets.  The best-known poetry critique workshop in the state.  Operating weekly for the past 12 years under the directorship of David Weinstock.

Wed, Jul 22: The Norwich Bookstore, 291 Main Street, 7:00.  Pamela Harrison.  Norwich resident Pamela Harrison is a “Must-Hear.”  This time it is to celebrate the publication of her new poetry collection. Out of Silence is an unsentimental portrait of her parents that mines a rich story from her family experiences.  Info, 649-1114.

Thu, Jul 23: Parima, 185 Pearl Street, Burlington, 8:45 p.m. -10:00 p.m.  Poetry Jam.  This is a continuing series, happening on alternate Thursdays.

Mon, Jul 27: Vermont Studio Center, Johnson, exact time not yet determined.  Poet Doreen Gilroy to read.  Doreen Gilroy’s first book, The Little Field of Self  (The University of Chicago Press, 2002), won the John C. Zacharis First Book Award from Ploughshares.  Her second book, Human Love, was published by the University of Chicago Press in October 2005.  Her poems have appeared in The American Poetry Review, Ploughshares, Slate, TriQuarterly and many other magazines.

Thu, Jul 30: Ilsley Library, 75 Main Street, Middlebury, 1:00 p.m. – 3:00 p.m. Otter Creek Poets.  The best-known poetry critique workshop in the state.  Operating weekly for the past 12 years under the directorship of David Weinstock.

Sat, Aug 8: Village Square Booksellers, 32 The Square, Bellows Falls, In the Café, 2:00p.m. – 4:00 p.m.  Open Mic River Voices Poetry Reading on the second Saturday of each month.  The session is open mic, with individuals reading their own poetry or poems from their favorite poet.  Listeners are welcome to attend.  Light refreshments are served.  To reserve a place at the table, e-mail vsbooks@sover.net or call (802) 463-9404.

Mon, Aug 17: Vermont Studio Center, Johnson, exact time not yet determined.  Poet Cole Swensen to read.  Cole Swensen is the Director of the Creative Writing Program at the University of Denver. She is the author of five collections of poems, including Try (University of Iowa Press, 1999), winner of the 1998 Poetry Prize; Noon (Sun and Moon Press, 1997), which won a New American Writing Award; and Numen (Burning Deck Press, 1995) which was nominated for the PEN West Award in Poetry. Her translations include Art Poetic’ by Olivier Cadiot (Sun & Moon Press, Green Integer Series, 1999) and Natural Gaits by Pierre Alferi (Sun & Moon, 1995). She splits her time among Denver, San Francisco and Paris.

Thu, Sep 3: Vermont Studio Center, Johnson, exact time not yet determined.  Poet Marge Piercy to read.  Marge Piercy has published 17 books of poetry, including What Are Big Girls Made Of, Colors Passing Through Us, and most recently her 17th volume, The Crooked Inheiritance, all from Knopf. She has written 17 novels, most recently SEX WARS in Perennial paperback now.  Her memoir Sleeping With Cats is also in Harper Collins Perennial.  Last spring, Schocken published Pesach for the Rest of Us.  Her work has been translated into 16 languages. Her CD Louder We Can’t Hear You Yet contains her political and feminist poems. She has been an editor of Leapfrog Press for the last ten years and also poetry editor of Lilith.

Sat, Sep 12: Village Square Booksellers, 32 The Square, Bellows Falls, In the Café, 2:00p.m. – 4:00 p.m.  Open Mic River Voices Poetry Reading on the second Saturday of each month.  The session is open mic, with individuals reading their own poetry or poems from their favorite poet.  Listeners are welcome to attend.  Light refreshments are served.  To reserve a place at the table, e-mail vsbooks@sover.net or call (802) 463-9404.

Thu, Oct 1: Vermont Studio Center, Johnson, exact time not yet determined.  Poet Pattiann Rogers to read.  Pattiann Rogers has published ten books of poetry, a book-length essay, The Dream of the Marsh Wren, and A Covenant of Seasons, poems and monotypes, in collaboration with the artist Joellyn Duesberry. Her 11th  book of poetry, Wayfare, will appear from Penguin in April, 2008.   Rogers is the recipient of two NEA Grants, a Guggenheim Fellowship, a 2005 Literary Award in Poetry from the Lannan Foundation, and five Pushcart Prizes.  In the spring of 2000 she was in residence at the Rockefeller Foundation’s Study and Conference Center in Bellagio, Italy.  Her papers are archived in the Sowell Family Collection of Literature, Community and the Natural World at Texas Tech University.  She has taught as a visiting professor at various universities, including the Universities of Texas, Arkansas, and Montana, Houston University, and Washingon University.  She is currently on the faculty of Pacific University’s MFA in Writing Program.  Rogers has two sons and three grandsons and lives with her husband in Colorado.

Sat, Oct 10: Village Square Booksellers, 32 The Square, Bellows Falls, In the Café, 2:00p.m. – 4:00 p.m.  Open Mic River Voices Poetry Reading on the second Saturday of each month.  The session is open mic, with individuals reading their own poetry or poems from their favorite poet.  Listeners are welcome to attend.  Light refreshments are served.  To reserve a place at the table, e-mail vsbooks@sover.net or call (802) 463-9404.

Tue, Oct 20: Vermont Studio Center, Johnson, exact time not yet determined.  Poet Major Jackson to read.  “Jackson knows the truth of black magic. It is a magic as simple as the belief in humanity that subverts racism, or the esoteric and mystical magic of making jazz, the music of hope and love.” —Aafa Weaver.  Major Jackson is the author of two collections of poetry, Hoops (Norton: 2006), a finalist for an NAACP Image Award for Outstanding Literature-Poetry. and Leaving Saturn (University of Georgia: 2002), winner of the 2000 Cave Canem Poetry Prize and finalist for a National Book Critics Circle Award.  Poems by Major Jackson have appeared in the American Poetry Review, Boulevard, Callaloo, Post Road, Triquarterly, The New Yorker, among other literary journals and anthologies. He is a recipient of a Whiting Writers’ Award and has been honored by the Pew Fellowship in the Arts and the Witter Bynner Foundation in conjunction with the Library of Congress. He has received critical attention in The Boston Globe, Christian Science Monitor, Parnassus, Philadelphia Inquirer, and on National Public Radio’s All Things Considered.  Jackson is an Associate Professor of English at University of Vermont and a faculty member of the Bennington Writing Seminars. In 2006-2007, he was a fellow at the Radcliffe Institute for Advanced Study at Harvard University.

Sat, Nov 14: Village Square Booksellers, 32 The Square, Bellows Falls, In the Café, 2:00p.m. – 4:00 p.m.  Open Mic River Voices Poetry Reading on the second Saturday of each month.  The session is open mic, with individuals reading their own poetry or poems from their favorite poet.  Listeners are welcome to attend.  Light refreshments are served.  To reserve a place at the table, e-mail vsbooks@sover.net or call (802) 463-9404.

Tue, Nov 17: Vermont Studio Center, Johnson, exact time not yet determined.  Poet Sebastian Matthews to read.  Sebastian Matthews is the author of the poetry collection We Generous (Red Hen Press) and a memoir, In My Father’s Footsteps (W. W. Norton).  He co-edited, with Stanley Plumly, Search Party: Collected Poem s of William Matthews. Matthews teaches at Warren Wilson College and serves on the faculty at Queens College Low-Residency MFA in Creative Writing. His poetry and prose has appeared in Atlantic Monthly, Georgia Review, New England, Review, Poetry Daily, Poets & Writers, Seneca Review, The Sun, Tin House, Virginia Quarterly Review and The Writer’s Almanac, among others. Matthews co-edits Rivendell, a place-based literary journal, and serves as poetry consultant for Ecotone:
Re-Imagining Place.

Sat, Dec 12: Village Square Booksellers, 32 The Square, Bellows Falls, In the Café, 2:00p.m. – 4:00 p.m.  Open Mic River Voices Poetry Reading on the second Saturday of each month.  The session is open mic, with individuals reading their own poetry or poems from their favorite poet.  Listeners are welcome to attend.  Light refreshments are served.  To reserve a place at the table, e-mail vsbooks@sover.net or call (802) 463-9404.

2010:

Mon, Feb 22: Vermont Studio Center, Johnson, exact time not yet determined.  Poet David Shapiro to read.  David Shapiro (born January 2, 1947) is an American poet, literary critic, and art historian and . Shapiro has written some twenty volumes of poetry, literary, and art criticism. He was first published at the age of thirteen, and his first book was published at the age of eighteen. Shapiro has taught at Columbia, Bard College, Cooper Union, Princeton University, and William Paterson University. He wrote the first monograph on John Ashbery, the first book on Jim Dine’s paintings, the first book on Piet Mondrian’s flower studies, and the first book on Jasper Johns’ drawings. He has translated Rafael Alberti’s poems on Pablo Picasso, and the writings of the Sonia and Robert Delaunay. Shapiro has won National Endowment for the HumanitiesNational Endowment for the Arts fellowships, been nominated for a National Book Award, and been the recipient of numerous grants for his work. Shapiro lives in Riverdale, The Bronx, New York City, with his wife and son.

Again, if you become aware of an event that isn’t posted above, please let me know. My apologies if I have left off anything of importance to any of you, but it can always be corrected in the next Vermont Poetry Newsletter.

our finitude as human beings
is encompassed by the infinity of language
—Hans-Georg Gadamer

Your fellow Poet,

Ron Lewis

Vermont Poetry Newsletter and Event Calendar May 18 2009

[The Vermont Poetry Newsletter is not issued by me but by Ron Lewis, by whose permission I post this.]

Vermont Poetry Newsletter

Your Poetry & Spoken Word Gateway in the Green Mountain State

May 17, 2009

  1. Newsletter Editor’s Note/Notes to Otter Creek Poets
  2. Writing Assignments/Suggestions/Exercises/Prompts
  3. Otter Creek Poets
  4. Poetry At The White House
  5. Robert Pinsky Video: Samurai Song
  6. Robert Pack
  7. Horace Beck
  8. Presto Manifesto! Rhymed Poetry
  9. Poetic Form: Ghazal
  10. 3 Poems Selected For Pushcart Prize
  11. Certificate in Literary Publishing
  12. Poetry Readings Resume At The Book King
  13. Great River Arts Institute Writing Programs
  14. Week’s Review: Sisterhood of Homeless Women In Poetry
  15. Did You Know? Sex Pest Derek Walcott Bows Out of Race
  16. Ponderings – Notes On The Risqué
  17. Poetry Quote (Gary Snyder)
  18. US Poets Laureate List
  19. Failbetter Poem
  20. Linebreak Poem
  21. Copper Canyon Press Poem
  22. American Life in Poetry Poems (3)
  23. Vermont Poets Past and Present Project
  24. Vermont Poet Laureates
  25. Contact Info for Publisher of VPN: Ron Lewis
  26. Vermont Literary Journals
  27. Poetry Society of Vermont
  28. Year-Round Poetry Workshops in Vermont
  29. Other Poetry Workshops in Vermont
  30. Year-Round Poetry Writing Centers in Vermont
  31. Poetry Event Calendar

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About the Vermont Poetry Newsletter Network

The Vermont Poetry Newsletter Network is made up of people of all backgrounds, ages and skills who appreciate the craft of poetry and want to promote it in the beautiful state of Vermont. The network consists of a free e-mail list, an eventual web site, workshops, open mics, poetry performances and other literary events.  The network provides opportunities to meet local poets, talk about and enjoy poetry, and motivate and inspire yourself in whatever writing projects you are involved.

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1.)

Dear Friends of Poetry:

It’s time to catch your breath from this year’s National Poetry Month.  Usually by this time, there is nothing left in the bank for poetry events, but there are still many fine programs and readings left.  If you can’t get out of the house, then by golly, write!  Or read!!  (May I recommend Edward Hirsch’s Poet’s Choice to you.)

The Otter Creek Poets will have their annual Potluck and Poetry Feast at Deanna Shapiro’s on June 4th.  12:00-1:00 Potluck, 1:00-3:00 Poetry.  Directions to Deanna’s will be in the next VPN.

I’m also looking for poets to read on Friday, May 29th, at the Book King in Rutland (starting at 6:00 p.m.).  The theme is “Spring” or “Signs of Spring.”  Readings will happen at the Book King on the last Friday of every month.

Until next time!

Ron Lewis
VPN Publisher
247-5913

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2.)

THIS WEEK’S WRITING ASSIGNMENT/SUGGESTION/EXERCISE:


For God’s Sake, Let Us Sit upon the Ground – 
William Shakespeare (1564-1616)

For God’s sake, let us sit upon the ground
And tell sad stories of the death of kings:
How some have been deposed; some slain in war;
Some haunted by the ghosts they have deposed;
Some poison’d by their wives; some sleeping kill’d;
All murder’d:  for within the hollow crown
That rounds the mortal temples of a king
Keeps Death his court and there the antic sits,
Scoffing his state and grinning at his pomp,
Allowing him a breath, a little scene,
To monarchize, be fear’d and kill with looks,
Infusing him with self and vain conceit,
As if this flesh which walls about our life
Were brass impregnable, and humour’d thus
Comes at the last and with a little pin
Bores through his castle wall, and farewell king!

