Tom O’Bedlam reads Skeletons

  • Tom O’Bedlam, of SpokenVerse, has beautifully read Skeletons. I was unfamiliar with Tom’s readings until recently (and astonishingly), but I’m a bit of hermit. Tom read Browning’s poem My Last Duchess, quoted my summary of the poem and provided a link to my post. I listened to his Duchess, then other poems, and then was so taken by his readings that I wrote Skeletons for him; imagining a poem to suit his voice. In truth, the poem is dedicated to him. So here it is, once again, and beautifully read by Tom O’Bedlam. I’d be happy to write him a hundred poems. He’s inspired me.

§

My skeleton and I go out for walks,
Although he mostly likes it in the closet.
I’ll hear him tap, tap, tapping
His skull for some conundrum; there are many.
It’s no small thing for any skeleton
To think. His skull’s a ruined house, its clasps
And door-locks long since gone.
························He teeters, grasps —
Ideas are fretful winds. They blow into
And through his vacant stare, emptily tumble;
Then out the way they came. He stands perplexed,
A sharp forefinger’s bone upraised, his jaw
Aslant — he’d almost had it.
························So it goes
It’s times like these that we go out. I keep
Our walks discreet though every now and then
We’ll meet a passerby (my skeleton
And theirs will pay no mind). We pass a cape,
A woodpile covered by a sheet of tin,
And laundry—skirts and sheets. They billow ghostlike
Above the ruined dooryard.
························He walks
With fingers laced behind his spine; looks
A little this way and a little that.
The dust recoils between his toes and smolders
At his heels. There’s nowhere he’ll stop
Unless it’s where there used to be a house,
Midfield, where now there’s just foundation stone.
He’ll gaze with longing and he’ll heave
And here and there a leaf snagged in his ribs
(And bones withal) will tumble down. They’ll scrape
And skitter through and in between until
He stands in them.
··················He lingers. He’d share
A secret he kept in life; that now,
In death, keeps him. I never asked and yet
One day he pointed where the house had been
With such a trembling grief
He might have been as likely reaching to touch
Another’s unseen fingertip.
························A gust
Took from the cellarhole a crackling smoke
Of leaves.·The sheets of the house nearby
Were chased into the field’s conflagration
Of nettle, thorn and thistle. Too late
They fled but couldn’t flee. The sudden gust
Confounded them — the mother and her child!
I saw them both. How like a mother’s hand,
And like the daughter’s where the small sheet clung
If only by a clothespin to the larger;
As if they’d change what was already done,
As if this time they’d reach his outstretched sorrow;
Undo, a hundred years gone by, the crows
That rise like startled ashes from the ruins—
Their screams dispersed into the neighboring hemlock
And birch.
······His lowering finger curls beneath
Their rake of knuckles. The sheets lay motionless
Under a settling soot of leaves and wildflowers charred
By frost.
······He never afterward did more
Than linger. I’ll not swear that what I saw
Was true, but then I can’t be sure that I
Won’t too, for guilt, regret, or for some sorrow
Dwell in your home.
······You’ll know me, if I’m there—
My bones, a few remains, shelved in a poem;
Willing, if just for company, to share
Your walk and should you need me to — your pain.

Erlkönigin

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  • This poem is based on the Goethe’s famous poem – Erlkönig.
  • Schubert wrote an equally famous song for piano and voice based on the poem. Here is an orchestrated version (not orchestrated by Schubert). For those who don’t speak German (I do, by the way) this comes with English subtitles.
  • Here is an AMAZING animated excerpt. The complete video, for a price, can be found at http://www.theerlking.com/.
  • And here it is sung by Jessye Norman.
  • I just recently posted an astonishing new video based on Goethe’s poem, you can watch it here.

[Not a great reading of my poem – but here it is. There are a couple of mistakes and I may try it again when it’s not midnight.]


Erlkönigin - Page 1

Erlkönigin - Page 2

Erlkönigin - Page 3

Erlkönigin - Page 4

Erlkönigin - Page 5

Opening Book: All Hallows’ Eve Pages 62-71 (Part 3 of 3)

Continuing Part II.

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Opening Book: All Hallows’ Eve Page 52-61 (Post 2 of 3)

Continuing Part I.

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End of Part II

Continue Part III

Opening Book: All Hallows’ Eve Page 43-51 (Post 1 of 3)

The first third of the narrative poem – All Hallows’ Eve. I wrote it as a way to teach myself Blank Verse. There were several years between the start and the finish – though I wasn’t working on it all that time. The poem was inspired by Keats’ Hyperion. I wanted to match its length and bring blank verse back to narrative. If you hear any instructor, critic or reader bemoaning the death of narrative blank verse, send them here! It’s alive and well in me and my poems. Page 43 All Hallows' Eve

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End of Part I

Continue Part II

Opening Book: Come Out! Page 41-42

  • I changed a line in this poem:

From: From off the floor where still its veins had bled.
To: Off the floor where still its veins bled through.

  • I think this was my twentieth try at reading this. What I would really love is for an actress or another reader, a woman preferably, to give it a try. If there are any takers, and if you like the poem enough, let me know.

Page 41 Come Out!

Page 42 Come Out!


Opening Book: My Bridge is like a Rainbow Page 34-38

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Page 34 My Bridge is like a Rainbow
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Page 38 My Bridge is like a Rainbow