Richard II, III.ii.155-170 (Richard)

BLANK VERSE

“ Blank verse” in English almost always means iambic pentameter, although strictly speaking it could use other meters so long as it is unrhymed. It offers considerable metric variety within the 5-foot, usually 10-syllable line. An extra syllable or two sometimes sneaks in, especially an unstressed (“feminine”) syllable at the end of a line.

Assignment: Read 200 lines of blank verse out loud. Repeat until you have the cadence firmly in your ear. Then write 20 lines of it.

  • Hint: Use Frost’s “Death of the Hired Man,” a Shakespeare monologue.

Don’t slip into Elizabethan language. Write like yourself.

If you don’t want to stop after 20 lines, keep going.

LAST WEEK’S WRITING ASSIGNMENT/SUGGESTION/EXERCISE:

Writing is, and always will be, an art practiced in solitude.  So why would you want to write in a room full of other people?

My aim is to give you a change of scene, a safe place to try new directions, and a fun time.  This special writing marathon workshop, part of the Otter Creek Poets’ celebration of National Poetry Month, is a chance to write, write, and write some more.

No just for poets . . . work in any genre or style you choose.  There will be chances to share what you write, but that is 100% optional; feel free to keep work private.

Bring pen and paper, a bag lunch, and whatever else you will need to be comfortable for 3-1/2 hours.  Laptop computers are permitted, but bring your own extension cord.  You should also know that the library’s wireless signal does not penetrate into the meeting room.

No preparation is required.  However, if your writing life hasn’t been going your way – if you are stuck, blocked, frustrated, obsessed, or otherwise dissatisfied with your work – gather your thoughts about that difficulty in advance and I will try to address them in the group setting or privately.

The afternoon of writing went a bit differently than what was identified above.  Here is what actually took place:

National Poetry Month Writing Marathon

Ground Rules

1) NO CRITIQUES:  The purpose of this session is to generate new writing in first draft form.  We will not be critiquing, editing, or perfecting any work that is shared.

2) CONFIDENTIALITY:  In order for members to be able to write freely, please remember to treat what you hear confidentially.  What happens here, stays here.

3) TACT:  Assume that all writings shared here is imaginative, and that the characters and speakers in poems and stories are fictional.  Do this even when the writing is obviously autobiographical.

4) USING THE TIME FAIRLY:  Give everyone a chance to share and speak.

12:00 – 12:30  Introductions
Who we are and why we write

Write down brief answers to these questions.  At your turn to introduce yourself, read what you have written.

1) Who are you, where are you from, and what do you do in the world?
2) As a writer, what is your particular gift?
3) What is the hardest thing for you to write about?

12:30 – 1:00  Loosening up.
The Writer’s Body

Like it or not, we are beings who live inside bodies.  All of our consciousness, memories, and experience are stored in the body.  Get comfortable – sit, stand, move, whatever feels right.  Close your eyes and notice your body, from the inside.  Now ask your body, one part at a time, to tell you some stories.  Write down the stories.

1:00 – 1:30  Secrets and Lies

Our writing emerges over the course of a lifetime.  Some things emerge early, some later.  Today, try writing something you’ve been putting off.  Maybe something you didn’t have the skill to attempt until now.  Maybe something you weren’t free to say until recently.  Write it now.

2:00 – 2:30  Your Best Story

There is a story everybody makes you tell over and over again.  It’s the story you tell so well.  Oddly enough, you have never written it down.  Do that now.

2:30 – 3:00  Questions & Answers
3:00 – 3:30  Sharing Our Writing

Good Luck!

(All Assignments are products of David Weinstock unless otherwise indicated.)

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3.)

Otter Creek Poetry Society celebrates National Poetry Month with Writing Marathon

Middlebury Article on Otter CreekDavid Weinstock is not afraid to ask people tough questions, if poetry is what comes out of it.

On April 23, more than 20 community members gathered in the basement conference room of the Ilsley Public Library, as they do every Thursday, for the Otter Creek Poetry Society meeting. This Thursday, the group celebrated poetry month by holding a 3 1/2 hour writing workshop that Weinstock, the founder of the group, called the National Poetry Month Writing Marathon.

Over the course of the afternoon, the group – which ranged in age from nine to 89 – wrote prose and poetry to answer prompts proposed by Weinstock, such as “Who are you and what do you do in the world?” and “Write a story that you tell so well but have never written down….

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4.)

POETRY AT THE WHITE HOUSE ! (FINALLY)
Poetry, Music and Spoken Word

Last Tuesday, the President and the First Lady hosted an evening celebrating poetry, music and the spoken word. This event was designed around the theme of dialogue, showing how dialogue is important in every aspect of who we are as Americans and as human beings, and demonstrating how communication is a constant throughout the ages.  The hope was also that the evening’s gathering helped ensure that all voices are heard, particularly voices that are often not heard. We are fortunate to have a wide variety of upcoming and legendary performers such as Joshua Bennett, actor James Earl Jones, Eric Lewis, Jamaica Heolimeleikalani Osorio, novelist Michael Chabon, Mayda Del Valle and Esperanza Spalding.
They invited students from American, Gallaudet, Georgetown, and Howard Universities to participate in the event.

“I have wanted to do this from Day One, the notion of standing in this room and hearing some poetry,” said Mrs. Obama. It’s no secret that President Obama is a fan of poetry. He was spotted reading some shortly after winning the election and included a poet at his inaugration ceremony.

The “poetry jam” was streamed live on the White House Web site and was broadcast on HBO. Here’s Joshua Bennett performing his work at the White House.

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5.)

Listen to Robert Pinsky read “Samurai Song”

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6.)

Robert Pack, Poet, Essayist, Former Director of the Bread Loaf Writers’ Conference

Robert Pack is in Missoula, teaching at the University of Montana and completing a critical study of Robert Frost.

Pounding It Out, his latest verse collection, was published by the University of Chicago Press.

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7.)

HORACE BECK


  • I could find nothing to prove the rumor of the beef Robert Pack had with Horace Beck for making racial jokes, leading to Pack leading a revolt at Middlebury College, and then leaving altogether.  Here’s something, though, that I did find out about Horace:

Matt Bonnerhorace p. beck passed away at his home on tuesday, july 1st, 2003. he was 82.

horace beck was the man behind the narration of the legend of harry meyers on medicine stone’s gauge. beck was a traditional storyteller and a master of folklore who began sailing at age three. he made 28 transatlantic crossings and was the first white man allowed on the whaling ships in the west indies and in tonga in the south pacific. he spoke five languages, wrote a dozen books, and was one of the most popular professors ever to teach at middlebury college. in his youth he wrestled for ten years and had his ear torn half off, but was never pinned. he lived in his mountain home in ripton, vermont, and was a regular presence on national public radio…

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8.)

Presto Manifesto!

Poetry Manifesto - Poetry FoundationSeventh in a series of eight manifestos.
BY A.E. STALLINGS

The freedom to not-rhyme must include the freedom to rhyme. Then verse will be “free.”

All rhymed poetry must be rhyme-driven. This is no longer to be considered pejorative.

Rhyme is at the wheel. No, rhyme is the engine….

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9.)

Poetic Form: Ghazal

PoetryOrgThe ghazal is composed of a minimum of five couplets–and typically no more than fifteen–that are structurally, thematically, and emotionally autonomous. Each line of the poem must be of the same length, though meter is not imposed in English. The first couplet introduces a scheme, made up of a rhyme followed by a refrain. Subsequent couplets pick up the same scheme in the second line only, repeating the refrain and rhyming the second line with both lines of the first stanza. The final couplet usually includes the poet’s signature, referring to the author in the first or third person, and frequently including the poet’s own name or a derivation of its meaning.

Traditionally invoking melancholy, love, longing, and metaphysical questions, ghazals are often sung by Iranian, Indian, and Pakistani musicians. The form has roots in seventh-century Arabia, and gained prominence in the thirteenth- and fourteenth-century thanks to such Persian poets as Rumi and Hafiz. In the eighteenth-century, the ghazal was used by poets writing in Urdu, a mix of the medieval languages of Northern India, including Persian. Among these poets, Ghalib is the recognized master….

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10.)

Three Poems from Poetry Selected for The Pushcart Prize

CHICAGO – Poetry magazine is pleased to announce that three poems featured recently in its pages have been selected for inclusion in The Pushcart Prize XXXIV: Best of the Small Presses (2010 edition): David Yezzi’s “The Good News” (June 2007), Louise Glück’s “Midsummer” (February 2008), and Geoffrey Brock’s “Daddy: 1933” (June 2008).

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11.)

Certificate in Literary Publishing

[Extract] Have you been thinking or dreaming about starting your own literary magazine, or founding a press to publish books? Do you have a vision of what works you would like to bring to life? Or would you like to work for a literary magazine or small press? The Department of Professional Studies and Special Programs at Emerson College offers the Literary Publishing Program, which is open to poets, fiction writers, creative nonfiction writers, and individuals who would like to learn the publishing skills needed to start and run their own literary magazines or their own book publishing ventures, or work for a larger literary publishing enterprise.
 
The program in Literary Publishing is held as a two-week intensive during Emerson College’s May intersession (5/11-5/22). Outside of classroom instruction, participants will work on a business plan on their press or magazine. Participants who complete the intensive and submit a rough business plan for their literary magazine or press will earn the Literary Publishing Certificate. This program is non-credit.
 
This non-credit program provides five two-day modules and a half-day panel designed to give the basics in starting and running a literary magazine or small press, giving those enrolled a way to avoid common, and costly, mistakes…

Click Here for Details

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12.)

Poetry Readings Resume at The Book King, Center Street, Rutland

The Book King is returning to having public poetry readings, to be held on the last Friday of each month, the first of which would be May 29th, at 6:00-7:00 p.m.  I will be organizing the readers, develop the flyers, and do the promotion of the events through the local newspapers and radio stations.  There will be flyers at the Book King in order to have available for handouts.

I am hoping to have several poets lined up for this inaugural reading.  Please contact me if you’d like to read at what should be a grand kick off.  For this reading, I am looking for poems containing the idea of “Spring” or “Signs of Spring” for a common theme.

For future readings, I am thinking along the lines of having readers from:

1) The Killington Arts Guild and their writers from the publication “A Gathering of Poets”
2) Members of the Otter Creek Poets, who have published 4 anthologies
3) Readers from the Vermont Young Writers Project
4) Youthful “Slam Poets”
5) Anti-war poets

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13.)

Great River Arts Institute 2009 Courses

Literary Programs

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14.)

THIS WEEK’S REVIEW

Beloved Community ReviewBELOVED COMMUNITY: THE SISTERHOOD OF HOMELESS WOMEN IN POETRY

edited by WHEEL
Posted by Megan under E-Reviews
Review by Anne McDuffie
[Extract] In this anthology, WHEEL—the Women’s Housing, Equality and Enhancement League— has assembled an impressive array of poems, culled from the chapbooks they publish annually. WHEEL is, by its own definition, a “scrappy little grassroots organizing effort of homeless and formerly homeless women in Seattle, Washington.” Some of the writers included in this collection have come through the classes WHEEL sponsors at day centers and through their StreetWrites program; some are workshop organizers and staff writers for Real Change, Seattle’s homeless newspaper. Their poems bring us the news from the “invisible side of the street,” as Anitra Freeman describes it in “In Memoriam,” a prose tribute to the members of WHEEL, and to all homeless women, who have died outside or by violence in King County.

There are gems here, some of them rough-edged and some of them flawed—but taken together, they dazzle. The strength of the collection is in its variety. Beloved Community allows us to know the women of WHEEL as individuals linked by circumstance rather than as “the homeless.” These poems are deeply personal and speak with exhilarating directness, delighting in strong rhythms, bold images and flashes of humor….

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15.)

Did You Know?

Sex pest file gives Oxford poetry race a nasty edge

Times - Sex PestThe race to win poetry’s most prestigious academic post has turned dirty after Oxford academics were anonymously sent a lurid dossier accusing Derek Walcott, the frontrunner and Nobel laureate, of being a sex pest.

The package was circulated last week to staff and graduates eligible to vote in next Saturday’s election for the Oxford professorship of poetry, as well as to the offices of Cherwell, a student newspaper.

The dossier recounts a sexual harassment claim against Walcott, 79, when he taught at Harvard in the 1980s.

The poet was reprimanded following the allegation that he tried to pressure a female student into sleeping with him.

Another harassment claim against Walcott dating from 1996 has also reemerged, sparking a heated debate at Oxford.

Walcott’s main challenger for the professorship is Ruth Padel, a poet and travel writer, who is seeking to become the first woman to hold the post in its 300-year history…

FOLLOW-UP:

Smears drive Walcott from Oxford poetry professor race

Guardian - Walcott Withdraws[Extract] Nobel prize winner Derek Walcott has withdrawn from the race to become Oxford’s professor of poetry following an anonymous letter campaign.

The campaign saw up to 100 Oxford academics sent photocopied pages from a book detailing a sexual harassment claim made against Walcott by a Harvard student in 1982. The student alleged that Walcott asked her to, “Imagine me making love to you. What would I do? … Would you make love with me if I asked you?”, and claimed that after she turned him down, she was given a C grade in his class.

Walcott was one of three candidates in the running for the position – the most influential in poetry in the UK behind that of the laureateship – alongside Ruth Padel and the Indian poet Arvind Krishna Mehrotra. He was backed by major names in the literary world, including Booker winner Alan Hollinghurst, Graham Robb, Marina Warner, poet Jenny Joseph, and professor Hermione Lee, and was seen as the frontrunner for the post. Oxford graduates are due to vote for their choice of poetry professor on 16 May.

But the Nobel laureate said today that he was withdrawing from the election, hitting out at the “low tactics”, and the “low and degrading attempt at character assassination” it had become….

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16.)

“Ponderings”

Notes on the Risqué
by Jerry Garcia

Notes on RisqueOn the discount table at one of those chain bookstores that I really should boycott, I found a collection of cartoons that had been rejected by the New Yorker. Titled The Rejected Collection – Cartoons You Never Saw, and Never Will See in the New Yorker, this book was full of “risqué, silly and weird cartoons.” Since the first cartoon made me chuckle and the book was heavily discounted, I bought it. In this book, along with a collection of clunkers, were some funny cartoons that were written and/or drawn in bad taste.

This editorial is not a book review. The book has inspired some conflicting thoughts I have about good taste and spoken word. As a middle-aged man ensconced in the pop culture and entertainment trends of my lifetime, I often enjoy the risqué and the prurient…

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17.)

How Poetry Comes To Me

It comes blundering over the
Boulders at night, it stays
Frightened outside the
Range of my campfire
I go to meet it at the
Edge of the light

Poetry Quote by Gary Snyder

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18.)

Poets Laureate of the U.S.A.

  • A Net-annotated list of all the poets who have served the Library of Congress as Consultant (the old title) or Poet Laureate Consultant (the new title). Biographies & general reference sites are linked to the poets’ names — for the recent Laureates these are our own poet profiles with book-buying links at the bottom. Many of the other linked biographies are pages from the Academy of American Poets’ Find a Poet archive, a growing & invaluable resource. If there is no general information site about the poet, we have searched the Net for sample poems or other writings or recordings & listed those below the poet’s name.

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19.)

Failbetter.com – Lorca in Eden

Lorca in Eden

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20.)

Linebreak is an online journal with a bias for good poetry. Here is a poem from their web site this week:

Somewhere South of Miles City
By Joe Wilkins

Stop the car. There. Now
breathe with me. That broken

Ford needs only a swift kick
to set it right. Listen. The radio

man says For Sale, says Believe.
You believed in me. I believed… [Extract]

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21.)

Here’s a poem from Copper Canyon Press, in its “Reading Room”.

An Introduction to the Mechanics of Deformable Bodies: Christ Martin

When Erica says
I am feeling myself and jovial
I think of the orange

Tipped trees between
The buildings out
My window, their penknife

Leaves grazing like air-bound anemones
Haunted by the jellyfish
Forms of black plastic bags, today… [Extract]

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22.)

American Life in Poetry: Column 214

BY TED KOOSER, U.S. POET LAUREATE, 2004-2006

Sometimes I wonder at my wife’s forbearance. She’s heard me tell the same stories dozens of times, and she still politely laughs when she should. Here’s a poem by Susan Browne, of California, that treats an oft-told story with great tenderness.

On Our Eleventh Anniversary

You’re telling that story again about your childhood,
when you were five years old and rode your blue bicycle

from Copenhagen to Espergaerde, and it was night
and snowing by the time you arrived,

and your grandparents were so relieved to see you,
because all day no one knew where you were… [Extract]

American Life in Poetry: Column 215

To commemorate Mother’s Day, here’s a lovely poem by David Wojahn of Virginia, remembering his mother after forty years.

Walking to School, 1964

Blurring the window, the snowflakes’ numb white lanterns.
She’s brewed her coffee, in the bathroom sprays cologne
And sets her lipstick upright on the sink.
The door ajar, I glimpse the yellow slip,

The rose-colored birthmark on her shoulder.
Then she’s dressed–the pillbox hat and ersatz fur,
And I’m dressed too, mummified in stocking cap
And scarves, and I walk her to the bus stop… [ Extract]

American Life in Poetry: Column 216

Judy Loest lives in Knoxville and, like many fine Appalachian writers, her poems have a welcoming conversational style, rooted in that region’s storytelling tradition. How gracefully she sweeps us into the landscape and the scene!

Faith

Leaves drift from the cemetery oaks onto late grass,
Sun-singed, smelling like straw, the insides of old barns.
The stone angel’s prayer is uninterrupted by the sleeping
Vagrant at her feet, the lone squirrel, furtive amid the litter.

Someone once said my great-grandmother, on the day she died,
rose from her bed where she had lain, paralyzed and mute
For two years following a stroke, and dressed herself–the good
Sunday dress of black crepe, cotton stockings, sensible, lace-up shoes… [Extract]

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23.)

KEEP PAST VERMONT POETS ALIVE!  I’M SOLICITING YOUR HELP:
POETS OF VERMONT PAST AND PRESENT PROJECT

I’m looking for a copy of:

1) The Literature of Vermont: A Sampler – FOUND!
2) Poets and Poetry of Vermont, by Abby Maria Hemenway, 1858
3) “Driftwood,” a poetry magazine begun in 1926 by Walter John Coates

If you have any books of poetry, chapbooks, or just poems written by Vermont poets, dating 1980 and earlier, famous or not, I’d like to know about them.  I’m beginning a project that deals strictly with Vermont poets, from Vermont’s past, with summaries of the poets themselves, a portrait photo or drawing of the poet, along with a small sampling of poems.  If you think you can help, you probably can!  Please contact me by replying to this newsletter.

Ronald Lewis

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24.)

VERMONT POET LAUREATES

1) Robert Frost – 1961
2) Galway Kinnell
3) Louis Glück
4) Ellen Bryant Voigt
5) Grace Paley
6) Ruth Stone

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25.)

If you ever have a need to contact me, here’s how to go about doing so:

Ronald Lewis:
Phone: 802-247-5913
Cell: 802-779-5913

Home: 1211 Forest Dale Road, Brandon, VT 05733
Email: vtpoet@gmail.com

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26.)

VERMONT LITERARY JOURNALS

1) The Queen City Review

Burlington College’s  The Queen City Review is a yearly journal of art and literature and accepts the work of new and established writers and artists in the areas of poetry, fiction, creative non-fiction, memoir, photography, and fine art, as well as essays and criticism on all aspects of the aforementioned. They seek to publish high quality work that ranges broadly in topic and genre.

The Queen City Review can be purchased by 2-year subscription or individually.  The price of one issue is $8 plus shipping charges ($1) for a total of $9.  Subscriptions can be purchased for #$14 plus shipping charges $2) and includes the Fall 2008 and upcoming 2009 issues.  They accept cash, check, and credit cards.  You can mail your payment to them or by calling (802) 862-9616 ext. 234 to place your order over the phone.  If mailing your payment, mail details to:

ATTN: Heidi Berkowitz
Burlington College
95 North Avenue
Burlington, VT  05401

2) Bloodroot

Bloodroot is a nonprofit literary magazine dedicated to publishing diverse voices through the adventure of poetry, short fiction, and creative nonfiction.  Their aim is to provide a platform for the free-spirited emerging and established writer.

The price of a single issue is $8.

Editor, “Do” Roberts
Bloodroot Literary Magazine
PO Box 322
Thetford Center, VT  05075
(802) 785-4916
email: bloodroot@wildblue.net

3) New England Review

A publication of Middlebury College, a high quality literary magazine that continues to uphold its reputation for publishing extraordinary, enduring work.  NER has been publishing now for over 30 years.

Cost: $8 for a single issue
$30 for a single year (4 issues)
$50 for two years (8 issues)

New England Review
Attn: Orders
Middlebury College
Middlebury, VT 05753

NEReview@middlebury.edu
(800) 450-9571

4) Willard & Maple

A Literary and Fine Art Magazine of Champlain College, Burlington.

Willard & Maple
163 South Willard Street
Freeman 302, Box 34
Burlington, VT  05401

email: willardandmaple@champlain.edu

5) Burlington Poetry Journal

The Burlington Poetry Journal is a new nonprofit publication interested in creating a means for provoking opinions, ideas, and thoughtful responses for poets in the Greater Burlington area. While there are numerous outlets for writers to gather and share privately in Vermont, there is no publication that brings together poetry of all styles and writers of all ages for the enjoyment of the general public. It is our hope that this journal will inspire writers to share their work with others who may be unaware of their talent, and for those who have never considered themselves writers to try their hand at poetry. We invite you to submit your work and share with others your thoughts and abilities with the Burlington community. The work you share will produce a dialogue as writers become aware of each other and begin to expose themselves and others to new poetry. The eclectic nature of the Burlington Poetry Journal will serve to stimulate its readers and authors.

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27.)

STATE POETRY SOCIETY
Poetry Society of Vermont

The Poetry Society of Vermont, founded in 1947, is an association of poets and supporters who join in promoting an interest in poetry through meetings, workshops, readings, contests, and contributions to the society’s chapbook. Anyone may join the society including high school and college students and non-residents of Vermont. We welcome both writers and appreciative readers.

In September 2007, The Poetry Society of Vermont will celebrated its 60th Anniversary.

Membership in PSOV

Benefits:

  • 2 luncheon/ workshops a year where a professional poet critiques your poems
  • one hands- on writing workshop and reading under the direction of a professional poet
  • the opportunity to enter contests judged by professional poets and to win awards
  • fellowship with appreciative readers and writers of poetry
  • opportunity for publication in the PSOV chapbook, The Mountain Troubadour

How to join:

  • mail dues of $20.00 to Membership Chairman, P.O. Box 1215, Waitsfield, VT 05673
  • include your name, mailing address, telephone, and e-mail address for Membership List
  • memberships are renewed by January 1 of each year

The PSOV has 2 current books available for sale:

1) The Mountain Troubadour – 2008 – Curl up with 44 pages of interesting, award-winning poetry from a wonderful group of poets.  This book is only $8 (+$1 to mail).  To get yourself a copy, call or write to Betty Gaechter, 134 Hitzel Terrace, Rutland, VT 05701, 773-8679.  This little booklet may be just the thing to get you involved with the PSOV for a lifetime of friendships.

2) Brighten the Barn – 60th Anniversary Anthology – 1947-2007 – An Anthology of Poems by Members of the Poetry Society of Vermont.  99 pages of quality poetry; that’s a lot of beautiful poetry for only $12.  If you get it through me (Ron Lewis), it’s only $12.  If you want it shipped to you, the PSOV wants an extra amount to cover tax and shipping ($0.72 + $3.00).  This book retails for $15, but a reduced price is now in play to unload the few remaining copies.

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28.)

YEAR-ROUND POETRY WORKSHOPS IN VERMONT

BELLOWS FALLS

1) Great River Arts Institute – See details elsewhere in this newsletter

2) Poetry Workshop at Village Square Booksellers with Jim Fowler (no relation to owner Pat).  The goal of this course is to introduce more people to the art of writing poetry and will include a discussion of modern poetry in various forms and styles. Each week, the course will provide time to share and discuss participant’s poetry. Poetry Workshops on Monday mornings (9:30-12:30 I believe)- Jim Fowler’s sessions continue, with periodic break for a few weeks between sessions.  Students should bring a poem and copies to the first class. The course will be limited to 5 to 8 students to allow adequate time to go through everyone’s poetry contributions and will meet in the cafe at Village Square Booksellers. James Fowler, of Charlestown, New Hampshire, has a Masters Degree in Environmental Science with a major in Nature Writing. He was the editor of Heartbeat of New England, a poetry anthology. Fowler has been widely published since 1998 in such journals as Connecticut Review, Quarterly of Light Verse, and Larcom Review. Fowler is a founding member of the River Voices Writer’s Circle, and a regular reader at Village Square Booksellers-River Voices Poetry Readings. The fee for this 6 week Workshop is $100, payable to Mr. Fowler at the first class. Pre-registration for the Poetry Workshop is suggested and may be made by calling Village Square Booksellers at 802-463-9404 or by email at vsbooks@sover.net or  jfowler177@comcast.net.

BERLIN

The Wayside Poets, who share their poetry publicly from time to time, have been meeting irregularly for the past 25 years.  They used to be called The Academy Street Poets.  Membership is by invitation only.  They meet now at the Wayside Restaurant & Bakery in Berlin.  Members include Diane Swan, Sherry Olson, Carol Henrikson and Sarah Hooker.  You can contact them through Sherry Olson at: solsonvt@aol.com or 454-8026.

GUILFORD

The Guilford Poets Guild, formed in 1998, meets twice a month to critique and support each other’s work.  Their series of sponsored readings by well-known poets which began at the Dudley Farm, continues now at the Women and Family Life Center.

MIDDLEBURY

The Otter Creek Poets offer a poetry workshop every Thursday afternoon, from 1:00 to 3:00 in the basement meeting room of the Ilsley Public Library, 75 Main Street, Middlebury.  This workshop, the largest and oldest of its kind in the state, has been meeting weekly for 13 years.  Poets of all ages and styles come for peer feedback, encouragement, and optional weekly assignments to get the poetry flowing.  Bring a poem or two to share (plus 20 copies).  The workshops are led by David Weinstock.  There is considerable parking available behind the library, or further down the hill below that parking lot.  For more information, call David at 388-6939 or Ron Lewis at 247-5913.

NORWICH

This group meets on the first Sunday of every month at the Norwich Library, 6:30 p.m.

STOWE

There is another poetry workshop happening in Stowe, but unfortunately I know nothing much about this group.  If you do, contact me!

WAITSFIELD

The Mad River Poets consists of a handful of poets from the Route 100 corridor.  More on this group in the future.

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29.)

OTHER POETRY WORKSHOPS IN VERMONT

BURLINGTON

Scribes in the making put pen to paper as part of an open verse-writing session at the Fletcher Free Library, 235 College Street.  Three consecutive Thursdays, starting January 8, 2009, 5:00-6:00 p.m.  Free.  Contact information: 862-1094.

WHITE RIVER JUNCTION

The Writer’s Center
58 Main Street, White River Junction, Vermont

Instructor: April Ossmann (author of Anxious Music, Four Way Books, 2007, writing, editing and publishing consultant, and former Executive Director of Alice James Books)

Info: (802)333-9597 or aprilossmann@hotmail.com and http://www.aprilossmann.com

  • Note: If you know of any others, or have personal information about the workshop in Stowe and Guilford, please send me that information.  I realize that there are several smaller groups or workshops around the state.  However, because of their intimacy, they are not posted above, allowing them to offer “memberships” to close friends or acquaintances that they feel would be most appropriate.

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30.)

YEAR-ROUND POETRY WRITING CENTERS IN VERMONT

SPRINGFIELD

A Writer’s Group has started to meet at the Springfield Town Library on the fourth Monday of each month, from 7 to 8 pm.  For more information, call 885-3108.

WHITE RIVER JUNCTION

The Writer’s Center is for serious writers and nervous beginners. It’s for procrastinators who could benefit from regular deadlines – and for the prolific who could benefit from quality feedback. It’s for anyone with a manuscript hidden in a drawer, or a life story or poem waiting to be written. It’s for people who don’t know where to start or how to end. And for writers who are doing just fine on their own, but would like the company of other writers.  The Writer’s Center is for anyone who is writing or wants to write.  One of the Center’s consultants is April Ossman (www.aprilossmann.com).  Founded by Joni B. Cole and Sarah Stewart Taylor, the Writer’s Center offers instruction and inspiration through a selection of workshops, discussions, and community. We would love to see you – and your writing – at The Writer’s Center!

UNDERHILL

Women Writing for (a) Change supports the authentic experience of women who honor themselves through creative writing.  Our community supports reflection as we move into our questions and awaken to change.  Participants enhance expressive skills, strengthen their voices, deepen themselves as women as writers for positive change in all spheres of life.  Creative writing in all genres is our shared vehicle.  Women Writing for (a) Change is for women who, 1) dream of writing for self-discovery, for personal or social healing, 2) hunger for creative process in their lives, 3) yearn to explore their feminine voice, 4) crave reflective, space, and 5) are in transition.  For more information, go to their web site at http://www.womenwritingVT.com/ or contact Sarah Bartlett at either 899-3772 or sarah@womenwritingvt.com.

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31.)

POETRY EVENT CALENDAR

Poetry Event

Below please find the most current list of poetry happenings in Vermont for the near future.  Please be aware that these events can be found on Poetz.com, but there is usually additional information that is typed here that would be cumbersome to place on Poetz.com.  Please note all events are Vermont-based unless they are of extreme importance or happen to lie just outside our borders.  If you would like to save on paper and ink, please just highlight what you need, or perhaps only events for the coming month, and print that information.

Thu, May 21: Ilsley Library, 75 Main Street, Middlebury, 1:00 p.m. – 3:00 p.m. Otter Creek Poets.  The best-known poetry critique workshop in the state.  Operating weekly for the past 12 years under the directorship of David Weinstock.

Wed, May 27: Monkey House, 30 Main Street, Winooski, 8:00 p.m. – 9:00 p.m.  Poetry Reading.  A new place for poets to read and hear new work.  This is a continuing series happening on alternate Wednesdays.

Thu, May 28: Ilsley Library, 75 Main Street, Middlebury, 1:00 p.m. – 3:00 p.m. Otter Creek Poets.  The best-known poetry critique workshop in the state.  Operating weekly for the past 12 years under the directorship of David Weinstock.

Thu, May 28: Parima, 185 Pearl Street, Burlington, 8:45 p.m. -10:00 p.m.  Poetry Jam.  This is a continuing series, happening on alternate Thursdays.

Fri, May 29: The Book King, Center Street, Rutland, 6:00 p.m.  Poetry Reading.  Inaugural reading at their new location, under new ownership.  Theme will be “Spring” or “Signs of Spring.”  Contact Ron Lewis in order to sign up to read.  vtpoet@gmail.com, or 247-5913.

Mon, Jun 1: Vermont Studio Center, Johnson, exact time not yet determined.  Poet Eamon Grennan to read.  Eamon Grennan was born in Dublin in 1941 and educated at UCD, where he studied English and Italian, and Harvard, where he received his PhD in English. His volumes of poetry include What Light There Is & Other Poems, (North Point Press, 1989), Wildly for Days (1983), What Light There Is (1987), As If It Matters (1991), So It Goes (1995), Selected and New Poems (2000) and Still Life with Waterfall (2001). His latest collection, The Quick of It, appeared in 2004 in Ireland, and in Spring 2005 in America. His books of poetry are published in the United States by Graywolf Press, and in Ireland by Gallery Press. Other publications include Leopardi: Selected Poems (Princeton 1997), and Facing the Music: Irish Poetry in the 20th Century, a collection of essays on modern Irish poetry. His poems, reviews, and essays have appeared in many magazines both in Ireland and the US.  Grennan has given lectures and workshops in colleges and universities in the US, including courses for the graduate programs in Columbia and NYU. During 2002 he was the Heimbold Professor of Irish Studies at Villanova University. His grants and prizes in the United States include awards from the National Endowment for the Arts, the National Endowment for the Humanities, and the Guggenheim Foundation. Leopardi: Selected Poems received the 1997 PEN Award for Poetry in Translation, and Still Life with Waterfall was the recipient of the 2003 Lenore Marshall Award for Poetry from the American Academy of Poets. His poems have been awarded a number of Pushcart prizes. Grennan has taught since 1974 at Vassar College where he is the Dexter M. Ferry Jr. Professor of English.

Thu, Jun 4: Ilsley Library, 75 Main Street, Middlebury, 1:00 p.m. – 3:00 p.m. Otter Creek Poets.  The best-known poetry critique workshop in the state.  Operating weekly for the past 12 years under the directorship of David Weinstock.

Thu, Jun 4: Howe Library, Mayer Room, Hanover, NH, 7:00 p.m. – 8:30 p.m.  Author Reading & Book Signing: April Ossmann.  April reads from Anxious Music.  For info, (603) 643-4120, Ellen.Lynch@TheHowe.org.

Wed, Jun 10: Vermont Humanities Council, 11 Loomis Street, Montpelier, 5:30 p.m. – 6:30 p.m.  Robert Frost’s poetry is known, among other things, for its ability to evoke the seasons of New England in all their complexity. Join Peter Gilbert, the Vermont Humanities Council’s executive director and the executor of Frost’s estate, in reading and discussing some of Frost’s spring poems. Participants are invited to either read the poems in advance or upon arriving. Refreshments served. RSVPs are encouraged at 802.262.2626 x307. Walk-ins welcome.

Wed, Jun 10: Monkey House, 30 Main Street, Winooski, 8:00 p.m. – 9:00 p.m.  Poetry Reading.  A new place for poets to read and hear new work.  This is a continuing series happening on alternate Wednesdays.

Thu, Jun 11: Ilsley Library, 75 Main Street, Middlebury, 1:00 p.m. – 3:00 p.m. Otter Creek Poets.  The best-known poetry critique workshop in the state.  Operating weekly for the past 12 years under the directorship of David Weinstock.

Thu, Jun 11: Parima, 185 Pearl Street, Burlington, 8:45 p.m. -10:00 p.m.  Poetry Jam.  This is a continuing series, happening on alternate Thursdays.

Sat, Jun 13: Village Square Booksellers, 32 The Square, Bellows Falls, In the Café, 2:00p.m. – 4:00 p.m.  Open Mic River Voices Poetry Reading on the second Saturday of each month.  The session is open mic, with individuals reading their own poetry or poems from their favorite poet.  Listeners are welcome to attend.  Light refreshments are served.  To reserve a place at the table, e-mail vsbooks@sover.net or call (802) 463-9404.

Thu, Jun 18: Ilsley Library, 75 Main Street, Middlebury, 1:00 p.m. – 3:00 p.m. Otter Creek Poets.  The best-known poetry critique workshop in the state.  Operating weekly for the past 12 years under the directorship of David Weinstock.

Sat, Jun 20: 7:00, Ball and Chain Cafe at the Briggs Carriage Bookstore, 16 Park St., Brandon, 7:00 p.m.  Poetry/Music Performance.  David Cavanagh reads poems from his new book, Falling Body (Salmon Poetry, Ireland), interspersed, entangled with and accompanied by the music of Blackbird (Bob DeMarco and Rachel Clark).

Wed, Jun 24: Monkey House, 30 Main Street, Winooski, 8:00 p.m. – 9:00 p.m.  Poetry Reading.  A new place for poets to read and hear new work.  This is a continuing series happening on alternate Wednesdays.

Thu, Jun 25: Parima, 185 Pearl Street, Burlington, 8:45 p.m. -10:00 p.m.  Poetry Jam.  This is a continuing series, happening on alternate Thursdays.

Thu, Jun 25: Ilsley Library, 75 Main Street, Middlebury, 1:00 p.m. – 3:00 p.m. Otter Creek Poets.  The best-known poetry critique workshop in the state.  Operating weekly for the past 12 years under the directorship of David Weinstock.

Thu, Jul 2: Ilsley Library, 75 Main Street, Middlebury, 1:00 p.m. – 3:00 p.m. Otter Creek Poets.  The best-known poetry critique workshop in the state.  Operating weekly for the past 12 years under the directorship of David Weinstock.

Thu, Jul 9: Ilsley Library, 75 Main Street, Middlebury, 1:00 p.m. – 3:00 p.m. Otter Creek Poets.  The best-known poetry critique workshop in the state.  Operating weekly for the past 12 years under the directorship of David Weinstock.

Thu, Jul 9: Parima, 185 Pearl Street, Burlington, 8:45 p.m. -10:00 p.m.  Poetry Jam.  This is a continuing series, happening on alternate Thursdays.

Thu, Jul 9: Vermont Studio Center, Johnson, exact time not yet determined.  Poet Michael Ryan to read.  Michael Ryan has published three collections of poetry, including In Winter, Threats Instead of Trees, has been a finalist for the National Book Award, and God Hunger, as well as A Difficult Grace: On Poets, Poetry, and Writing, and the memoir Secret Life. His work has appeared in Antaeus, The Atlantic Monthly, The New Yorker, New Republic, and elsewhere. Ryan has been honored by the Lenore Marshall Prize, a Whiting Writers Award, the Yale Series of Younger Poets Award, and a Guggenheim. Ryan is Professor of English and Creative Writing at UC, Irvine.

Sat, Jul 11: Village Square Booksellers, 32 The Square, Bellows Falls, In the Café, 2:00p.m. – 4:00 p.m.  Open Mic River Voices Poetry Reading on the second Saturday of each month.  The session is open mic, with individuals reading their own poetry or poems from their favorite poet.  Listeners are welcome to attend.  Light refreshments are served.  To reserve a place at the table, e-mail vsbooks@sover.net or call (802) 463-9404.

Thu, Jul 16: Ilsley Library, 75 Main Street, Middlebury, 1:00 p.m. – 3:00 p.m. Otter Creek Poets.  The best-known poetry critique workshop in the state.  Operating weekly for the past 12 years under the directorship of David Weinstock.

Thu, Jul 23: Ilsley Library, 75 Main Street, Middlebury, 1:00 p.m. – 3:00 p.m. Otter Creek Poets.  The best-known poetry critique workshop in the state.  Operating weekly for the past 12 years under the directorship of David Weinstock.

Thu, Jul 23: Parima, 185 Pearl Street, Burlington, 8:45 p.m. -10:00 p.m.  Poetry Jam.  This is a continuing series, happening on alternate Thursdays.

Mon, Jul 27: Vermont Studio Center, Johnson, exact time not yet determined.  Poet Doreen Gilroy to read.  Doreen Gilroy’s first book, The Little Field of Self  (The University of Chicago Press, 2002), won the John C. Zacharis First Book Award from Ploughshares.  Her second book, Human Love, was published by the University of Chicago Press in October 2005.  Her poems have appeared in The American Poetry Review, Ploughshares, Slate, TriQuarterly and many other magazines.

Thu, Jul 30: Ilsley Library, 75 Main Street, Middlebury, 1:00 p.m. – 3:00 p.m. Otter Creek Poets.  The best-known poetry critique workshop in the state.  Operating weekly for the past 12 years under the directorship of David Weinstock.

Sat, Aug 8: Village Square Booksellers, 32 The Square, Bellows Falls, In the Café, 2:00p.m. – 4:00 p.m.  Open Mic River Voices Poetry Reading on the second Saturday of each month.  The session is open mic, with individuals reading their own poetry or poems from their favorite poet.  Listeners are welcome to attend.  Light refreshments are served.  To reserve a place at the table, e-mail vsbooks@sover.net or call (802) 463-9404.

Mon, Aug 17: Vermont Studio Center, Johnson, exact time not yet determined.  Poet Cole Swensen to read.  Cole Swensen is the Director of the Creative Writing Program at the University of Denver. She is the author of five collections of poems, including Try (University of Iowa Press, 1999), winner of the 1998 Poetry Prize; Noon (Sun and Moon Press, 1997), which won a New American Writing Award; and Numen (Burning Deck Press, 1995) which was nominated for the PEN West Award in Poetry. Her translations include Art Poetic’ by Olivier Cadiot (Sun & Moon Press, Green Integer Series, 1999) and Natural Gaits by Pierre Alferi (Sun & Moon, 1995). She splits her time among Denver, San Francisco and Paris.

Thu, Sep 3: Vermont Studio Center, Johnson, exact time not yet determined.  Poet Marge Piercy to read.  Marge Piercy has published 17 books of poetry, including What Are Big Girls Made Of, Colors Passing Through Us, and most recently her 17th volume, The Crooked Inheiritance, all from Knopf. She has written 17 novels, most recently SEX WARS in Perennial paperback now.  Her memoir Sleeping With Cats is also in Harper Collins Perennial.  Last spring, Schocken published Pesach for the Rest of Us.  Her work has been translated into 16 languages. Her CD Louder We Can’t Hear You Yet contains her political and feminist poems. She has been an editor of Leapfrog Press for the last ten years and also poetry editor of Lilith.

Sat, Sep 12: Village Square Booksellers, 32 The Square, Bellows Falls, In the Café, 2:00p.m. – 4:00 p.m.  Open Mic River Voices Poetry Reading on the second Saturday of each month.  The session is open mic, with individuals reading their own poetry or poems from their favorite poet.  Listeners are welcome to attend.  Light refreshments are served.  To reserve a place at the table, e-mail vsbooks@sover.net or call (802) 463-9404.

Thu, Oct 1: Vermont Studio Center, Johnson, exact time not yet determined.  Poet Pattiann Rogers to read.  Pattiann Rogers has published ten books of poetry, a book-length essay, The Dream of the Marsh Wren, and A Covenant of Seasons, poems and monotypes, in collaboration with the artist Joellyn Duesberry. Her 11th  book of poetry, Wayfare, will appear from Penguin in April, 2008.   Rogers is the recipient of two NEA Grants, a Guggenheim Fellowship, a 2005 Literary Award in Poetry from the Lannan Foundation, and five Pushcart Prizes.  In the spring of 2000 she was in residence at the Rockefeller Foundation’s Study and Conference Center in Bellagio, Italy.  Her papers are archived in the Sowell Family Collection of Literature, Community and the Natural World at Texas Tech University.  She has taught as a visiting professor at various universities, including the Universities of Texas, Arkansas, and Montana, Houston University, and Washingon University.  She is currently on the faculty of Pacific University’s MFA in Writing Program.  Rogers has two sons and three grandsons and lives with her husband in Colorado.

Sat, Oct 10: Village Square Booksellers, 32 The Square, Bellows Falls, In the Café, 2:00p.m. – 4:00 p.m.  Open Mic River Voices Poetry Reading on the second Saturday of each month.  The session is open mic, with individuals reading their own poetry or poems from their favorite poet.  Listeners are welcome to attend.  Light refreshments are served.  To reserve a place at the table, e-mail vsbooks@sover.net or call (802) 463-9404.

Tue, Oct 20: Vermont Studio Center, Johnson, exact time not yet determined.  Poet Major Jackson to read.  “Jackson knows the truth of black magic. It is a magic as simple as the belief in humanity that subverts racism, or the esoteric and mystical magic of making jazz, the music of hope and love.” —Aafa Weaver.  Major Jackson is the author of two collections of poetry, Hoops (Norton: 2006), a finalist for an NAACP Image Award for Outstanding Literature-Poetry. and Leaving Saturn (University of Georgia: 2002), winner of the 2000 Cave Canem Poetry Prize and finalist for a National Book Critics Circle Award.  Poems by Major Jackson have appeared in the American Poetry Review, Boulevard, Callaloo, Post Road, Triquarterly, The New Yorker, among other literary journals and anthologies. He is a recipient of a Whiting Writers’ Award and has been honored by the Pew Fellowship in the Arts and the Witter Bynner Foundation in conjunction with the Library of Congress. He has received critical attention in The Boston Globe, Christian Science Monitor, Parnassus, Philadelphia Inquirer, and on National Public Radio’s All Things Considered.  Jackson is an Associate Professor of English at University of Vermont and a faculty member of the Bennington Writing Seminars. In 2006-2007, he was a fellow at the Radcliffe Institute for Advanced Study at Harvard University.

Sat, Nov 14: Village Square Booksellers, 32 The Square, Bellows Falls, In the Café, 2:00p.m. – 4:00 p.m.  Open Mic River Voices Poetry Reading on the second Saturday of each month.  The session is open mic, with individuals reading their own poetry or poems from their favorite poet.  Listeners are welcome to attend.  Light refreshments are served.  To reserve a place at the table, e-mail vsbooks@sover.net or call (802) 463-9404.

Tue, Nov 17: Vermont Studio Center, Johnson, exact time not yet determined.  Poet Sebastian Matthews to read.  Sebastian Matthews is the author of the poetry collection We Generous (Red Hen Press) and a memoir, In My Father’s Footsteps (W. W. Norton).  He co-edited, with Stanley Plumly, Search Party: Collected Poem s of William Matthews. Matthews teaches at Warren Wilson College and serves on the faculty at Queens College Low-Residency MFA in Creative Writing. His poetry and prose has appeared in Atlantic Monthly, Georgia Review, New England, Review, Poetry Daily, Poets & Writers, Seneca Review, The Sun, Tin House, Virginia Quarterly Review and The Writer’s Almanac, among others. Matthews co-edits Rivendell, a place-based literary journal, and serves as poetry consultant for Ecotone:
Re-Imagining Place.

Sat, Dec 12: Village Square Booksellers, 32 The Square, Bellows Falls, In the Café, 2:00p.m. – 4:00 p.m.  Open Mic River Voices Poetry Reading on the second Saturday of each month.  The session is open mic, with individuals reading their own poetry or poems from their favorite poet.  Listeners are welcome to attend.  Light refreshments are served.  To reserve a place at the table, e-mail vsbooks@sover.net or call (802) 463-9404.

2010:


Mon, Feb 22:
Vermont Studio Center, Johnson, exact time not yet determined.  Poet David Shapiro to read.  David Shapiro (born January 2, 1947) is an American poet, literary critic, and art historian and . Shapiro has written some twenty volumes of poetry, literary, and art criticism. He was first published at the age of thirteen, and his first book was published at the age of eighteen. Shapiro has taught at Columbia, Bard College, Cooper Union, Princeton University, and William Paterson University. He wrote the first monograph on John Ashbery, the first book on Jim Dine’s paintings, the first book on Piet Mondrian’s flower studies, and the first book on Jasper Johns’ drawings. He has translated Rafael Alberti’s poems on Pablo Picasso, and the writings of the Sonia and Robert Delaunay. Shapiro has won National Endowment for the HumanitiesNational Endowment for the Arts fellowships, been nominated for a National Book Award, and been the recipient of numerous grants for his work. Shapiro lives in Riverdale, The Bronx, New York City, with his wife and son.

  • Again, if you become aware of an event that isn’t posted above, please let me know. My apologies if I have left off anything of importance to any of you, but it can always be corrected in the next Vermont Poetry Newsletter.

our finitude as human beings
is encompassed by the infinity of language

Hans-Georg Gadamer

Your fellow Poet,

Ron Lewis

Vermont Poetry Newsletter & Event Calendar April 30 2009

[The Vermont Poetry Newsletter is not issued by me but by Ron Lewis, by whose permission I post this.]

Vermont Poetry Newsletter

Your Poetry & Spoken Word Gateway in the Green Mountain State
April 29, 2009

  1. Newsletter Editor’s Note/Notes to Otter Creek Poets
  2. Writing Assignments/Suggestions/Exercises/Prompts
  3. Putting Life Into Words – Ruth Stone
  4. A Few Thoughts On Why I Write
  5. Brad Leithauser
  6. Why Poets Should Own Their Domain Names
  7. Shakespeare Portrait Unveiled
  8. Literary Publishing Workshops
  9. Poetry Readings Resume At The Book King
  10. Poetry Readings at “51 Main” in Middlebury
  11. In Memoriam: Chris “Doc” White
  12. Great River Arts Institute Writing Programs
  13. Wordsworth Aficionados Have A New Destination
  14. This Week’s Review (1): M.S. Merwin
  15. This Week’s Review (2): Susanne Dubroff
  16. Did You Know? Iowa Summer Writing Festival
  17. Ponderings – Breyten Breytenbach
  18. Poetry Quote (Robert Frost)
  19. US Poets Laureate List
  20. Failbetter Poem
  21. Linebreak Poem
  22. Copper Canyon Press Poem
  23. American Life in Poetry Poems (3)
  24. Vermont Poets Past and Present Project
  25. Vermont Poet Laureates
  26. Contact Info for Publisher of VPN: Ron Lewis
  27. Year-Round Poetry Workshops in Vermont
  28. Other Poetry Workshops in Vermont
  29. Writer’s Prompt Anyone?
  30. Year-Round Poetry Workshops in Vermont
  31. Year-Round Poetry Writing Centers in Vermont
  32. Poetry Event Calendar

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  • About the Vermont Poetry Newsletter Network The Vermont Poetry Newsletter Network is made up of people of all backgrounds, ages and skills who appreciate the craft of poetry and want to promote it in the beautiful state of Vermont. The network consists of a free e-mail list, an eventual web site, workshops, open mics, poetry performances and other literary events.  The network provides opportunities to meet local poets, talk about and enjoy poetry, and motivate and inspire yourself in whatever writing projects you are involved.

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1.)

Dear Friends of Poetry:

I hope all of you are enjoying the feast of readings during National Poetry Month.  I think the two most exciting months for me are April, for obvious reasons, and the month of August, when I attend the readings at the Bread Loaf Writer’s Conference.  If you’ve never attended Bread Loaf before, make a commitment this year!  As soon as I know who’s reading, I will post them in the Vermont Poetry Newsletter.

The Otter Creek poets, 15 of them, recently hosted a visit by poet Tom Smith.  Tom mentioned that poetry was a product of rescuing language, that is was about sequestering opposites.  You should be able to “taste the words.”  Another comment of Tom’s to think about: “The butterfly remains a worm when you look at it.”

Take care!

Ron Lewis
VPN Publisher
247-5913

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2.)

THIS WEEK’S WRITING ASSIGNMENT/SUGGESTION/EXERCISE:

Writing is, and always will be, an art practiced in solitude.  So why would you want to write in a room full of other people?

My aim is to give you a change of scene, a safe place to try new directions, and a fun time.  This special writing marathon workshop, part of the Otter Creek Poets’ celebration of National Poetry Month, is a chance to write, write, and write some more.

No just for poets . . . work in any genre or style you choose.  There will be chances to share what you write, but that is 100% optional; feel free to keep work private.

Bring pen and paper, a bag lunch, and whatever else you will need to be comfortable for 3-1/2 hours.  Laptop computers are permitted, but bring your own extension cord.  You should also know that the library’s wireless signal does not penetrate into the meeting room.

No preparation is required.  However, if your writing life hasn’t been going your way – if you are stuck, blocked, frustrated, obsessed, or otherwise dissatisfied with your work – gather your thoughts about that difficulty in advance and I will try to address them in the group setting or privately.

The afternoon of writing went a bit differently than what was identified above.  Here is what actually took place:

National Poetry Month Writing Marathon: Ground Rules

1)   NO CRITIQUES:  The purpose of this session is to generate new writing in first draft form.  We will not be critiquing, editing, or perfecting any work that is shared.
2)   CONFIDENTIALITY:  In order for members to be able to write freely, please remember to treat what you hear confidentially.  What happens here, stays here.
3)   TACT:  Assume that all writings shared here is imaginative, and that the characters and speakers in poems and stories are fictional.  Do this even when the writing is obviously autobiographical.
4)   USING THE TIME FAIRLY:  Give everyone a chance to share and speak.

12:00 – 12:30  Introductions

Who we are and why we write

Write down brief answers to these questions.  At your turn to introduce yourself, read what you have written.

1)          Who are you, where are you from, and what do you do in the world?
2)          As a writer, what is your particular gift?
3)          What is the hardest thing for you to write about?

12:30 – 1:00  Loosening up.  The Writer’s Body

Like it or not, we are beings who live inside bodies.  All of our consciousness, memories, and experience are stored in the body.  Get comfortable – sit, stand, move, whatever feels right.  Close your eyes and notice your body, from the inside.  Now ask your body, one part at a time, to tell you some stories.  Write down the stories.

1:00 – 1:30  Secrets and Lies

Our writing emerges over the course of a lifetime.  Some things emerge early, some later.  Today, try writing something you’ve been putting off.  Maybe something you didn’t have the skill to attempt until now.  Maybe something you weren’t free to say until recently.  Write it now.

2:00 – 2:30  Your Best Story

There is a story everybody makes you tell over and over again.  It’s the story you tell so well.  Oddly enough, you have never written it down.  Do that now.

2:30 – 3:00  Questions & Answers

3:00 – 3:30  Sharing Our Writing

LAST WEEK’S WRITING ASSIGNMENT/SUGGESTION/EXERCISE:

Epistolary Poetry.  Writer John McPhee has said that every one of his books began with the phrase “Dear Mother” – although those words do not actually appear in the books.  Letter writing reframes us, puts us into a different part of our writerly brains.  In letters often we can or may say what we cannot say otherwise.  Letters can be chatty, or seductive, or loving, or angry, or deceptive.

Assignment: Write an epistolary poem, a poem in the form of a letter, or an exchange of letters.

Good Luck!

(All Assignments are products of David Weinstock unless otherwise indicated)

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3.)

Putting life into words

By JOSH O’GORMAN

[Extract] Ruth Stone, the state poet of Vermont, expresses surprise when told it is National Poetry Month.

“Oh, really? That’s nice,” she says, although it is certainly possible she’s just having fun with a reporter one-third her age. For half a century, Stone, now 93, has written and taught, publishing 13 volumes of poetry and leading classes at colleges and universities from New York to California.

“It came when she was pretty old,” says Stone’s daughter Marcia Croll of her mother’s appointment in 2007 as state poet, following the likes of Grace Paley and Robert Frost. “If it had come earlier she might have done more with it.”

Stone no longer gives readings. Her vision is poor, and she doesn’t venture beyond her Middlebury apartment without an escort. What she still does is what she has perhaps always done best, and that is write. Her newest collection, “What Love Comes To: New and Selected Poems,” was one of three finalists for the 2009 Pulitzer Prize….

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4.)

  • This seemed like a timely article, from Poetix, Poetry for Southern California, after reading through the Otter Creek Poets assignment:

Having the Conversation: A Few Thoughts on Why I Write

by Frankie Drayus

[Extract] Why do I write? Why does anyone write?

I write in order to have what I call “the conversation”— to create an exchange with my reader, even if I’ll never meet her. I try to leave enough space in my work for this unknown other to answer. I do the same with other people’s written art— I listen, and then I answer. Then perhaps I ask them something, too.

I used to think that everyone else wrote for the same reason, all of us carefully folding and sliding our little messages into little bottles and dropping them into the water from the islands where we’d marooned ourselves. But I have since learned that this is not the case. When I was teaching undergrads, I discovered that most of them had no idea why they wrote…

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5.)

New Book from Brad Leithauser – Curves and Angles

About this book (per Random House)

In his first collection since the widely acclaimed Darlington’s Fall, Brad Leithauser takes the reader on a bracing poetic journey. Curves and Angles begins in a warm, soft, populated world (these are the curves of the human body, as well as the elliptical pathways of human motivation), and it concludes in a cooler, sharper, more private place—the less-giving angles of an inanimate universe.

The first section, “Curves,” introduces us to a couple of passionate young lovers, indoors in the city on a rainy afternoon; to a vociferous cluster of children playing on a Midwestern summer evening; to a godlike scuba diver, “all long gold limbs and a restless halo of long gold hair.” In a pair of long poems, two aging men—one a science-fiction writer of the 1950s, the other a traveler in an airport bar—confront their mortality.

“Angles” guides us to a rarely opened north-looking attic room, made brilliant by a nearby maple in full fall orange; to a sunny Louisiana kitchen, where two bowls—one brimming with semiprecious stones, one filled with seashells—are locked in an eternal silent beauty contest; to a frozen Icelandic lake; and to a narrow unmarked entryway that possibly leads to our “true and unbounded kingdom.”

Curves and Angles wanders from the balmy waters of the South Pacific to the crystalline wastes of the Arctic, unified throughout by an embracing love of the natural world in all its inexhaustible variety—whether lush or spare, peopled or solitary, curved or angled. It’s a journey made unforgettable by these wise and exuberant poems.

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6.)

Why Poets Should Own Their Domain Names

26 April 2009, the poet @ 9:35 pm

[Extract] I was one of those Geocitizens with a presence in the little community that came to be owned by Yahoo! The year was 1997. I thought it would be cool to publish some of my poetry on a website so Geocities was a nice place to stack my pens. It really didn’t last long. I went on to buy my own domain name and built an actual website using HTML (though I won’t reveal what that website is because it’s just too much an embarrassment). But I was cool for about a year.Imagine my surprise when I read the other day that Yahoo! was shutting down Geocities. They weren’t even selling it. Or replacing it with anything. Not even a plan to revamp it. Just killing it. Splat! (…)

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7.)

Shakespeare Portrait Unveiled

APTOPIX BRITAIN SHAKESPEARE PORTRAIT[Extract] The Bard, or not the Bard? That is the question posed by Monday’s unveiling of a centuries-old portrait of a dark-eyed, handsome man in Elizabethan finery.

Experts say it is the only portrait of William Shakespeare painted during his lifetime _ in effect, the sole source of our knowledge of what the great man looked like.

But they can’t be certain. In the shifting sands of Shakespeare scholarship, where even the authorship of the plays is sometimes disputed, nothing is written in stone. (…)

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8.)

Certificate in Literary Publishing

[Extract] Have you been thinking or dreaming about starting your own literary magazine, or founding a press to publish books? Do you have a vision of what works you would like to bring to life? Or would you like to work for a literary magazine or small press? The Department of Professional Studies and Special Programs at Emerson College offers the Literary Publishing Program, which is open to poets, fiction writers, creative nonfiction writers, and individuals who would like to learn the publishing skills needed to start and run their own literary magazines or their own book publishing ventures, or work for a larger literary publishing enterprise.
 
The program in Literary Publishing is held as a two-week intensive during Emerson College’s May intersession (5/11-5/22). Outside of classroom instruction, participants will work on a business plan on their press or magazine. Participants who complete the intensive and submit a rough business plan for their literary magazine or press will earn the Literary Publishing Certificate. This program is non-credit.
 
This non-credit program provides five two-day modules and a half-day panel designed to give the basics in starting and running a literary magazine or small press, giving those enrolled a way to avoid common, and costly, mistakes…

Click Here for Details

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9.)

Poetry Readings Resume at The Book King, Center Street, Rutland

The Book King is returning to having public poetry readings, to be held on the last Friday of each month, the first of which would be May 29th, at 6:00-7:00 p.m.  I will be organizing the readers, develop the flyers, and do the promotion of the events through the local newspapers and radio stations.  There will be flyers at the Book King in order to have available for handouts.

I am hoping to have several poets lined up for this inaugural reading.  Please contact me if you’d like to read at what should be a grand kick off.  For this reading, I am looking for poems containing the idea of “Spring” or “Signs of Spring” for a common theme.

For future readings, I am thinking along the lines of having readers from:

1) The Killington Arts Guild and their writers from the publication “A Gathering of Poets”
2) Members of the Otter Creek Poets, who have published 4 anthologies
3) Readers from the Vermont Young Writers Project
4) Youthful “Slam Poets”
5) Anti-war poets

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10.)

  • Another new place to read poetry is at “51 Main.”  This is both the address and the name of a new coffee house of Middlebury College students.  Although I haven’t yet visited this establishment, I believe it to be, based on the events that have taken place there, much like Carol’s Hungry Mind Café.  For instance, yesterday, April 28th, they had an 8:00 p.m. poetry reading that included the likes of:

Kellam Ayres
Jennifer Bates
Lucas Farrell
Karin Gottshall
(“Whose book of poetry, Crocus, is a must read.” – Ron Lewis)

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11.)

  • Castleton State College’s glossy magazine, Castleton, recently had a beautiful article about the late Chris White.  I ended up typing it into the Poetry Society of Vermont’s web site (I’m their Webmaster), and have copied it over here for you to read.

In Memoriam

Remembering Professor Chris “Doc” White, 1937-2009

Retired mathematics professor Chris White died January 14 in his home next to campus.  He taught full-time at Castleton from 1970 until spring 2007, and since then has been teaching advanced courses part-time and tutoring upper level math students.  He was looking forward to teaching Calculus III this spring.

Professor’ White’s nephew, Stuart Linden, told the Castleton community, “As everyone was aware, Chris’s life revolved around the college.  It was his ‘family.’  He was brilliant, eccentric, kind, funny, thoughtful, dedicated, generous — and sometimes he acted like a young kid.”

He was on campus daily to visit friends among the faculty and staff, to eat in the snack bar, or to take long walks.  His jacket pocket always held biscuits for the dogs he met.

Meg Thompson, a senior mathematics major who studied geometry and advanced Calculus with White last summer, remembers his excitement when he got an interesting idea.  “It was a look in his eye.  It was like he perked up.  If he explained it, you probably couldn’t follow him.”  Students learned to respect and enjoy these private moments of brilliance.

Thompson says that math students have started to refer to White when confronted with a difficult problem.  She heard the saying first from her roommate and it’s catching on: “What would Dr. White do?”

White was working on a book on identities of Pascal’s Triangle with Professor Chris Schwaner, a former student and now a colleague in the Mathematics Department.  Schwaner is now looking for a publisher.

White was a man of many talents.  He played the violin.  He wrote reviews for a leading mathematics journal and translated articles from Russian.  He was a poet and was president of the Poetry Society of Vermont for ten years.  He continued to serve on the society’s board of trustees, helping to promote a creative writing contest for young people.

Last spring White donated his house and property to Castleton as a life estate.  Under the terms of the gift, he continued to live in the house, which was maintained by the college.

“He was always happy, always had a smile, and always had nice things to say about everyone,” recalls Rita Geno, administrative assistant in the Dean’s Office.  White stopped in to see Geno and Karen Craig, administrative assistant to the President, nearly every day.  They made sure his birthday was celebrated in Woodruff Hall.  “We lost a wonderful member of the Castleton family when we lost our dear Chrissy.”

  • Taken from Castleton Magazine, Spring 2009, Campus News, Page 4
  • PS:  What the article didn’t mention was Chris’s ties to another activity of mine, table tennis (ping pong).  He was the first player in Vermont to use “smooth rubber.”  While everyone else was using “pips out” rubber, Chris was able to beat them all with this new type of rubber, which brought a great new element to the game: SPIN.  From Chris’s family I was able to secure his famous paddle, which I have framed.  It is now hanging in our club’s (the Green Mountain Table Tennis Club’s) storeroom, as a true momento of the past, and Chris’s legendary status.

If you have any desire to donate money in Chris’s memory, you can do so to two separate enterprises:

1) Alumni & Development Office, Woodruff Hall, Castleton State College, Castleton, VT 05735-9987.  Specifically mention that you would like your gift to go in the memory of Chris White, so that it can be applied to a specific area that Chris’s family would feel it should go toward.  For additional info, phone Liz Garside in the Development and Alumni Office, 468-1240; you can also go online at http://www.alumni.castleton.edu, and make gifts with a credit card on line.
2) Green Mountain Table Tennis Club, 1211 Forest Dale Road, Brandon, VT 05733.  The club has established a special youth fund that finances table tennis equipment for teen members of the local Boys & Girls Club, with which the GMTTC has partnered.

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12.)

Great River Arts Institute 2009 Courses

Literary Programs

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13.)

Wordsworth Aficionados Have a New Destination
By ALAN COWELL
Published: June 21, 2005 – New York Times

Wordsworth HouseOWN END, England, June 15 – The season for daffodils is past and there is a bitter edge to what should be a gentle breeze on the lake called Grasmere, but the people at the Wordsworth Trust seem untroubled by what their namesake poet called “the business of the elements.”
A fresh batch of poets in residence have arrived for sabbaticals of up to six months, escaping “the vast city, where I long had pined, a discontented sojourner,” as William Wordsworth described a similar journey in his autobiographical poem, “The Prelude.”
A program of poetry readings, initiated this year by the Irish poet Paul Muldoon, who won the 2003 Pulitzer Prize for poetry, continued June 14 with Fleur Adcock, an English-New Zealand poet. But most notable, alongside Dove Cottage – the home of Wordsworth and his sister, Dorothy, from 1799 to 1808 – and the Wordsworth Museum, a new center was opened this month by the Nobel Prize-winning poet Seamus Heaney to offer scholars access to a collection of manuscripts, books and other material that gathers 90 percent of Wordsworth’s known papers….

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14.)

THIS WEEK’S REVIEW (1)

Poetry Pulitzer Goes to W. S. Merwin

pulitzer-merwin[Extract] Port Townsend, WA—W.S. Merwin has been awarded the 2009 Pulitzer Prize for his most recent book of poetry, The Shadow of Sirius, published by Copper Canyon Press. The $10,000 cash award honors the best book of poetry published by an American during the given year. The prizes were established in 1917 as an incentive to excellence in journalism and the arts….

“It is an honor to publish William Merwin’s poetry,” Said Michael Wiegers, Executive Director of Copper Canyon Press, “and we couldn’t do it without the support of the donors and other poets who make Copper Canyon Press possible. We are thrilled by the recognition another Pulitzer brings to the organization and are pleased that we’ve been a part of William’s most recent awards. This critical recognition helps to further our mission of fostering the work of poets at every stage in their career.” (…)

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15.)

THIS WEEK’S REVIEW (2)

  • I’ve had the wonderful opportunity to receive two wonderful books that somehow eluded my grasp, until now:

1) The One Remaining Star

This is a recent book of poems by Susanne Dubroff, of Hanover, NH.  Her others are chapbook size, one of which is internal with Mid-American Review 1999, translations and her own small first collection of published poems, all out of print.  She’s been published widely for some time in good journals (even some translations of her work have come out in French and Belgian journals), but not as much in New England as other parts of the country.  Here’s one poem from the book:

The Sweetest Smile

I spotted you the way I
first spot a poem –

limp, out of breath
thread of self’s how

it starts.  Hold the line,
you told us. Tip it right

and you’ve got the fish.
Goad, mystery you don’t

like in poems.  You’ve got
the sweetest smile, I said

that last night, as we dropped
into chairs, side by side, listening

to all that blind piano player’s
jazz about surviving pain.

I think, no, I know for sure that you will love this book even more than Robert Bly mentions on the back cover.  She has a tight closure on each poem, and that’s important, and difficult.  You only need to flip through the pages, pick any poem to read, and realize the poet’s grasp of language and thought.  You will not put the book down again until you’re telling the cashier that you’d like to purchase it.

2) This Smoke That Carried Us

The poems here are from translations of René Char, by Susanne Dubroff.  Susanne shows her high level of skill in making you see the way Char had seen things in the terror of his experiences in France during WW II.  Char, one of France’s key poets of the 20th century, is laid bare here, instead of being lost to many of us who are unable to read French.  Take this one with you:

Divergence

The horse with his narrow head
has condemned his enemy,
the lazy-heeled poet,
to harsher winds
than those drifting in his voice.
The ruined earth recovers,
although a sword keeps wounding her.

Go back to your farms, gentle ones,
age and youth stream
in Spring in the almond trees.
Death smiles at the edge of time,
which gives him some magnificence.

The poet rebels in high summer,
draws his vision and his madness
from the inferno of harvest.

If you’d like to get the books directly from the author, Susanne Dubroff, who will sign them for you, then go ahead and give her a shout.

Susanne Dubroff
42 Lebanon St. 8C
Hanover, NH  03755

“Susanne Dubroff” <dovetree1830@yahoo.com>

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16.)

Did You Know?

  • Iowa – the City of Literature.  Don’t we all secretly wish we had gone to college at the University of Iowa?  Well, go hide your BS in Business Administration, and sign up to go to the Summer Writing Festival, June 7th through July 24th!” – Ron Lewis

Iowa Writing Festival

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17.)

“Ponderings”

  • “In case you missed the Middlebury College reading back in December 2008, and pondered what it was like, here’s the write up that was done in the college’s newspaper” – Ron Lewis

Middlebury Article about Renowned PoetSay what you will about the word “networking,” but sometimes it really is about who you know. In this case, it was Melissa Hammerle who proved to be a useful connection; this local resident put D.E. Axinn Professor of English & Creative Writing Jay Parini in contact with her a friend of hers, none other than Breyten Breytenbach, the world-famous poet, fiction writer, painter and activist. Breytenbach graciously accepted an invitation to come to the College, which culminated in a standing-room only reading in the Axinn Center’s Abernethy Room on Nov. 20.

Interspersed between riveting introductions brimming with anecdotes seemingly out of the movies, Breytenbach read selections from “Windcatcher: New and Selected Poems, 1964-2006” and “Lady One: Of Love and Other Poems.”

Said Parini, “He has a wonderful sense of language: highly particular, musical, and full of vivid images. He has an appealing sense of place, and he has a strong political angle…

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18.)

A poem begins with a lump in the throat.

Poetry Quote by Robert Frost

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19.)

Poets Laureate of the U.S.A.

  • A Net-annotated list of all the poets who have served the Library of Congress as Consultant (the old title) or Poet Laureate Consultant (the new title). Biographies & general reference sites are linked to the poets’ names — for the recent Laureates these are our own poet profiles with book-buying links at the bottom. Many of the other linked biographies are pages from the Academy of American Poets’ Find a Poet archive, a growing & invaluable resource. If there is no general information site about the poet, we have searched the Net for sample poems or other writings or recordings & listed those below the poet’s name.

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20.)

A Parting
Don Pomerantz

I have bitten a little too closely
into a Bartlett Pear
and there are the seeds, three, four
on the other side…

failbetter.com is an online journal that publishes original works of fiction, poetry and art

Sign up in order to get their online newsletter: http://failbetter.com/29/AboutUs.php

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21.)

  • Linebreak is an online journal with a bias for good poetry. Here is a poem from their web site this week. This week’s poem from Linebreak:

Caddyshackesque
by Daniel Nester

The main plotlines are never important.
As in Shakespeare, it’s merely the précis
Over which laureate neighbors quiver.
Remember the Judge, crying, indignant…

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22.)

Hiding Our Lo
by
Carolyn Kizer


Never believe I leave you
From any desire to go.
Never believe I live so far away
Except from necessity….

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23.)

American Life in Poetry: Column 211

BY TED KOOSER, U.S. POET LAUREATE, 2004-2006

Some of you are so accustomed to flying that you no longer sit by the windows. But I’d guess that at one time you gazed down, after dark, and looked at the lights below you with innocent wonder. This poem by Anne Marie Macari of New Jersey perfectly captures the gauziness of those lights as well as the loneliness that often accompanies travel.

From the Plane

It is a soft thing, it has been sifted
from the sieve of space and seems
asleep there under the moths of light…

We’ve published this column about American life for over four years, and we have finally found a poem about one of the great American pastimes, bowling. “The Big Lebowski” caught bowling on film, and this poem by Regan Huff of Georgia captures it in words.

Occurrence on Washburn Avenue

Alice’s first strike gets a pat on the back,
her second a cheer from Betty Woszinski
who’s just back from knee surgery. Her third–
“A turkey!” Molly calls out–raises everyone’s eyes…

American Life in Poetry: Column 213

BY TED KOOSER, U.S. POET LAUREATE, 2004-2006

Bill Holm, one of the most intelligent and engaging writers of our northern plains, died on February 25th. He will be greatly missed. He and I were of the same generation and we shared the same sense of wonder, amusement, and skepticism about the course of technology. I don’t yet own an Earbud, but I won’t need to, now that we have Bill’s poem.

Earbud

Earbud–a tiny marble sheathed in foam
to wear like an interior earring so you
can enjoy private noises wherever you go,
protected from any sudden silence…

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24.)

KEEP PAST VERMONT POETS ALIVE!  I’M SOLICITING YOUR HELP:

POETS OF VERMONT PAST AND PRESENT PROJECT

I’m looking for a copy of:

1) The Literature of Vermont: A Sampler – FOUND!
2) Poets and Poetry of Vermont, by Abby Maria Hemenway, 1858
3) “Driftwood,” a poetry magazine begun in 1926 by Walter John Coates

  • If you have any books of poetry, chapbooks, or just poems written by Vermont poets, dating 1980 and earlier, famous or not, I’d like to know about them.  I’m beginning a project that deals strictly with Vermont poets, from Vermont’s past, with summaries of the poets themselves, a portrait photo or drawing of the poet, along with a small sampling of poems.  If you think you can help, you probably can!  Please contact me by replying to this newsletter.

Ronald Lewis

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25.)

VERMONT POET LAUREATES

1) Robert Frost – 1961
2) Galway Kinnell
3) Louis Glück
4) Ellen Bryant Voigt
5) Grace Paley
6) Ruth Stone

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26.)

If you ever have a need to contact me, here’s how to go about doing so:

Ronald Lewis:
Phone: 802-247-5913
Cell: 802-779-5913
Home: 1211 Forest Dale Road, Brandon, VT 05733
Email: vtpoet@gmail.com

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27.)

VERMONT LITERARY JOURNALS

1) The Queen City Review

Burlington College’s  The Queen City Review is a yearly journal of art and literature and accepts the work of new and established writers and artists in the areas of poetry, fiction, creative non-fiction, memoir, photography, and fine art, as well as essays and criticism on all aspects of the aforementioned. They seek to publish high quality work that ranges broadly in topic and genre.

The Queen City Review can be purchased by 2-year subscription or individually.  The price of one issue is $8 plus shipping charges ($1) for a total of $9.  Subscriptions can be purchased for #$14 plus shipping charges $2) and includes the Fall 2008 and upcoming 2009 issues.  They accept cash, check, and credit cards.  You can mail your payment to them or by calling (802) 862-9616 ext. 234 to place your order over the phone.  If mailing your payment, mail details to:

ATTN: Heidi Berkowitz
Burlington College
95 North Avenue
Burlington, VT  05401

2) Bloodroot

www.bloodrootlm.com

Bloodroot is a nonprofit literary magazine dedicated to publishing diverse voices through the adventure of poetry, short fiction, and creative nonfiction.  Their aim is to provide a platform for the free-spirited emerging and established writer.

The price of a single issue is $8.

Editor, “Do” Roberts
Bloodroot Literary Magazine
PO Box 322
Thetford Center, VT  05075
(802) 785-4916
email: bloodroot@wildblue.net

3) New England Review

A publication of Middlebury College, a high quality literary magazine that continues to uphold its reputation for publishing extraordinary, enduring work.  NER has been publishing now for over 30 years.

http://www.nereview.com/index.html

Cost: $8 for a single issue
$30 for a single year (4 issues)
$50 for two years (8 issues)

New England Review
Attn: Orders
Middlebury College
Middlebury, VT 05753

NEReview@middlebury.edu
(800) 450-9571

4) Willard & Maple

A Literary and Fine Art Magazine of Champlain College, Burlington.

Willard & Maple
163 South Willard Street
Freeman 302, Box 34
Burlington, VT  05401

email: willardandmaple@champlain.edu

5) Burlington Poetry Journal

A low-tech literary journal of only 20 pages, but it seems to be gaining speed and popularity.  You can find it free at small cafés, etc.

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28.)

VERMONT STATE POETRY SOCIETY

Poetry Society of Vermont

The Poetry Society of Vermont, founded in 1947, is an association of poets and supporters who join in promoting an interest in poetry through meetings, workshops, readings, contests, and contributions to the society’s chapbook. Anyone may join the society including high school and college students and non-residents of Vermont. We welcome both writers and appreciative readers.

In September 2007, The Poetry Society of Vermont will celebrated its 60th Anniversary.

Membership in PSOV Benefits:

  • 2 luncheon/ workshops a year where a professional poet critiques your poems
  • one hands- on writing workshop and reading under the direction of a professional poet
  • the opportunity to enter contests judged by professional poets and to win awards
  • fellowship with appreciative readers and writers of poetry
  • opportunity for publication in the PSOV chapbook, The Mountain Troubadour
  • opportunity for publication in upcoming anniversary anthology

How to join:

mail dues of $20.00 to

Membership Chairman
P.O. Box 1215
Waitsfield, VT 05673

include your name, mailing address, telephone, and e-mail address for Membership List
memberships are renewed by January 1 of each year

The PSOV has 2 current books available for sale:

1) The Mountain Troubadour – 2008 – Curl up with 44 pages of interesting, award-winning poetry from a wonderful group of poets.  This book is only $8 (+$1 to mail).  To get yourself a copy, call or write to Betty Gaechter, 134 Hitzel Terrace, Rutland, VT 05701, 773-8679.  This little booklet may be just the thing to get you involved with the PSOV for a lifetime of friendships.
2) Brighten the Barn – 60th Anniversary Anthology – 1947-2007 – An Anthology of Poems by Members of the Poetry Society of Vermont.  99 pages of quality poetry; that’s a lot of beautiful poetry for only $12.  If you get it through me (Ron Lewis), it’s only $12.  If you want it shipped to you, the PSOV wants an extra amount to cover tax and shipping ($0.72 + $3.00).  This book retails for $15, but a reduced price is now in play to unload the few remaining copies.

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29.)

WRITER’S PROMPTS, ANYONE?

Looking for more writer’s prompts?  Go to The Young Writers Project web site!

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30.)

YEAR-ROUND POETRY WORKSHOPS IN VERMONT

BELLOWS FALLS

1) Great River Arts Institute – See details elsewhere in this newsletter

2) Poetry Workshop at Village Square Booksellers with Jim Fowler (no relation to owner Pat).  The goal of this course is to introduce more people to the art of writing poetry and will include a discussion of modern poetry in various forms and styles. Each week, the course will provide time to share and discuss participant’s poetry. Poetry Workshops on Monday mornings (9:30-12:30 I believe)- Jim Fowler’s sessions continue, with periodic break for a few weeks between sessions.  Students should bring a poem and copies to the first class. The course will be limited to 5 to 8 students to allow adequate time to go through everyone’s poetry contributions and will meet in the cafe at Village Square Booksellers. James Fowler, of Charlestown, New Hampshire, has a Masters Degree in Environmental Science with a major in Nature Writing. He was the editor of Heartbeat of New England, a poetry anthology. Fowler has been widely published since 1998 in such journals as Connecticut Review, Quarterly of Light Verse, and Larcom Review. Fowler is a founding member of the River Voices Writer’s Circle, and a regular reader at Village Square Booksellers-River Voices Poetry Readings. The fee for this 6 week Workshop is $100, payable to Mr. Fowler at the first class. Pre-registration for the Poetry Workshop is suggested and may be made by calling Village Square Booksellers at 802-463-9404 or by email at vsbooks@sover.net or  jfowler177@comcast.net.

BERLIN

The Wayside Poets, who share their poetry publicly from time to time, have been meeting irregularly for the past 25 years.  They used to be called The Academy Street Poets.  Membership is by invitation only.  They meet now at the Wayside Restaurant & Bakery in Berlin.  Members include Diane Swan, Sherry Olson, Carol Henrikson and Sarah Hooker.  You can contact them through Sherry Olson at: solsonvt@aol.com or 454-8026.

GUILFORD

The Guilford Poets Guild, formed in 1998, meets twice a month to critique and support each other’s work.  Their series of sponsored readings by well-known poets which began at the Dudley Farm, continues now at the Women and Family Life Center.

MIDDLEBURY

The Otter Creek Poets offer a poetry workshop every Thursday afternoon, from 1:00 to 3:00 in the basement meeting room of the Ilsley Public Library, 75 Main Street, Middlebury.  This workshop, the largest and oldest of its kind in the state, has been meeting weekly for 13 years.  Poets of all ages and styles come for peer feedback, encouragement, and optional weekly assignments to get the poetry flowing.  Bring a poem or two to share (plus 20 copies).  The workshops are led by David Weinstock.  There is considerable parking available behind the library, or further down the hill below that parking lot.  For more information, call David at 388-6939 or Ron Lewis at 247-5913.

NORWICH

This group meets on the first Sunday of every month at the Norwich Library, 6:30 p.m.

STOWE

There is another poetry workshop happening in Stowe, but unfortunately I know nothing much about this group.  If you do, contact me!

WAITSFIELD

The Mad River Poets consists of a handful of poets from the Route 100 corridor.  More on this group in the future.

OTHER POETRY WORKSHOPS IN VERMONT

BURLINGTON

Scribes in the making put pen to paper as part of an open verse-writing session at the Fletcher Free Library, 235 College Street.  Three consecutive Thursdays, starting January 8, 2009, 5:00-6:00 p.m.  Free.  Contact information: 862-1094.

WHITE RIVER JUNCTION

Thinking Like a Poetry Editor:  How to Be Your Own Best CriticNote: Course is Filled!
(“The Ossmann Method” Poetry Workshop – Crash Course)

Instructor: April Ossmann (author of Anxious Music, Four Way Books, 2007, writing, editing and publishing consultant, and former Executive Director of Alice James Books)

The Writer’s Center
58 Main Street, White River Junction, Vermont

Hi All,

Here are my workshop offerings for the next couple of months. These are both one-day workshops, and generative as well as critical (if you don’t want to perform the exercise, it’s fine to bring any new (one-page) poem. The deadline for sending poems and checks is ten days in advance of the workshop dates which are May 9th or 12th, so if you want to participate, signing up soon will give you more time to perform the exercise.

Yours,
April

The Ossmann Method Poetry Workshop: Building Your Tool Kit
(“Crash Course”)
Instructor: April Ossmann
Saturday, May 9th from1 p.m. – 3:30 p.m. OR
Tuesday, May 12th from 9:30am – 12:00pm
$45 (each date)

Learn how to think like a poetry editor! In this workshop we’ll turn the usual workshop model on its head and not only allow the poet being critiqued to speak, but to speak first and critique their own poem, discussing correlations between the criticisms s/he has for other participants’ poems and her/his own before group discussion begins. This will offer a taste of what it means to be both poet and poetry editor, a position in which it becomes easier to objectively assess your own work; to spot dull vs. energetic syntax, generic vs. original imagery and other strengths and weaknesses you may have overlooked. It also empowers the poet in the process, and engenders an unusually positive and congenial workshop atmosphere. This workshop will be both critical and generative, so the instructor will assign reading a generative exercise in advance meant to teach or improve writing skills. Participants will receive written editorial suggestions for their poem from the instructor. Pre-registration required; enrollment limited to 8. Info: (802)333-9597 or aprilossmann@hotmail.com and www.aprilossmann.com

  • Note: If you know of any others, or have personal information about the workshop in Stowe and Guilford, please send me that information.  I realize that there are several smaller groups or workshops around the state.  However, because of their intimacy, they are not posted above, allowing them to offer “memberships” to close friends or acquaintances that they feel would be most appropriate.

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31.)

YEAR-ROUND POETRY WRITING CENTERS IN VERMONT

SPRINGFIELD

A Writer’s Group has started to meet at the Springfield Town Library on the fourth Monday of each month, from 7 to 8 pm.  For more information, call 885-3108.

WHITE RIVER JUNCTION

The Writer’s Center is for serious writers and nervous beginners. It’s for procrastinators who could benefit from regular deadlines – and for the prolific who could benefit from quality feedback. It’s for anyone with a manuscript hidden in a drawer, or a life story or poem waiting to be written. It’s for people who don’t know where to start or how to end. And for writers who are doing just fine on their own, but would like the company of other writers.  The Writer’s Center is for anyone who is writing or wants to write.  One of the Center’s consultants is April Ossman (www.aprilossmann.com).  Founded by Joni B. Cole and Sarah Stewart Taylor, the Writer’s Center offers instruction and inspiration through a selection of workshops, discussions, and community. We would love to see you – and your writing – at The Writer’s Center!  For more info, http://www.thewriterscenterwrj.com/.

UNDERHILL

Women Writing for (a) Change supports the authentic experience of women who honor themselves through creative writing.  Our community supports reflection as we move into our questions and awaken to change.  Participants enhance expressive skills, strengthen their voices, deepen themselves as women as writers for positive change in all spheres of life.  Creative writing in all genres is our shared vehicle.  Women Writing for (a) Change is for women who, 1) dream of writing for self-discovery, for personal or social healing, 2) hunger for creative process in their lives, 3) yearn to explore their feminine voice, 4) crave reflective, space, and 5) are in transition.  For more information, go to their web site at www.womenwritingVT.com/ or contact Sarah Bartlett at either 899-3772 or sarah@womenwritingvt.com.

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32.)

POETRY EVENT CALENDAR

Poetry Event

Below please find the most current list of poetry happenings in Vermont for the near future.  Please be aware that these events can be found on Poetz.com, but there is usually additional information that is typed here that would be cumbersome to place on Poetz.com.  Please note all events are Vermont-based unless they are of extreme importance or happen to lie just outside our borders.  If you would like to save on paper and ink, please just highlight what you need, or perhaps only events for the coming month, and print that information.

Wed, Apr 29: The Fleming Museum, 61 Colchester Avenue, Burlington, 6:30 p.m. – 7:30 p.m.  The Painted Word Poetry Series Poetry Readings: Poets Katy Lederer & Jill McDonough. The Fleming Museum presents a poetry series hosted by Major Jackson, associate professor, UVM Dept. of English. This reading series highlights established and emergent New England poets whose work represents significant explorations into language, song, and art. 

Co-sponsored with the English Department and funded in part by the James and Mary Buckham Fund.  Kay Lederer is the author of the poetry collections The Heaven-Sent Leaf (BOA Editions, 2008), Winter Sex (Verse Press, 2002) and the memoir Poker Face: A Girlhood Among Gamblers (Crown, 2003), which Publishers Weekly included on its list of the Best Nonfiction Books of the Year and Esquire Magazine named one of its eight Best Books of the Year. Lederer is the daughter of bestselling non-fiction author Richard Lederer and the sister of world-class poker players Howard Lederer and Annie Duke. Katy Lederer’s poems and prose have appeared in The American Poetry Review, Boston Review, Harvard Review, GQ, and elsewhere. She has been anthologized in Body Electric (Norton), From Poe to the Present: Great American Prose Poems (Scribner), and State of the Union (Wave Books), among other compilations.

Educated at the University of California at Berkeley and the Iowa Writers’ Workshop, she serves as a Poetry Editor of Fence Magazine. Her honors and awards include an Academy of American Poets Prize, fellowships from Yaddo, MacDowell, and the New York Foundation for the Arts, and a Discover Great New Writers citation from Barnes & Noble’s Discover Great New Writers Program.  Jill McDonough has taught incarcerated college students through Boston University’s Prison Education Program since 1999. Her poems have appeared in The Threepenny Review, The New Republic, and Slate. The recipient of fellowships from the National Endowment for the Arts, the Fine Arts Work Center, the Dorothy and Lewis B. Cullman Center for Scholars and Writers, and the Wallace Stegner Fellow at Stanford University.  In her first book, “Habeas Corpus”, acclaimed poet Jill McDonough gives us fifty sonnets, each about a legal execution in American history. From four hundred years of documentation she conjures – and honors – a chorus of the dead. The sonnets, headed meticulously by name, date, and place, are poignant with the factual, with words and actions reported by eyewitnesses and spoken by the condemned – so limpidly framed that at moments one forgets the skill that tautens and crystallizes all this into authentic poetry.  With a rare control of indignation by sorrow, of subjectivity by the subject’s own truth, McDonough’s unsparing sonnets reveal the enormity that is the death penalty in America.  Taking the words of fifty out of the nearly 20,000 men and women executed since 1608, she reflects them back to us in works of self-effacing artistry. Resurrected from their obscurity these individuals speak our secret history.  For info, 656-2090.

Wed, Apr 29: Monkey House, 30 Main Street, Winooski, 8:00 p.m. – 9:00 p.m.  Poetry Reading.  A new place for poets to read and hear new work.  This is a continuing series happening on alternate Wednesdays.

Thu, Apr 30: Ilsley Library, 75 Main Street, Middlebury, 1:00 p.m.  Stephen Donadio talks about editing the New England Review and the role of literary journals.

Thu, Apr 30: Parima, 185 Pearl Street, Burlington, 8:45 p.m. -10:00 p.m.  Poetry Jam.  This is a continuing series, happening on alternate Thursdays.

Thu, Apr 30: Borders Bookstore, Church Street, Burlington, 7:00 p.m. – 9:00 p.m.  PSOV POETRY READING.  If you’re a member of the PSOV, then you’re invited to read.  Please contact Yvette Mason at (ymason@bsdvt.org) if you are wishing to read. Also, if you have books that have been published and the contact at Borders can order some from your publisher, let Yvette know ASAP as they need turn-around time to make sure they can get books IN THE STORE in time.  Note to PSOV members: you are not allowed to SELL your own books, but you can have a display.

Sun, May 3: Parima’s Restaurant, Acoustic Lounge, 185 Pearl Street, Burlington, 4:00 p.m. David Cavanagh Poetry Reading.  Burlington resident David Cavanagh waxes poetical (and political) with readings from his dark new collection, Falling Body. The book is just out from Salmon Poetry of Ireland. The painting featured on the cover (below) is by Gail Salzman of Fairfield.  For info, 864-7917.

Wed, May 6: Shoreham Historical Society, Shoreham.  David Weinstock, Director of the Otter Creek Poets, will be reading from his collection of poetry.  More details as I learn them.

Sat, May 9: Village Square Booksellers, 32 The Square, Bellows Falls, In the Café, 2:00p.m. – 4:00 p.m.  Open Mic River Voices Poetry Reading on the second Saturday of each month.  The session is open mic, with individuals reading their own poetry or poems from their favorite poet.  Listeners are welcome to attend.  Light refreshments are served.  To reserve a place at the table, e-mail vsbooks@sover.net or call (802) 463-9404.

Tue, May 12: The Galaxy Bookshop, 7 Mill Street, Hardwick, 7:00 p.m.  Poet Jody Gladding will be at The Galaxy Bookshop to read from and sign copies of her new book, Rooms and Their Airs.Drawn from the environments of northern Vermont and the South of France, the poems in “Rooms and Their Airs” explore the interface of the human and natural worlds, further eroding that distinction with each poem. The verse here merges subject and object, often giving voice to natural phenomena — a vernal pool, a fossil, a beam of light. These poems sparkle with humor, sophisticated word play, and intellectual examination, reflecting an elegant and contagious curiosity about history, language, and the world. Linked poems give voice to garden vegetables while drawing inspiration from the archival illustrations in “The Medieval Handbook.” A mother and daughter’s trip to see France’s cave paintings uncovers living vestiges in prehistoric depictions and reaffirms the enduring nature of art. With this collection, Jody Gladding cements her reputation as the literary heir to A. R. Ammons, Gustaf Sobin, and Lorine Niedecker.

Wed, May 13: Vermont Humanities Council, 11 Loomis Street, Montpelier, 5:30 p.m. – 6:30 p.m.  Robert Frost’s poetry is known, among other things, for its ability to evoke the seasons of New England in all their complexity. Join Peter Gilbert, the Vermont Humanities Council’s executive director and the executor of Frost’s estate, in reading and discussing some of Frost’s spring poems. Participants are invited to either read the poems in advance or upon arriving. Refreshments served. RSVPs are encouraged at 802.262.2626 x307. Walk-ins welcome.